The Beatles – Anthology 2
Label: |
Apple Records – PCSP 728 |
|---|---|
Format: |
|
Country: |
Japan |
Released: |
|
Genre: |
Rock |
Style: |
Beat |
Tracklist
| A1 | Real Love | 3:54 | |
| A2 | Yes It Is | 1:50 | |
| A3 | I'm Down | 2:53 | |
| A4 | You've Got To Hide Your Love Away | 2:44 | |
| A5 | If You've Got Trouble | 2:48 | |
| A6 | That Means A Lot | 2:26 | |
| A7 | Yesterday | 2:33 | |
| A8 | It's Only Love | 1:58 | |
| B1 | I Feel Fine | 2:15 | |
| B2 | Ticket To Ride | 2:44 | |
| B3 | Yesterday | 2:42 | |
| B4 | Help! | 2:54 | |
| B5 | Everybody's Trying To Be My Baby | 2:45 | |
| B6 | Norwegian Wood (This Bird Has Flown) | 1:59 | |
| B7 | I'm Looking Through You | 2:53 | |
| B8 | 12-Bar Original | 2:55 | |
| C1 | Tomorrow Never Knows | 3:14 | |
| C2 | Got To Get You Into My Life | 2:54 | |
| C3 | And Your Bird Can Sing | 2:13 | |
| C4 | Taxman | 2:32 | |
| C5 | Eleanor Rigby (Strings Only) | 2:06 | |
| C6 | I'm Only Sleeping (Rehearsal) | 0:40 | |
| C7 | I'm Only Sleeping (Take 1) | 2:59 | |
| C8 | Rock And Roll Music | 1:39 | |
| C9 | She's A Woman | 2:54 | |
| D1 | Strawberry Fields Forever (Demo Sequence) | 1:42 | |
| D2 | Strawberry Fields Forever (Take 1) | 2:34 | |
| D3 | Strawberry Fields Forever (Take 7 And Edit Piece) | 4:13 | |
| D4 | Penny Lane | 3:12 | |
| D5 | A Day In The Life | 5:04 | |
| D6 | Good Morning Good Morning | 2:40 | |
| D7 | Only A Northern Song | 2:43 | |
| E1 | Being For The Benefit Of Mr. Kite! (Takes 1 And 2) | 1:05 | |
| E2 | Being For The Benefit Of Mr. Kite! (Take 7) | 2:33 | |
| E3 | Lucy In The Sky With Diamonds | 3:05 | |
| E4 | Within You Without You (Instrumental) | 5:27 | |
| E5 | Sgt. Pepper's Lonely Hearts Club Band (Reprise) | 1:27 | |
| E6 | You Know My Name (Look Up The Number) | 5:43 | |
| F1 | I Am The Walrus | 4:01 | |
| F2 | The Fool On The Hill (Demo) | 2:48 | |
| F3 | Your Mother Should Know | 3:02 | |
| F4 | The Fool On The Hill (Take 4) | 3:44 | |
| F5 | Hello, Goodbye | 3:17 | |
| F6 | Lady Madonna | 2:22 | |
| F7 | Across The Universe | 3:28 |
Companies, etc.
- Licensed To – EMI Records Ltd.
- Marketed By – EMI
- Distributed By – EMI
- Phonographic Copyright ℗ – Apple Corps Ltd.
- Phonographic Copyright ℗ – EMI Records Ltd.
- Copyright © – Apple Corps Ltd.
- Recorded At – The Dakota
- Recorded At – Abbey Road Studios
- Recorded At – ABC Theatre
- Recorded At – Shea Stadium
- Recorded At – Budokan
- Recorded At – Kenwood Surrey
Credits
- Producer – George Martin
Notes
Fold out sleeve (2 spines). Plain white paper poly-lined inner sleeves. Hype sticker on sleeve.
A1: Recorded in New York, 1979 and Sussex, February 1995
A2: Recorded At EMI Studios, London, 16 February 1965
A3: Recorded At EMI Studios, London, 14 June 1965
A4, A5: Recorded At EMI Studios, London, 18 February 1965
A6: Recorded At EMI Studios, London, 20 February 1965
A7: Recorded At EMI Studios, London, 14 February 1965
A8: Recorded At EMI Studios, London, 15 June 1965
B1, B2, B3, B4: Recorded At ABC Theatre, Blackpool, 1 August 1965
B5: Recorded At Shea Stadium, New York, 15 August 1965
B6: Recorded At EMI Studios, London, 12 October 1965
B7: Recorded At EMI Studios, London, 24 October 1965
B8: Recorded At EMI Studios, London, 4 November 1965
C1: Recorded At EMI Studios, London, 6 April 1966
C2: Recorded At EMI Studios, London, 7 April 1966
C3: Recorded At EMI Studios, London, 20 April 1966
C4: Recorded At EMI Studios, London, 21 April 1966
C5: Recorded At EMI Studios, London, 28 April 1966
C6, C7: Recorded At EMI Studios, London, 29 April 1966
C8, C9: Recorded At Nippon Budokan Hall, Tokyo, 30 June 1966
D1: Recorded At "Kenwood", Weybridge, Surrey, November 1966
D2: Recorded At EMI Studios, London, 24 November 1966
D3: Recorded At EMI Studios, London, 29 November and 9 December 1966
D4: Recorded At EMI Studios, London, 29 And 30 December 1966; 4, 5, 6, 9, 10, 12 And 17 January 1967
D5: Recorded At EMI Studios, London, 19 And 20 January And 10 February 1967
D6: Recorded At EMI Studios, London, 8 And 16 February 1967
D7: Recorded At EMI Studios, London, 13, 14 February And 20 April 1967
E1, E2: Recorded At EMI Studios, London, 17 And 20 February 1967
E3: Recorded At EMI Studios, London, 1 And 2 March 1967
E4: Recorded At EMI Studios, London, 15, 16 And 22 March And 3 April 1967
E5: Recorded At EMI Studios, London, 1 April 1967
E6: Recorded At EMI Studios, London, 17 May And 7, 8 June 1967, 20 April 1969
F1: Recorded At EMI Studios, London, 5 September 1967
F2: Recorded At EMI Studios, London, 6 September 1967
F3: Recorded At EMI Studios, London, 16 September 1967
F4: Recorded At EMI Studios, London, 25 September 1967
F5: Recorded At EMI Studios, London, 2 And 29 October 1967
F6: Recorded At EMI Studios, London, 3 And 6 February 1968
F7: Recorded At EMI Studios, London, 3 February 1968
Made and printed in UK.
A1: Recorded in New York, 1979 and Sussex, February 1995
A2: Recorded At EMI Studios, London, 16 February 1965
A3: Recorded At EMI Studios, London, 14 June 1965
A4, A5: Recorded At EMI Studios, London, 18 February 1965
A6: Recorded At EMI Studios, London, 20 February 1965
A7: Recorded At EMI Studios, London, 14 February 1965
A8: Recorded At EMI Studios, London, 15 June 1965
B1, B2, B3, B4: Recorded At ABC Theatre, Blackpool, 1 August 1965
B5: Recorded At Shea Stadium, New York, 15 August 1965
B6: Recorded At EMI Studios, London, 12 October 1965
B7: Recorded At EMI Studios, London, 24 October 1965
B8: Recorded At EMI Studios, London, 4 November 1965
C1: Recorded At EMI Studios, London, 6 April 1966
C2: Recorded At EMI Studios, London, 7 April 1966
C3: Recorded At EMI Studios, London, 20 April 1966
C4: Recorded At EMI Studios, London, 21 April 1966
C5: Recorded At EMI Studios, London, 28 April 1966
C6, C7: Recorded At EMI Studios, London, 29 April 1966
C8, C9: Recorded At Nippon Budokan Hall, Tokyo, 30 June 1966
D1: Recorded At "Kenwood", Weybridge, Surrey, November 1966
D2: Recorded At EMI Studios, London, 24 November 1966
D3: Recorded At EMI Studios, London, 29 November and 9 December 1966
D4: Recorded At EMI Studios, London, 29 And 30 December 1966; 4, 5, 6, 9, 10, 12 And 17 January 1967
D5: Recorded At EMI Studios, London, 19 And 20 January And 10 February 1967
D6: Recorded At EMI Studios, London, 8 And 16 February 1967
D7: Recorded At EMI Studios, London, 13, 14 February And 20 April 1967
E1, E2: Recorded At EMI Studios, London, 17 And 20 February 1967
E3: Recorded At EMI Studios, London, 1 And 2 March 1967
E4: Recorded At EMI Studios, London, 15, 16 And 22 March And 3 April 1967
E5: Recorded At EMI Studios, London, 1 April 1967
E6: Recorded At EMI Studios, London, 17 May And 7, 8 June 1967, 20 April 1969
F1: Recorded At EMI Studios, London, 5 September 1967
F2: Recorded At EMI Studios, London, 6 September 1967
F3: Recorded At EMI Studios, London, 16 September 1967
F4: Recorded At EMI Studios, London, 25 September 1967
F5: Recorded At EMI Studios, London, 2 And 29 October 1967
F6: Recorded At EMI Studios, London, 3 And 6 February 1968
F7: Recorded At EMI Studios, London, 3 February 1968
Made and printed in UK.
Barcode and Other Identifiers
- Barcode: 4 988006 724174
- Matrix / Runout (Side A): PCSP 728 1A-1S
- Matrix / Runout (Side B): PCSP 728 1B- 1S
- Matrix / Runout (Side C): PCSP 728 2A-2S
- Matrix / Runout (Side D): PCSP 728 2B-2S
- Matrix / Runout (Side E): PCSP 728 3A
- Matrix / Runout (Side F): PCSP 728 3B
- Rights Society: JASRAC
Other Versions (5 of 70)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Anthology 2 (2×CD, Album, Stereo, Mono, EMI Uden) | Apple Records | 7243 8 34448 2 3, CDPCSP 728 | Europe | 1996 | ||
|
Recently Edited
|
Anthology 2 (3×LP, Album) | Apple Records | PCSP 728, 7243 8 34448 1 6, 8 34448 1 | Europe | 1996 | ||
|
Recently Edited
|
Anthology 2 (2×CD, Album, Stereo, Mono) | Apple Records | CDP 7243 8 34448 2 3 | US | 1996 | ||
|
Recently Edited
|
Anthology 2 (2×CD, Album, Stereo, Mono) | EMI Music Canada | 7243 8 34448 2 3 | Canada | 1996 | ||
| Anthology 2 (2×CD, Album, Stereo, Mono, EMI UDEN) | Apple Records | 7243 8 34448 2 3, CDPCSP 728 | Europe | 1996 |
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Reviews
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The quality varies as this progresses up and down. Dead quiet pressing though. Yesterday side one is just a treat. Watching song evolve into what we know today is a treat. If your a musician you will probably appreciate this more than most.
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