De La Soul – De La Soul Is Dead
Tracklist
1 | Intro | 2:14 | |
2 | Oodles Of O's | 3:32 | |
3 | Talkin' Bout Hey Love | 2:27 | |
4 | Pease Porridge | 5:01 | |
5 | Skit 1 | 0:25 | |
6 | Johnny's Dead AKA Vincent Mason (Live From The BK Lounge) | 1:56 | |
7 | A Roller Skating Jam Named "Saturdays" | 4:02 | |
8 | WRMS' Dedication To The Bitty | 0:46 | |
9 | Bitties In The BK Lounge | 5:39 | |
10 | Skit 2 | 0:30 | |
11 | My Brother's A Basehead | 4:20 | |
12 | Let, Let Me In | 3:25 | |
13 | Afro Connections At A Hi 5 (In The Eyes Of The Hoodlum) | 4:03 | |
14 | Rap De Rap Show | 2:19 | |
15 | Millie Pulled A Pistol On Santa | 4:09 | |
16 | Who Do U Worship? | 1:59 | |
17 | Skit 3 | 0:33 | |
18 | Kicked Out The House | 1:55 | |
19 | The Plugs | 3:29 | |
20 | Not Over Till The Fat Lady Plays The Demo | 1:29 | |
21 | Ring Ring Ring (Ha Ha Hey) | 5:05 | |
22 | WRMS: Cat's In Control | 0:33 | |
23 | Skit 4 | 0:12 | |
24 | Shwingalokate | 4:13 | |
25 | Fanatic Of The B Word | 4:09 | |
26 | Keepin' The Faith | 4:44 | |
27 | Skit 5 | 0:32 |
Companies, etc.
- Phonographic Copyright ℗ – Tommy Boy Music, Inc.
- Copyright © – Tommy Boy Music, Inc.
- Manufactured By – Tommy Boy Music, Inc.
- Distributed By – Tommy Boy Music, Inc.
- Manufactured By – WEA Manufacturing
- Recorded At – Calliope Productions
- Mastered At – The Hit Factory
- Glass Mastered At – Specialty Records Corporation
Credits
- Engineer – Tim Lathan*
- Mastered By – Tom Coyne
- Producer – Prince Paul
Notes
Same as other versions (TBCD 1029) but with yellow picture of flower on disc top.
Issued in cardboard long box.
Inserts: Printed in Canada
Issued in cardboard long box.
Inserts: Printed in Canada
Barcode and Other Identifiers
- Barcode (Scanned): 016998102923
- Barcode (Text): 0 16998-1029-2 3
- Matrix / Runout (Variant 1): 43 TBCD 1029-2 SRC+01
- Matrix / Runout (Variant 4): 43 TBCD 1029-2 SRC+01 M4S3
- Matrix / Runout (Variant 5): 43 TBCD 1029-2 SRC+01 M1S7
- Matrix / Runout (Variant 6): 43 TBCD 1029-2 SRC+01 M3S4
Other Versions (5 of 88)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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De La Soul Is Dead (LP, Album) | Big Life | BLR LP 8, BLR LP8, BLR LP8 - 1 | UK | 1991 | ||
Recently Edited
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De La Soul Is Dead (LP, Album) | Mega Records | MRLP 3184 | Scandinavia | 1991 | ||
Recently Edited
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De La Soul Is Dead (2×LP, Album, Limited Edition, Promo) | Tommy Boy | TB 1041 | US | 1991 | ||
De La Soul Is Dead (CD, Album) | Tommy Boy | TBCD 3682 | Europe | 1991 | |||
De La Soul Is Dead (LP, Album) | Tommy Boy | 9031-74358-1 | Europe | 1991 |
Recommendations
Reviews
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Got a beat up original pressing and even with surface noice and the odd skip it Sounds so much more dynamic than the latest reissue. As for the badly scanned cover, come on, what a joke, my phone would do a better job!
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Edited 9 years agoThe CD version of "De La Soul Is Dead" is basically De La Soul's own The White Album (technically, The Beatles album wasn't called that, it was called "The Beatles" but whatever.) It's huge, sprawling, breathtakingly creative, diverse, and could probably use some generous pruning to give it a more focused scope. Like The Beatles' album, it has its share of perfect, well-crafted classic songs ("Oodles Of O's", "Ring Ring Ring (Ha Ha Hey)"), that showcase the group's strengths...as well as more than a handful of loose, loopy, possibly pot-inspired sketchy randomness ("Not Over Til The Fat Lady Plays The Demo" is definitely the "Wild Honey Pie" of DLSID.) Also like the fab four, the fab three are all over the map on DLSID, firing shots in every direction, even dipping into mocking hardcore "Afro Connections At A Hi 5 (In The Eyes Of The Hoodlum)" and hip-house "Kicked Out The House", as well as diving enthusiastically into nostalgic, sunshiney disco with "A Rollerskating Jam Named 'Saturdays'". Also like The White Album, there are distinctly darker edges here: DLSID was a reaction to the dayglow neo-psychedelia of "3 Ft High And Rising" and a nearly-universal labeling of the group as "hippies", which is not how Pos, Dave and Maseo saw themselves. Like The Beatles, they were coming out of their brightly-colored, vividly psychedelic public identity and reacting to it by narrowing the spectrum of expression. On DLSID, songs like "Millie Pulled A Pistol On Santa" and "My Brother's A Basehead" are thematically difficult, and many of the samples used on this album are far more emotionally complex than those on the group's debut. Even the album art, depicting a knocked-over pot of daisies atop stark black and white art is similar to The Beatles' minimalist white album art. George Martin, Beatles producer, was quoted a few times over the years saying he'd have made The White Album into a single, rather than double, album, cutting away the material he judged to be weakest. At nearly 80 minutes, DLSID is similarly heavy with content, some of which isn't exactly necessary, like "Johnny's Dead AKA Vincent Mason (Live From The BK Lounge)", "Not Over Til The Fat Lady Plays The Demo" the five(!) skits, the three WRMS radio station interludes. However, I love the scattershot approach of both albums and I don't think being concise and focused is necessarily the goal of great art. I originally owned DLSID on cassette and it was missing four songs that are on the CD version, "Kicked Out The House", "My Brother's A Basehead", "Who Do U Worship", and "Johnny's Dead AKA Vincent Mason (Live From The BK Lounge)", and the flow of the tracklist was fine. After getting the CD version, I got used to those additional four tracks and appreciate their inclusion.
Release
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Recently Edited
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