Jürgen Karg – Elektronische Mythen
Label: |
Mood Records – 23 555 |
|---|---|
Format: |
Vinyl
, LP, Album
|
Country: |
|
Released: |
|
Genre: |
Electronic |
Style: |
Ambient |
Tracklist
| A | Die Versunkene Stadt - Atlantis | 21:32 | |
| B | Vollmond-Selene | 21:06 |
Companies, etc.
- Recorded At – Elektronisches Studio Karg
- Mixed At – Elektronisches Studio Karg
- Mastered At – SST Brüggemann GmbH
- Lacquer Cut At – SST Brüggemann GmbH
- Exclusive Retailer – Zweitausendeins
Credits
- Graphics, Photography By – Frieder Grindler
- Lacquer Cut By – SST (8)
- Synthesizer [4 EMS-Sythesizer], Sequencer [Sequencer 256], Tape [5 Tonbandgeräte], Effects, Written-By, Producer [Produziert Von], Sleeve Notes – Jürgen Karg
Notes
Side A produced 1972-77.
Side B produced 1977.
4 EMS-Sythesizer mit Digitalspeicher (Sequencer 256) als zentraler Steuereinheit.
5 Tonbandgeräte mit 2-, 4- und 8-Kanälen, zum Teil mit variabler Geschwindigkeit.
Peripherie: Steckerfeld, Mischpulte, Filter, Hall etc.
[4 EMS synthesizers with digital memory (Sequencer 256) as the central control unit.
5 tape recorders with 2, 4 and 8 channels, some with variable speed.
Peripherals: connector , mixers, filters, reverb, etc.]
Aufnahme + Mischung [Recording + Mixing]: Elektronisches Studio Karg, Stuttgart.
Überspielung: SST Brüggemann, Frankfurt/Main
Produziert von dem Musiker
Made in West
Nur bei [Only at] Zweitausendeins
Cat# on front & rear sleeve: 23555
Cat# on spine: MOOD 23555
Cat# on labels: 23 555
Runouts are stamped except for SST which is etched.
Side B produced 1977.
4 EMS-Sythesizer mit Digitalspeicher (Sequencer 256) als zentraler Steuereinheit.
5 Tonbandgeräte mit 2-, 4- und 8-Kanälen, zum Teil mit variabler Geschwindigkeit.
Peripherie: Steckerfeld, Mischpulte, Filter, Hall etc.
[4 EMS synthesizers with digital memory (Sequencer 256) as the central control unit.
5 tape recorders with 2, 4 and 8 channels, some with variable speed.
Peripherals: connector , mixers, filters, reverb, etc.]
Aufnahme + Mischung [Recording + Mixing]: Elektronisches Studio Karg, Stuttgart.
Überspielung: SST Brüggemann, Frankfurt/Main
Produziert von dem Musiker
Made in West
Nur bei [Only at] Zweitausendeins
Cat# on front & rear sleeve: 23555
Cat# on spine: MOOD 23555
Cat# on labels: 23 555
Runouts are stamped except for SST which is etched.
Barcode and Other Identifiers
- Rights Society: GEMA
- Matrix / Runout (Side A runout): ST Z 167-A SST
- Matrix / Runout (Side B runout): ST Z 167-B SST
Other Versions (5)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
|
Elektronische Mythen (CDr, Limited Edition, Reissue, Unofficial Release) | Creel Pone | 054 | US | 2006 | ||
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New Submission
|
Elektronische Mythen (CDr, Limited Edition, Reissue, Unofficial Release, Upgraded edition) | Creel Pone | 054 | US | 2015 | ||
|
New Submission
|
Elektronische Mythen (LP, Album, Reissue) | Bureau B | BB226 | 2016 | |||
|
Recently Edited
|
Elektronische Mythen (CD, Album, Reissue) | Bureau B | BB 226, BB226 | 2016 | |||
| Elektronische Mythen (CD, Album, Promo, Reissue) | Bureau B | BB 226 | 2016 |
Recommendations
Reviews
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Whether from a vinyl rip or not I am glad this label was brave enough to release such avant synthy brilliance. This is NOT berlin school and quite dynamic given the equipment Karg used. There are no melodies defined rhythms just pure analog electronic soundscapes. I would say maybe Subotnik would be a slight reference point but his early catalog tended more towards the rhythmic side. Nevertheless is dark, klangy and more of the higher frequency range of electronic music less on the lower bass driven drone end. -
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Bureau B reissue says on its sleeves that this was originally released in 1977 (not 1978 like listed here in Discogs)
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