Tracklist
| 1 | Red Scatter | 7:25 | |
| 2 | Ice In The Sleeve | 7:00 | |
| 3 | Stone's Eggs | 14:34 | |
| 4 | Blood Is Climbing | 8:54 | |
| 5 | Rain In Our Room | 10:51 | |
| 6 | How Safe Is Deep? | 7:38 | |
| 7 | Underground Kite | 8:59 | |
| 8 | Her 200 Bones | 6:53 |
Companies, etc.
- Recorded At – Square Centre Studios
- Mixed At – Square Centre Studios
- Glass Mastered At – Nimbus – C3806
- Distributed By – Pinnacle (3)
- Published By – t:me Recording Ltd.
- Published By – Opal Ltd.
- Published By – Opium (Arts) Ltd.
- Phonographic Copyright ℗ – t:me Recording Ltd.
- Copyright © – t:me Recording Ltd.
Credits
- Artwork – The Designers Republic
- Bass [Wolf], Effects [Steam Bed], Drone – Bill Laswell
- Cello – Vicky Miller
- Cello [Ghost] – Hywel Davies
- Drone [Cloud] – Roger Eno
- Drum Programming [Select-a-bonk Rhythm], Sounds [Sonics] – Brian Eno
- Drum Programming [Ziggurat Rhythm] – Robin Guthrie
- Engineer, Effects [Anchors, Undertows & Nifty Digits Throughout] – Miasma
- Guitar [Chase] – The Edge
- Guitar [Infinite] – Michael Brook
- Guitar [Sulphur & Zugzwang] – Kevin Shields
- Lyrics By, Effects [Larynx & Lumen] – David Sylvian
- Painting – Russell Mills
- Percussion [Bowls], Bells, Effects [Blood Flow Frequencies, Hippo-copter, Palette Knives, Piano Wires, Lion & Elephant Roarers, Flotsam & Jetsam, The Sand Shed Method], Sounds [Field Recordings] – Russell Mills
- Photography By [Diphyllodes Magnificus (Feather Detail)] – Rosamond W. Purcell*
- Programmed By [Synthesizer] – Declan Colgan
- Recorded By [Cello] – Alison Craig
- Written-By [Sculptured With], Producer [With] – Will Joss
- Written-By [Sculptured], Producer – Russell Mills
Notes
Recorded & mixed at Square Centre Studios, between April & July 1996. Cellos recorded at St. Agnes Lutherian Church, London.
These recordings have been spatially expanded using the Roland® Sound Space 3-D sound imaging system.
Distributed in the UK by Pinnacle / Published by t:me Recording Ltd, except track 1 published by t:me Recording & Opal Ltd; tracks 3 & 6 published by t:me Recording & Opium (Arts) Ltd. / Released in a digipak sleeve.
℗ 1996 t:me Recording Ltd. © 1996 t:me Recording Ltd. Made in England.
The "1:0" part of the matrix is stamped on the mould.
These recordings have been spatially expanded using the Roland® Sound Space 3-D sound imaging system.
Distributed in the UK by Pinnacle / Published by t:me Recording Ltd, except track 1 published by t:me Recording & Opal Ltd; tracks 3 & 6 published by t:me Recording & Opium (Arts) Ltd. / Released in a digipak sleeve.
℗ 1996 t:me Recording Ltd. © 1996 t:me Recording Ltd. Made in England.
The "1:0" part of the matrix is stamped on the mould.
Barcode and Other Identifiers
- Barcode (Text): 5025989963325
- Barcode (Scanned): 5025989963325
- Matrix / Runout (Variant 1): C3806 EMIT 3396 · 1:0 MASTERED BY NIMBUS
- Mastering SID Code (Variant 1): IFPI L123
- Mould SID Code (Variant 1): ifpi 2311
- Matrix / Runout (Variant 2): C3806 EMIT 3396 : 1:0 [Nimbus logo]
- Mastering SID Code (Variant 2): IFPI L123
- Mould SID Code (Variant 2): ifpi 2322
Other Versions (3)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Undark One: Strange Familiar (CD, Album, Reissue) | Bella Union | BELLACD 21 | UK | 2000 | ||
|
Recently Edited
|
Undark One (Strange Familiar) (CD, Album, Reissue) | Instinct Records | INS526-2 | US | 2000 | ||
|
New Submission
|
Undark One (Strange Familiar) (CD, Album, Reissue, Unofficial Release) | Not On Label (Russell Mills) | RMCD 08000110 | Russia | 2000 |
Recommendations
Reviews
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Can only agree with Expansive09. This is my favourite release on emit. But then again I favour "deep" and "dark" to some of the saccharine stuff released on other titles.
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Edited 5 years agoUnspoken gem. Moody, rhythmic lots of what sound like odd sampled instrumentation as well as long drawn out string swells and distant chants. The music here is heavily processed in areas and wouldn't be far removed from something Alan Wilder of Depeche mode would create. Its film like quality and dynamic compositions place this release head and shoulders above alot of the 4 on the floor ambient music made in the day.
Irregardless of other commentary here this is NOT undeveloped, thoughtless music unless your a classical music snob or have a personal bias towards Mill's music. This cd is a fine 90s release which fit snugly into the classic em:t catalog of yore. And btw this release has nothing to do with WOOB! -
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Along similar lines to the Woob releases - phenomenal recording but lacking in depth compared with Woob 1194.
Release
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