Pink Floyd – The Final Cut
Tracklist
| A1 | The Post War Dream | 3:02 | |
| A2 | Your Possible Pasts | 4:22 | |
| A3 | One Of The Few | 1:23 | |
| A4 | The Hero's Return | 2:56 | |
| A5 | The Gunners Dream | 5:07 | |
| A6 | Paranoid Eyes | 3:40 | |
| B1 | Get Your Filthy Hands Off My Desert | 1:19 | |
| B2 | The Fletcher Memorial Home | 4:11 | |
| B3 | Southampton Dock | 2:13 | |
| B4 | The Final Cut | 4:46 | |
| B5 | Not Now John | 5:01 | |
| B6 | Two Suns In The Sunset | 5:14 |
Companies, etc.
- Manufactured By – CBS/Sony Inc.
- Phonographic Copyright ℗ – CBS Inc.
- Copyright © – CBS Inc.
- Published By – Pink Floyd Music Publishers Ltd.
- Published By – Unichappell Music, Inc.
- Mastered At – The Mastering Lab
- Recorded At – Mayfair Studios
- Recorded At – Olympic Studios
- Recorded At – Abbey Road Studios
- Recorded At – Eel Pie Studios
- Recorded At – Audio International Studios
- Recorded At – RAK Studios
- Recorded At – Hookend Studios
- Recorded At – The Billiard Room
Credits
- Artwork – Artful Dodgers*
- Backing Vocals – Irene Chanter
- Bass, Vocals – Roger Waters
- Composed By [All Songs Composed By] – Roger Waters
- Conductor, Arranged By [Orchestra] – Michael Kamen
- Design, Sleeve [Sleeve Design] – Roger Waters
- Drums – Nick Mason
- Electric Organ [Hammond] – Andy Bown
- Engineer – James Guthrie
- Engineer [Assistant] – Mike Nocito
- Guitar – David Gilmour
- Mastered By – Doug Sax
- Orchestra – The National Philharmonic Orchestra*
- Percussion – Ray Cooper
- Photography By – Willie Christie
- Piano, Harmonium – Michael Kamen
- Producer [Produced By] – Roger Waters
- Tenor Saxophone – Raphael Ravenscroft
Notes
℗&©1983 CBS, Inc.
Manufactured by CBS/Sony Inc., Tokyo, Japan
"A requiem for the post war dream by Roger Waters"
Manufactured by CBS/Sony Inc., Tokyo, Japan
"A requiem for the post war dream by Roger Waters"
Barcode and Other Identifiers
- Rights Society: JASRAC
- Price Code (Retail price): ¥2,500
- Matrix / Runout (Runout side A, stamped, variant 1): 25AP-2410A1 〄CS 1 A 11 +
- Matrix / Runout (Runout side B, stamped, variant 1): 25AP-2410B2 1 B 14
- Matrix / Runout (Runout side A, stamped, variant 2): 25AP-2410A1 〄CS 1 B 1
- Matrix / Runout (Runout side B, stamped, variant 2): 25AP-2410B2 1B3
- Matrix / Runout (Runout side A, stamped, variant 3): 25AP-2410A1 〄CS 1 A 2
- Matrix / Runout (Runout side B, stamped, variant 3): 25AP-2410B2 1 A 2
- Matrix / Runout (Runout side A, stamped, variant 4): 25AP-2410A1 〄CS 1 B 4
- Matrix / Runout (Runout side B, stamped, variant 4): 25AP-2410B2 1 A 5
- Matrix / Runout (Runout side A, stamped, variant 5): 25AP-2410A1 〄CS 1 A 11
- Matrix / Runout (Runout side B, stamped, variant 5): 25AP-2410B2 1 A 13
- Matrix / Runout (Runout side A, stamped, variant 6): 25AP-2410A1 〄CS 1 A 8
- Matrix / Runout (Runout side B, stamped, variant 6): 25AP-2410B2 1 B 4
Other Versions (5 of 398)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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The Final Cut (LP, Album, Test Pressing, Stereo, Carrollton Pressing ) | Columbia | none | US | 1982 | ||
|
Recently Edited
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The Final Cut (Cassette, Album) | Harvest | 1C 264-65 042 | Europe | 1983 | ||
|
Recently Edited
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The Final Cut (LP, Album, Stereo, Gatefold) | Harvest | 2C 070-65 042, 2C 070-65042 | 1983 | |||
| The Final Cut (LP, Album, Stereo, Gatefold) | Harvest | 1C 064-65042 | Europe | 1983 | |||
|
Recently Edited
|
The Final Cut (CD, Album) | Columbia | CK 38243 | US | 1983 |
Recommendations
Reviews
-
Edited 2 months agoHi,
As I live far from Paris (6000km) I organized by phone the local pick-up by a friend of a so called "Mint sealed record". The Japanese press of The Final Cut.
My friend is not an expert or collector, he opened the shrink in store but didn't see the hairlines and spindle marks difficult to see at day light.
When I got it some weeks later I saw quickly it was a re-sealed basic more or less VG+ record with a missing insert. It costed me probably 3 or 4 times the price I should have paid for it.
We don't talk about bad record grading here: it's a simple and pure robbery.
This record is still for sale here on this page as Mint/sealed by that dishonest store called "musique.musique" in (Paris). Be very careful. I pushed my luck and gave it a try. A second try is not necessary. just don't buy anything from that crook. -
Stunning release. Outstanding sound - super dynamic, deep and spacious.
Great quality of the gatefold and vinyl itself - the surface is absolutely quiet, traditionally for Japanese releases. Unattainable level for modern records. Just five stars. -
Amazing sound. I’ve compared to the 2017 pressing and the OG Europe and Aus. The drums!!!! Very similar sound to the wall Japanese pressing. The best sound of this record I feel. -
Excellent recording. My experience has been that the Japan pressings from this era are often better preserved than their US or Euro equivalents. -
I owned german and US pressings and now I own this. I wonder if there is a better sounding version, because this Japanese pressing is absolutely great in every way - deep, warm, dynamic and crystal clear. The right world is ROBUST. I can highly recommend it to every one who requests the best sound quality.
Release
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Recently Edited
Recently Edited
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