The Prodigy – The Day Is My Enemy

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Label:	Cooking Vinyl – HOSPCD005
Format:	CD , Album
Country:	UK
Released:	Mar 30, 2015
Genre:	Electronic
Style:	Big Beat

Tracklist

1	The Day Is My Enemy Drums [Live Drums] – Top Secret Drum Corps Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Jackson* Written-By – Olly Burden Drums [Live Drums] – Top Secret Drum Corps Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Jackson* Written-By – Olly Burden	4:26
2	Nasty Backing Vocals [Background Vocals] – Tim Hutton Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Maxim Vocals [Additional Vocal] – Brother Culture Written-By – Tim Hutton Backing Vocals [Background Vocals] – Tim Hutton Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Maxim Vocals [Additional Vocal] – Brother Culture Written-By – Tim Hutton	4:03
3	Rebel Radio Backing Vocals [Background Vocals] – Tim Hutton Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Maxim Vocals [Additional Vocal] – Brother Culture Written-By – Vincent Welch Backing Vocals [Background Vocals] – Tim Hutton Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Maxim Vocals [Additional Vocal] – Brother Culture Written-By – Vincent Welch	3:52
4	Ibiza Featuring – Sleaford Mods Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Keef Flint* Written-By – Liam Howlett Featuring – Sleaford Mods Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Keef Flint* Written-By – Liam Howlett	2:46
5	Destroy Mixed By – Neil McLellan Producer – Zak H Laycock Written-By – Zak H Laycock	4:29
6	Wild Frontier Backing Vocals [Background Vocals] – Tim Hutton Co-producer – KillSonik Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Maxim Written-By – Tim Hutton Backing Vocals [Background Vocals] – Tim Hutton Co-producer – KillSonik Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Maxim Written-By – Tim Hutton	4:28
7	Rok-Weiler Co-producer – Black Futures Guitar – Rob Holliday Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Keef Flint* Written-By – Vincent Welch Co-producer – Black Futures Guitar – Rob Holliday Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Keef Flint* Written-By – Vincent Welch	3:51
8	Beyond The Deathray Mixed By – Neil McLellan Producer – Neil McLellan Written-By – Neil McLellan	3:09
9	Rhythm Bomb Featuring – Flux Pavilion Mixed By – Neil McLellan Producer – Neil McLellan Written-By – Liam Howlett	4:12
10	Roadblox Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Maxim Written-By – Maxim	5:01
11	Get Your Fight On Co-producer – KillSonik Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Maxim Written-By – Tim Hutton	3:39
12	Medicine Mixed By – Neil McLellan Producer – Neil McLellan Vocals – YT Written-By – Maxim	3:56
13	Invisible Sun Backing Vocals [Background Vocals] – Tim Hutton Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Keef Flint* Written-By – Liam Howlett Backing Vocals [Background Vocals] – Tim Hutton Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Keef Flint* Written-By – Liam Howlett	4:16
14	Wall Of Death Mixed By – Neil McLellan Producer – Neil McLellan Vocals – Maxim Written-By – Olly Burden	4:04

Companies, etc.

Licensed To – Cooking Vinyl Ltd.
Phonographic Copyright ℗ – Take Me To The Hospital
Copyright © – Take Me To The Hospital
Glass Mastered At – Sony DADC, Southwater
Published By – WB Music Corp.
Published By – BMG
Published By – Copyright Control
Published By – Kobalt
Published By – Perfect Songs
Published By – Incentive Music Management
Published By – Wipeout Music
Published By – MTA
Published By – Maximum Boost Publishing
Published By – Sony ATV
Published By – Warner/Chappell
Published By – Supahero Media Limited
Published By – Catskills Music Publishing
Published By – Universal Egg (Westbury)
Recorded At – Tileyard Studios
Mixed At – Sarm Studios
Mastered At – Metropolis Mastering

Credits

Artwork – Luke Insect
Mastered By – John Davis (4)
Photography By ['Urban Fox In Bristol Street'] – Ian Wade Photography
Photography By [Band Photography] – Paul Dugdale
Photography By [Live Photography] – Rahul Singh
Sleeve [Sleeve Image] – Nick McFarlane
Technician [Pro Tools Operation] – Neil McLellan

Notes

Issued in a jewel case, with 10-page foldout booklet and clear disc tray.
Includes CD-Text technology.

The Day Is My Enemy:
Incorporating elements of "All Through The Night" by Cole Porter.
Published by WB Music Corp. All rights istered by Warner/Chappell North America Ltd.
Used by permission. All rights reserved.
Published by BMG / Copyright Control / WB Music Corp.

Nasty:
Published by BMG / Kobalt / Perfect Songs / Incentive Music Management.

Rebel Radio:
Published by BMG / Incentive Music Management / Copyright Control / Perfect Songs.

Ibiza:
Published by BMG / Wipeout Music.

Destroy:
Published by BMG / Incentive Music Management.

Wild Frontier:
Published by BMG / MTA / Perfect Songs / Incentive Music Management.

Rok-Weiler:
Published by BMG / Kobalt / Copyright Control.

Beyond The Deathray:
Published by BMG / Copyright Control.

Rhythm Bomb:
Featuring samples from the Jomanda recording "Make My Body Rock 1990" produced under license from Atlantic Recording Corp. by arrangement with Rhino Entertainment Company, a Warner Music Group Company.
Flux Pavilion appears courtesy of Circus Records / Atlantic.
Published by BMG / Maximum Boost Publishing istered by Sony / ATV / Warner Chappell.

Roadblox:
Published by BMG / Supahero Media Limited / Kobalt.

Get Your Fight On:
Contains a sample of "Salami Fever" by Pepe Deluxé courtesy of Catskills Records.
Published by BMG / Supahero Media Limited / Kobalt / Perfect Songs / MTA / Catskills Music Publishing / Incentive Music Management.

Medicine:
Contains a sample of "Se Makri Sofra / At A Long Table" by Babaka & His Ensemble as featured on the album "Music Of The Balkans Vol 2" (FM 707) courtesy of FM Records.
Published by BMG / Universal Egg (Westbury) / Supahero Media Limited / Kobalt.

Invisible Sun:
Published by BMG.

Wall Of Death:
Published by BMG / Copyright Control / Kobalt.

Written and recorded in various hotel rooms around the world, on planes and at The Prodigy Tileyard Studio. Mixed at Sarm.
Mastered at Metropolis.

Thank you…

Liam H: Martin, Rob, Chris, Anette, Shamus and all at Cooking Vinyl and everyone at releasing labels around the world, Alexi, Steve, Kirsten and Tom at my great new home BMG Publishing, Alison Hook and Guy - respect as always, Nick Halkes (Thank u for the input in making this record bro) and Timur at Incentive Music Management. Special thanks to John Fairs - Big respect for finding the sellotape and superglue, Claire Townend at JCF, Gavin and Dave, Ruth, Beth and all at Toast, Rob at Airplayer, Karen at Big Sister, Jo Hart at Hart Media, Jackson, Martina Topley-Bird, Top Secret Drum Corps, Tim Hutton, Brother Culture, Stu Henshall and Black Futures crew, Jason Williamson (Sleaford Mods), Joe and Luca (KillSonik), Josh (Flux Pavilion), Zak H Laycock, YT, Mark Summers, Chris Field Guitar, Paul Spraggon, Chris, David Bloomfield, Anna Neville at SSB, Mike Shepherd, Luke Insect, Nick McFarlane, SOL - Big respect man (Gig on the moon?), Simon Moran and all at SJM, Jon ‘Ragga Bass’ Burton, Mat Davie - Thanks for havin my back, Andy Hurst - Another level mate!, Jie Campbell - Come back!, Tyrone Brunton, Kat, Nobby, Tom, JB, Con, Steve and to all our crew - No one better, Dave Clarke and all at DPC Media, Edd and Steph, Mel and Trevor - Thanks for lettin us shake ur building for the last time, Nick and all at Tileyard, Zane, Biba for late night cuisine that kept us going, John Davis at Metropolis, Phil ol skool u know that!, Adamsk, Biggy D, A To The Dee, Olly B - Respect for always bringing the noise brother, Same Ol Sean - U know the ruckus will be brung!, Studio powered by Moet and wine gums, The Witching Hours, Big luv and respect to Rob Rock, Leo and to my 2 brothers Keef and Maxim - Let’s go!, Neily - Respect my brother for being such a major part of this journey, my sister and family and biggest luv to my wife and kids for all ur , bests x.

Maxim: Respect to all my family and friends who have ed me along the journey.

Keef: Barrie Tamlyn.

We live for the beats!

℗ & © 2015 Take Me To The Hospital under exclusive license to Cooking Vinyl Ltd.
Made in the EU.

Barcode and Other Identifiers

Barcode (Text): 7 11297 88052 6
Barcode (Scanned: UPC_A): 711297880526
Label Code: LC:7180
Matrix / Runout (Variants 1 to 4): HOSPCD005 01
Mastering SID Code (Variants 1 to 4): IFPI LY33
Mould SID Code (Variant 1): IFPI AEW35
Mould SID Code (Variant 2): IFPI AEW36
Mould SID Code (Variant 3): IFPI AEW11
Mould SID Code (Variant 4): IFPI AEW26

Other Versions (5 of 42)

View All

	Title (Format)	Label	Cat#	Country	Year
Recently Edited	The Day Is My Enemy (2×LP, Album, 180 Gram)	Cooking Vinyl	HOSPLP005	UK	2015
	The Day Is My Enemy (CD, Album)	Cooking Vinyl	HOSPCD005	Australia & New Zealand	2015
Recently Edited	The Day Is My Enemy (Box Set, Album, Deluxe Edition, Limited Edition, 12", 45 RPM, Red, 12", 45 RPM, Yellow, 12", 45 RPM)	Cooking Vinyl	HOSPBOX005	UK	2015
	The Day Is My Enemy (CD, Album)	Cooking Vinyl	06025 4720769 2	Europe	2015
Recently Edited	The Day Is My Enemy (CDr, Album, Numbered, Promo, Watermarked)	Cooking Vinyl	HOSPCD005P	UK	2015

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Reviews

mattcymru2021 Dec 1, 2023
Edited one year ago

Not happy with this one.. it sounds very stale. still much better than most modern music. No tourists is much better.
sdwilson Jan 21, 2023
I'm getting old this album is too hard and fast.
DaveHale Jan 24, 2020
As a fan of the Prodigy's music since their early material from 1991, I've found that since "Always Outnumbered…" my fandom has been a relationship of diminishing returns. To echo previous reviewers, "Experience" is a classic of its time, "Jilted…" and "Fat of the Land" are phenomenal bodies of work. Since that classic opening trilogy there has probably been one good album's worth of material spread across four so-so releases. While the tracks may work as part of a colossal live stage show, they aren't nearly as satisfying as a home listening experience. There are glimpses at what might have been: "The Day Is My Enemy" has the mighty "Destroy" buried in the track list. With super-tight production, heavy weight stabs, and an almighty drum break, "Destroy" is a throwback to a bygone era of rave, as well as a cracking take on modern uptempo breaks. It's the only moment of genius in an otherwise forgettable affair, but a track i come back to again and again. The album barely rates 2 stars, but "Destroy" is a gem that shouldn't be overlooked.
OF-THE-WORLD Feb 6, 2019
Edited 6 years ago

The next Prodigy album will be an interpretation of the Neil Young album "TRANS"- it will be titled "Fat of our Bellies (babyboom RMX)" .
JonathanMurray Jan 2, 2019
Used to be a big fan of the Prodigy but not any more. The Omen & Warriors dance were good tracks but the rest of the stuff they produce has been disappointing. Nothing really worth talking about after the first few album's. Music For The Jilted Generation & Fat Of The Land are The Prodigy's best two albums Experience I really enjoyed back in the early 90's but I have not listened to that album in a very long time.
Mockinha Apr 2, 2018
Edited 7 years ago

most of prodigy's new tracks it's like a drill in ur head. permanent brain damage caused by drugs. there's no balance like the '90s. look on the titles of the tracks - they don't have a positive message. it is like - I have fangs and claws. who's the bad man;)?
Mikayekel27 Dec 14, 2017
Edited 7 years ago

If Fat of the Land was an application of the sweet science of boxing, this is six cops beating a minority in an alley. Just bludgeoning breakbeat after head crushing beat while his cohorts scream words of encouragement to f*ck the poor guy up further. Halfway through I'm reaching for the Excedrin. What happened to the innovation? This isn't an album to enjoy, it's an exercise on how to start a riot. The Day isn't my enemy...you are.
chrissyboy73 Jun 9, 2016
I think the proof is in the pudding. We are all harking back to the first three albums, they are classics in their own right and are all very much of their time. Prodigy was the standard bearer for 100mph dance/pop music. their live shows were always fabulous. The albums are indeed a little dated but still sound good and definitely have their moments.
But times change and the sounds no longer have the same impact. in 10 - 15 years his later efforts will not be ed in the same vein. that in itself speaks volumes as to the importance of the Prodigy post 1997.

If Liam Howlett wanted to cause a stir he should make a dirtchamber sessions Vol 2.
I rest my case
Alyxxandria Oct 25, 2015
Edited 9 years ago

Slightly better as an album than Invaders Must Die in my opinion. It's still nothing like their first 3 albums and I doubt anything can ever be. Like a lot of people have pointed out, a lot of it feels recycled and mashups of their previous stuff. But at least it's Prodigy and sounds like Prodigy. And overall I think it's a very strong effort.
4/5
yohaib86 Sep 9, 2015
Fucking awesome album! I love prodigy, awesome beat, awesome melody!
I love old music and prodigy keep surprising me.
5 STARS!

The Prodigy – The Day Is My Enemy

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