Nalin & Kane – Beachball
Label: |
Urban – 573 979-2 |
|---|---|
Format: |
CD
, Maxi-Single
|
Country: |
|
Released: |
|
Genre: |
Electronic |
Style: |
House |
Tracklist
| 1 | Beachball (Vocal Radio Edit) | 3:52 | |
| 2 | Beachball (Original Radio Edit) | 3:57 | |
| 3 | Beachball (Extended Vocal Mix) | 7:27 | |
| 4 | Beachball (Original Club Mix) | 10:23 | |
| 5 | Beachball (Sea Side Mix) | 8:10 |
Companies, etc.
- Licensed From – Superfly
- Phonographic Copyright ℗ – Motor Music GmbH
- Copyright © – Motor Music GmbH
- Made By – PMDC,
- Published By – gzm
- Published By – Warner/Chappell
- Recorded At – Superfly Studios
Credits
- Lyrics By, Vocals – Shondell Mims
- Music By, Producer – Andry Nalin & Harry Cane*
Notes
Recorded at Superfly Studios 1997
Published by gzm / Warner Chappell
Licensed from Superfly Records 1997
URBAN is a division of Motor Music GmbH, Motor music is a member of the Polygram Group
℗ 1997 Motor Music GmbH
© 1997 Motor Music GmbH
Made in
Carries a yellow/white/black/brown sticker on the case.
Published by gzm / Warner Chappell
Licensed from Superfly Records 1997
URBAN is a division of Motor Music GmbH, Motor music is a member of the Polygram Group
℗ 1997 Motor Music GmbH
© 1997 Motor Music GmbH
Made in
Carries a yellow/white/black/brown sticker on the case.
Barcode and Other Identifiers
- Barcode (Text): 7 31457 39792 3
- Barcode: 731457397923
- Label Code: LC 6748
- Rights Society: BIEM | GEMA | MS
- Price Code: PY 940
- Matrix / Runout (Variants 1, 2, 3, 5): 573 979-2 01 / MADE IN BY PMDC
- Matrix / Runout (Variant 4): 573 979-2 01 / MADE IN BY PMDC F
- Mastering SID Code (Variants 1, 2, 3, 4, 5): IFPI L001
- Mould SID Code (Variant 1): IFPI 01A7
- Mould SID Code (Variant 2): IFPI 01A8
- Mould SID Code (Variant 3): IFPI 01S1
- Mould SID Code (Variant 4): IFPI 01S2
- Mould SID Code (Variant 5): IFPI 01A5
Other Versions (5 of 75)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
|
Beachball (2×12", 33 ⅓ RPM, Limited Edition) | Hooj Choons | HOOJ 53, HOOJ 53R | UK | 1997 | ||
| Beachball (12", 33 ⅓ RPM, Single, Stereo) | FFRR | FX 318, FX318, 569 083-1 | UK & Europe | 1997 | |||
|
Recently Edited
|
Beachball (CD, Single) | FFRR | FCD318, 569 083-2 | UK | 1997 | ||
| Beachball (12") | ZAC Records | ZAC 232 | Italy | 1997 | |||
| Beachball (Remix) (CD, Maxi-Single) | Urban | 571 451-2 | 1997 |
Recommendations
Reviews
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In my opinion Beachball was entirely composed after hearing BBE's Seven Days And One Week.second best! -
I never liked 'Beachball' and always wondered why the track caused such a commotion out there. The melody is quite easy, monotonous, always stuck between the 4 same notes: a little bit like 'Get Get Down' by Paul Johnson.
A funny thing is that they also mistakingly took a sound sample of what they though were seagulls, when these birds are apparently crows. If these are heard near the sea, that might be because there are dead fish or dead animals nearby. A strange place to play Beachball, don't you think?
A lot of the people who liked 'Beachball' only liked it because it 'played on the radio', because it went 'mainstream' while other tracks, probably much better, didn't make it to the commercial circuit. Think Platipus Records for example: at that time, they were really popular to make good melodic Trance, but so little went beyond the records (at least where I live).
In my opinion, Nalin & Kane made a lot of great remixes for other artists (Da Hool, Jam & Spoon for example), but never really top this quality in their own tracks.
'Beachball' was remixed many times. I heaven't heard all of the re-versions but it seems Gabriel & Dresden bring it in another, more pleasant direction.
Release
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