Led Zeppelin – Led Zeppelin II
Label: |
Atlantic – SD 19127 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Blues Rock |
Tracklist
| A1 | Whole Lotta Love | 5:33 | |
| A2 | What Is And What Should Never Be | 4:47 | |
| A3 | The Lemon Song | 6:20 | |
| A4 | Thank You | 3:50 | |
| B1 | Heartbreaker | 4:15 | |
| B2 | Living Loving Maid (She's Just A Woman) | 2:40 | |
| B3 | Ramble On | 4:35 | |
| B4 | Moby Dick | 4:25 | |
| B5 | Bring It On Home | 4:19 |
Companies, etc.
- Record Company – Columbia House
- Licensed To – Columbia House
- Distributed By – Columbia House
- Manufactured By – Columbia House
- Manufactured By – Atlantic Recording Corporation
- Phonographic Copyright ℗ – Atlantic Recording Corporation
- Copyright © – Atlantic Recording Corporation
- Pressed By – Columbia Records Pressing Plant, Terre Haute
- Published By – Superhype Music, Inc.
- Mastered At – Atlantic Studios
Credits
- Artwork – David Juniper
- Engineer [Recording & Director] – Edwin H. Kramer*
- Engineer [Recording] – George Chkiantz
- Executive-Producer – Peter Grant
- Mastered By – George Piros
- Producer – Jimmy Page
Notes
This release has "CRC" printed just below STEREO on the left side of the label on both sides of the album and has "Manufactured by Columbia House Under License", rear cover, bottom-middle.
The Label Matrix indicates a Columbia Records Pressing Plant, Terre Haute Pressing.
The deadwax also has an etching "@tGP" on both sides indicating that it was mastered by Atlantic Studios.
The Label Matrix indicates a Columbia Records Pressing Plant, Terre Haute Pressing.
The deadwax also has an etching "@tGP" on both sides indicating that it was mastered by Atlantic Studios.
Barcode and Other Identifiers
- Matrix / Runout (Side A Label): ST-A-691671-PR
- Matrix / Runout (Side B Label): ST-A-691672-PR
- Matrix / Runout (Side A Etched): T1 ST-A-691672-CRC-1 atgp
- Matrix / Runout (Side B Etched): T1 ST-A-691672-CRC-2 atgp
- Matrix / Runout (Side A Etched: variant 2 (stamped B)): T1 ST-A-691671-CRC-2 atgp B
- Matrix / Runout (Side B: variant 2): T1 ST-A-691672-CRC-3 atgp
- Matrix / Runout (Side A Etched: variant 3 (stamped B)): T1 ST-A-691671-CRC-2 atgp B
- Matrix / Runout (Side B Etched: variant 3 (stamped D)): T1 ST-A-691671-CRC-2 atgp D
- Rights Society: ASCAP
Other Versions (5 of 1012)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Led Zeppelin II (LP, Album, Misprint, Stereo, Gatefold) | Atlantic | 588198, 588 198 | UK | 1969 | |||
| Led Zeppelin II (LP, Album, Stereo, Gatefold, Red Label) | Atlantic | SD 8236 | Canada | 1969 | |||
|
Recently Edited
|
Led Zeppelin II (LP, Album, Reissue, Stereo, PR - Presswell Pressing, Gatefold) | Atlantic | SD 8236 | US | 1969 | ||
|
Recently Edited
|
Led Zeppelin II (LP, Album, Stereo) | Atlantic | HATS 421-43 | Spain | 1969 | ||
|
Recently Edited
|
Led Zeppelin II (LP, Album) | Atlantic | 921021, N° 921021 | 1969 |
Recommendations
Reviews
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My brother has this version with the gp initials, I think it sounds great, even with the scuffs on the record. It sounds better than the one with ef initials on it
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This is a great pressing/master, and I have most of the gRaiL versions of this record. Not as dynamic as the RL/RL or RL/LH but has a nice fullness in the midbass that they lack. If I don't reach for one my RLs, I reach for this. -
I have to disagree with the reviewers below. I've never heard the RL, but this certainly bests other versions I've heard in of soundstage ad overall presence. I did not find it too bass-heavy, and my system tends to dig out a lot of bass. I think it's just about right, as opposed to some LZ pressings where I find the bass to buried too far back in the mix. For comparison, I bought a copy of LZ IV I found at a local shop the day before I received this one. It's a Canadian press from '79 (I've good luck with Canadian presses generally), and this blows that one out of the water. The GP presses are the way to go if you don't want to spend a fortune on a good analogue copy. I would certainly choose them over the 2014 Jimmy Page digital remasters.
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My copy is SUPER bass heavy. The vocals leave a bit to be desired. The guitar isn’t very punchy. Fine pressing. -
Probably a pressing to stay away from. Save your pennies and get a worthy pressing as this is a bit dead sounding. Not bad if you can get a clean one for $5.
Release
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