Pink Floyd – The Wall
Tracklist
A1 | In The Flesh? | 3:16 | |
A2 | The Thin Ice | 2:27 | |
A3 | Another Brick In The Wall (Part I) | 3:21 | |
A4 | The Happiest Days Of Our Lives | 1:46 | |
A5 | Another Brick In The Wall (Part II) | 3:59 | |
A6 | Mother | 5:32 | |
B1 | Goodbye Blue Sky | 2:45 | |
B2 | Empty Spaces | 2:10 | |
B3 | Young Lust | 3:25 | |
B4 | One Of My Turns | 3:41 | |
B5 | Don't Leave Me Now | 4:08 | |
B6 | Another Brick In The Wall (Part III) | 1:48 | |
B7 | Goodbye Cruel World | 0:48 | |
C1 | Hey You | 4:40 | |
C2 | Is There Anybody Out There? | 2:44 | |
C3 | Nobody Home | 3:26 | |
C4 | Vera | 1:35 | |
C5 | Bring The Boys Back Home | 1:21 | |
C6 | Comfortably Numb | 6:23 | |
D1 | The Show Must Go On | 1:36 | |
D2 | In The Flesh | 4:15 | |
D3 | Run Like Hell | 4:20 | |
D4 | Waiting For The Worms | 4:04 | |
D5 | Stop | 0:39 | |
D6 | The Trial | 5:13 | |
D7 | Outside The Wall | 1:41 |
Companies, etc.
- Recorded At – Super Bear Studios
- Recorded At – Studio Miraval
- Recorded At – Producers Workshop
- Recorded At – CBS Studios, New York
- Manufactured By – CBS/Sony Inc.
- Published By – Pink Floyd Music Publishers Ltd.
- Copyright © – Pink Floyd Music Publishers Ltd.
- Copyright © – Pink Floyd Music Ltd.
- Phonographic Copyright ℗ – Pink Floyd Music Ltd.
Credits
- Arranged By [Orchestra] – Michael Kamen
- Backing Vocals – Toni Tennille
- Co-producer, Engineer – James Guthrie
- Design [Sleeve] – Roger Waters
- Engineer – Rick Hart
- Illustration – Gerald Scarfe
- Liner Notes – 立川直樹*
- Lyrics By – Roger Waters
- Producer – Roger Waters
- Technician [Sound Equipment] – Phil Taylor (5)
- Words By, Music By – Roger Waters
Notes
Japanese 1st pressing; gatefold cover with blue "cap" obi, (2) inner sleeves with lyrics in English, and 4-page insert with song titles and timings in Japanese and English, lyrics and a discography in Japanese.
Blue "cap" OBI has title, catalog number, price (¥ 4,000) and additional Japanese text that folds over the top of the jacket.
CBS card.
Recorded At
Superbear,
Miravel,
Producers Workshop, Los Angeles
C.B.S., New York
Between April And November, 1979
© 1979 Pink Floyd Music Ltd.
All songs © 1979 Pink Floyd Music Publishers, Ltd. (BMI)
© 1979 Pink Floyd Music Limited / ℗ Pink Floyd Music Limited / Manufactured by CBS/SONY Inc. (Tokyo Japan) / ® CBS Inc. / SONY ® Sony Corp. (kp)
Inside my copy, (sealed) bought in the USA in 1999, there was a flexi-disc (X-82041) glued with a scotch tape in plaine white sleeve.
https://discogs.programascracks.com/release/1399113-No-Artist-Expander-Calibration-Record
Blue "cap" OBI has title, catalog number, price (¥ 4,000) and additional Japanese text that folds over the top of the jacket.
CBS card.
Recorded At
Superbear,
Miravel,
Producers Workshop, Los Angeles
C.B.S., New York
Between April And November, 1979
© 1979 Pink Floyd Music Ltd.
All songs © 1979 Pink Floyd Music Publishers, Ltd. (BMI)
© 1979 Pink Floyd Music Limited / ℗ Pink Floyd Music Limited / Manufactured by CBS/SONY Inc. (Tokyo Japan) / ® CBS Inc. / SONY ® Sony Corp. (kp)
Inside my copy, (sealed) bought in the USA in 1999, there was a flexi-disc (X-82041) glued with a scotch tape in plaine white sleeve.
https://discogs.programascracks.com/release/1399113-No-Artist-Expander-Calibration-Record
Barcode and Other Identifiers
- Rights Society: BMI
- Rights Society: JASRAC
- Matrix / Runout (Side A & B label): 40AP 1750
- Matrix / Runout (Side C & D label): 40AP 1751
- Matrix / Runout (Side A runout, stamped, var 1): 40AP-1750A1 〄
- Matrix / Runout (Side B runout, stamped, var 1): 40AP-1750B1
- Matrix / Runout (Side C runout, stamped, var 1): 40AP-1751A1 〄
- Matrix / Runout (Side D runout, stamped, var 1): 40AP-1751B1
- Matrix / Runout (Side A runout, stamped, var 2): 40AP-1750A1 1F14+
- Matrix / Runout (Side B runout, stamped, var 2): 40AP-1750B1 1A40
- Matrix / Runout (Side C runout, stamped, var 2): 40AP-1751A1 1A34
- Matrix / Runout (Side D runout, stamped, var 2): 40AP-1751B1 1F1
- Matrix / Runout (Side A runout, stamped, var 3): 40AP-1750A1 〄 1F24
- Matrix / Runout (Side B runout, stamped, var 3): 40AP-1750B1 1A24
- Matrix / Runout (Side C runout, stamped, var 3): 40AP-1751A1 〄 1A5+
- Matrix / Runout (Side D runout, stamped, var 3): 40AP-1751B1 1AG
- Matrix / Runout (Side A runout, stamped, var 4): 40AP-1750A1 〄 1A9 +
- Matrix / Runout (Side B runout, stamped, var 4): 40AP-1750B1 1A7
- Matrix / Runout (Side C runout, stamped, var 4): 40AP-1751A1 〄 1A7+
- Matrix / Runout (Side D runout, stamped, var 4): 40AP-1751B1 1A12
- Matrix / Runout (Side A runout, stamped, var 5): 40AP-1750A1 〄 1 F 11
- Matrix / Runout (Side B runout, stamped, var 5): 40AP-1750B1 1 A 39
- Matrix / Runout (Side C runout, stamped, var 5): 40AP-1751A1 〄 1 A 31
- Matrix / Runout (Side D runout, stamped, var 5): 40AP-1751B1 1 F 5
- Matrix / Runout (Side A runout, stamped, var 6): 40AP-1750A1 〄 C6
- Matrix / Runout (Side B runout, stamped, var 6): 40AP-1750B2 1 B 5
- Matrix / Runout (Side C runout, stamped, var 6): 40AP-1751A1 〄 1 A 44
- Matrix / Runout (Side D runout, stamped, var 6): 40AP-1751B1 1 J 4
- Matrix / Runout (Side A runout, stamped, var 7): 40AP-1750A1 1 N 2 + SO〄
- Matrix / Runout (Side B runout, stamped, var 7): 40AP-1750B2 1 A 2
- Matrix / Runout (Side C runout, stamped, var 7): 40AP-1751A1 1 A 43 〄
- Matrix / Runout (Side D runout, stamped, var 7): 40AP-1751B1 1 J 1
- Matrix / Runout (Side A runout, stamped, var 8): 40AP-1750A1 1 F 2 〄
- Matrix / Runout (Side B runout, stamped, var 8): 40AP-1750B1 1 A 2 ⏒
- Matrix / Runout (Side C runout, stamped, var 8): 40AP-1751A1 1 A 25 〄
- Matrix / Runout (Side D runout, stamped, var 8): 40AP-1751B1 1 A 22
- Matrix / Runout (Side A runout, stamped, var 9): 40AP-1750A1 〄 1 F 1
- Matrix / Runout (Side B runout, stamped, var 9): 40AP-1750B1 1 A 15
- Matrix / Runout (Side C runout, stamped, var 9): 40AP-1751B1 〄 1 A 5
- Matrix / Runout (Side D runout, stamped, var 9): 40AP-1751B1 1 A 20
- Price Code: ¥ 4,000
- Matrix / Runout (Side A runout, stamped, var 10): 40AP-1750A1 〄 + 1 A 1
- Matrix / Runout (Side B runout, stamped, var 10): 40AP-1750B1 1 A 15
- Matrix / Runout (Side C runout, stamped, var 10): 40AP-1751A1 〄 + 1 A 15
- Matrix / Runout (Side D runout, stamped, var 10): 40AP-1751B1 1 A 5
Other Versions (5 of 980)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
The Wall (2×LP, Album, Reissue, Stereo, Gatefold) | Harvest | 1A 158-63410, 1A 158-63411 | Netherlands | 1979 | ||
Recently Edited
|
The Wall (2×LP, Album, Stereo, Gatefold) | Harvest | 1C 198-63 410/11 | 1979 | |||
Recently Edited
|
The Wall (2×LP, Album, Pitman Press, First Sleeve) | Columbia | PC2 36183, 36183 | US | 1979 | ||
The Wall (2×LP, Album, Santa Maria, Second Sleeve) | Columbia | PC2 36183, 36183 | US | 1979 | |||
Recently Edited
|
The Wall (2×LP, Album, Gatefold) | Harvest | 7C 156-63410, 7C 156-63410/11 | Scandinavia | 1979 |
Recommendations
-
-
-
-
1979 USVinyl —LP, Album, Limited Edition, Reissue, Remastered, Stereo
-
-
-
-
-
-
Reviews
-
Outstanding pressing just read the reviews ( JBL’s getting a work out 😁) Glad to have added this version to My collection.
-
-
Like everyone has already said, this is just a beautiful pressing. I have a first Canadian pressing as well and this one is better. I haven’t compared it to any modern remasters because this one sounds perfect to these ears. Don’t hesitate to grab a copy.
-
What to say that hasn't already been said, this pressing is INCREDIBLE!!! I had a 1st US for years, this one puts it to shame. As good as you can get on vinyl.
-
This sounds just like - well almost that is - like the first time I heard this album … all subsequent releases - especially when the obligatory remaster sticker is added - always seemed to take away some/lots of the power and punch my first encounter had: bass AND drums… well this one has the punch and the power, it may not have the superimposed 3D of the latest editions but it is much, much truer to the original WALL experience …. Highly recommended
-
My goodness. This thing sounds like butter. Might be the best sounding record in my collection. No notes.
-
My first Japanese pressing of any record. WOW. This is insane. Lucky to find a near mint copy with a very clean jacket. I’m comparing to the 2016 release and aside from being totally silent (minus 3 low sound pops) compared to the constant pops of the new pressing it just sounds better. The dynamics are so refined and balanced compared to the in your face cut of the 2016 pressing. The Japanese pressing never looses control on the highs or lows on every mm of the wax. You can push up the volume and it keeps composed. The 2016 pressing lacks this finesse and quickly looses its range when pushed. Like others have noted the drums moves throughout the speakers and seem to fill the room. Such an important part of the recording. Every instrument is separated that creates a 3D experience. This pressing is so good with such a refined presentation that it transforms the album into something I can listen too much more than modern cut. It’s clear but warm with great lows, mids and highs. It moves you with the music rather than forcing you to listen due to be louder ages on the modern cut. Maybe it’s the analog process vs digital? I can’t recommend this pressing enough.
-
I guess it is that time to add my two cents. I bought this new @ GNP Stereo, Pasadena, CA in 1983 with my friend who bought the MFSL Dark Side of the Moon. LOL. Its my best piece of wax that I have. As an earlier reviewer stated, its got that analog goeyness and warmth and oh so quiet. I have never AB'd it against a British press but I really dont care. It has only been played 1/2 dozen times to tape.
-
Even on my modest set up the clarity, instrument separation and soundstage dwarfs my New Zealand pressing by along way (which I thought was pretty good initially). Much to love here.
-
It's the drums, they are so clear and punchy on this press. Other sounds come through clear, excellent soundstage. Preferred to my UK first...
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
410 copies from $25.63