The BeatlesA Hard Day's Night

Label:

Parlophone – PMC 1230

Format:

Vinyl , LP, Album, Mono , Ernest J. Day Sleeve

Country:

UK

Released:

Genre:

Stage & Screen

Style:

Rock & Roll

Tracklist

Songs From The Film "A Hard Day's Night"
A1 A Hard Day's Night
A2 I Should Have Known Better
A3 If I Fell
A4 I'm Happy Just To Dance With You
A5 And I Love Her
A6 Tell Me Why
A7 Can't Buy Me Love
-
B1 Any Time At All
B2 I'll Cry Instead
B3 Things We Said Today
B4 When I Get Home
B5 You Can't Do That
B6 I'll Be Back

Companies, etc.

  • Manufactured ByThe Parlophone Co. Ltd.
  • Published ByNorthern Songs Ltd.
  • Printed ByErnest J. Day & Co. Ltd.
  • Made ByErnest J. Day & Co. Ltd.

Credits

  • Liner Notes [Cover Notes By]Tony Barrow
  • ProducerGeorge Martin
  • Words By, Music ByJohn Lennon And Paul McCartney*
  • Written-ByLennon-McCartney

Notes

First pressing
Black/yellow Parlophone labels.
Front laminated flip-back sleeve

Label:
The Parlophone Co. Ltd. ( Upper outer rim text )
Sold in the UK Subject to resale price conditions, see price list
Recording First Published 1964
Northern Songs Music Ltd.
Made in Gt. Britain

Sleeve:
E . M . I . Records Limited
(Controlled By Electric & Musical Industries Ltd.)
Hayes • Middlesex • England
Made and Printed in Great Britain

Printed and made by Ernest J. Day & Co. Ltd. London

NOTE!! This page is for sleeves printed by 'Ernest J. Day & Co. Ltd. London' ONLY.

Barcode and Other Identifiers

  • Matrix / Runout (A-side runout stamped): XEX 481 - 3N
  • Matrix / Runout (B-side runout stamped): XEX 482 - 3N
  • Matrix / Runout (A-side label, in brackets): XEX.481
  • Matrix / Runout (B-side label, in brackets): XEX.482
  • Other (Embossed on label): K T (Tax code)

Other Versions (5 of 839)

View All
Title (Format) Label Cat# Country Year
Recently Edited
A Hard Day's Night (LP, Album, Mono, Garrod & Lofthouse Sleeve) Parlophone PMC 1230 UK 1964
Recently Edited
Yeah! Yeah! Yeah! (A Hard Day's Night) - Originals From The United Artists' Picture (LP, Album, Stereo) Odeon STO 83 739, ZTOX 5564, 83 739 1964
Recently Edited
A Hard Day's Night (LP, Album, Stereo, Wide Label Font) Parlophone PCS 3058 UK 1964
Recently Edited
A Hard Day's Night (LP, Album, Mono) Parlophone PMCJ 1230 South Africa 1964
Recently Edited
4 Garçons Dans Le Vent - Chansons Du Film (LP, Album, Mono) Odeon OSX 226 1964

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Reviews

  • MusikOnVinyl's avatar
    MusikOnVinyl
    Edited 12 months ago
    I have a (UK) pressing with

    Side 1: YEX 126-2 8 5 3 (the number "2" used to be a number "1" but "2" was stamped over it, it seems)

    Side 2: YEX 127-4 2 1 1

    Which edition is that? I can not find it on discogs.
    • BepDylan-Deventer-NL's avatar
      Edited one year ago
      Hi there, reaching out to the Discogs community, cause I can't figure out wich issue I own;
      Laminated.
      Backcover PMC 1230 PCS 3058
      Stereo. On label 'stereo' on top of ON (in parlophONe)
      !!!!matrix YEX 126-1 and 127-1 but also the stamper codes RM and GP!!!!!
      Is there anybody who can help me out on this one?
      Thanks ia Hans Pijfers
      • jps6250's avatar
        jps6250
        My copy of this disc, bought by me when first released in '64 has a manufacturing fault on the sleeve: The rear is glued in upside down! The flip back tab with the "Printed and made by Ernest J Day & Co Ltd London is upside down above the title and catalogue number text on the rear .
        Is this a rare fault in production? Strangely enough my copy of "Magical Mystery Tour" (12") has the same fault. Anyone wish to comment
        • geoffstout710's avatar
          geoffstout710
          The UK -3N matrices are the best audio of this LP. Fresh as the day they were cut. I am lucky enough to have an excellent+ copy of this 1964 LP. Brilliant!
          • my_vinyl_beat's avatar
            my_vinyl_beat
            This is a Garrod and Lofthouse sleeve, As clearly shown in picture.
            • streetmouse's avatar
              streetmouse
              The Beatles were unstoppable during the mid 60’s, with many music critics saying that the Fab 4 fad was all but over, that The Beatles had nothing more to offer the world … what a mistake that was.

              The most significant aspect of A Hard Day’s Night was that it represented the first album composed of all original Beatles material and was recorded over nine non-consecutive days between January and June of 1964. It’s worthy to note that at the time, the Beatles were penning material for other musicians, this of course meant that they were honing their skills, especially in the area of ballads, with these arrangements and presentations transferring nicely as they inched into the their psychedelic sound … after all, “A Day In The Life” is pretty much a refined and revisioned ballad. All of this of course meant that listeners found themselves for the first time standing in front of John, Paul, George and Ringo, where the boys stood alone with no cover songs to protect them. Also for the first time were were hearing more dynamic guitars, more infused harmonies, as the band had over the the last few years grown very comfortable with themselves, and now, even the likes of Mr. Dylan were taking notice.

              The movie was pure pop culture, framed by this collection of songs, as it was all about the music and not the plot line. A Hard Day’s Night was a complete immersion of sight and sound, where pop music and show biz collided and nothing about music or film would ever be the same again. “A Hard Day’s Night” opens like a thunder-clash, where the present and the future are inseparable, where Paul’s Hofner bass (which was stolen after the rooftop event and never seen again), George’s Rickenbacker, an acoustic Gibson along with an elegant Steinway Grand piano create almost fours seconds of sustained sound that ring out here like magic, while traversing all the way into the climax of Sgt. Pepper, with “A Day In The Life.”

              Review by Jenell Kesler

              Of course Hard Day’s Night has its share of rockers, yet it also belays a gifted sense of the melancholy within the masterful construct of “If I Fell.” This is also the first album on which Ringo does not have a song, which at the time wasn’t seen as a drawback. And, considering things missing, all of the music from the movie was not included here, often because several of the numbers thad been previously released. On a whole, the album simply beams with irresistible self-confidence, energy, and fresh emotional visions that were entirely new. That being said, the UK version is much better than the American, where the album was drenched with all of those silly movie instrumentals, making it almost unlistenable, as was the reason for the disparaging opinions of the record based on which side of the ocean one lived on. It’s also an album where the second side was equally strong, inherently sophisticated and well worth your time, especially if you ignore the American pressing.

              Even if you were to consider A Hard Day’s Night nothing more than an assemblage of pop songs, the level of musicianship, vocal presentation and writing is lightyears beyond what the Beatles were doing just the year before … so say what you will, consider it a soundtrack or not, either way, there’s no way of denying the brilliance found within these grooves.

              *** The Fun Facts: The title of the album was the accidental creation of Ringo. From the John Lennon interview with Playboy magazine: “I was going home with Dick Lester (the movie director) who suggested the title, Hard Day's Night, derived from something Ringo had said. I had used it in “I His Own Write,” but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it not to be funny ... just said it. So Dick Lester said, 'We are going to use that title.’”

              As to the album cover: Robert Freeman was asked again to produce the cover artwork. He wanted to suggest the idea of movement, by expressing a flow of a pictures: four rows of four head shots, set up as though they were frames from a movie. The pictures of the four individual Beatles were taken in Freeman’s studio, in London. He asked them to make another facial expression for each new photo. The photos were also used at the end of the movie. While the British albums used a blue frame for the images, other countries used red, with the US album only showing four of the images and not the twenty as on the UK issue, with the movie poster continuing thirty-two images.
              • Wolfe3x6's avatar
                Wolfe3x6
                PLEASE HELP. UAS 6366. I have a copy which serial reads UAS 6366, pressed by united artists music and records, couldnt find anything about it on the list
                • elie_barnes's avatar
                  elie_barnes
                  this was also on 8 track cassette, released 1970 by UA (united artists), serial U-3006
                  • iggi_unpop's avatar
                    iggi_unpop
                    Edited 10 years ago
                    I have a strange false pressing of version "1A 062-04145" (from the Netherlands) which contains eight songs of the Beach Boys on side A instead of the regular Beatles-tracks! (B-side has the regular tracks!) Does anyone know more about this?

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