Laurie Anderson – Big Science
Label: |
Warner Bros. Records – BSK 3674 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Pop |
Style: |
New Age |
Tracklist
A1 | From The Air | 4:29 | |
A2 | Big Science | 6:14 | |
A3 | Sweaters | 2:18 | |
A4 | Walking & Falling | 2:10 | |
A5 | Born, Never Asked | 4:56 | |
B1 | O Superman (For Massenet) | 8:21 | |
B2 | Example #22 | 2:59 | |
B3 | Let X=X | 3:51 | |
B4 | It Tango | 3:01 |
Companies, etc.
- Lacquer Cut At – Masterdisk
- Pressed By – Europadisk
- Record Company – Warner Communications
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
- Copyright © – Warner Bros. Records Inc.
- Phonographic Copyright ℗ – WEA International Inc.
- Copyright © – WEA International Inc.
- Published By – Difficult Music
- Recorded At – The Lobby
- Recorded At – The Hit Factory
- Recorded At – Skyline Studios
- Recorded At – Sorcerer Sound
- Mixed At – The Hit Factory
- Mixed At – The Lobby
Credits
- Art Direction – Perry Hoberman
- Artwork [Cover] – Laurie Anderson
- Design – Cindy Brown (3)
- Engineer – Leanne Ungar
- Engineer [Assistant, Skyline Studios] – Arthur Payson
- Engineer [Assistant, Sorcerer Sound] – Al Fierstein*
- Engineer [Assistant, The Hit Factory] – Bob Musso*
- Lacquer Cut By – RL*
- Mastered By – Bob Ludwig
- Mixed By [Assistant, The Hit Factory] – Jon Smith (3)
- Photography By [Back Cover] – James Hamilton (5)
- Photography By [Inner Sleeve] – Laurie Anderson
- Producer – Roma Baran
- Producer [Assistant] – Perry Hoberman
- Technician [Technical Consultant & Systems Design] – Bob Bielecki
- Words By, Music By – Laurie Anderson
Notes
Songs from "United States I-IV"
Recorded at The Lobby, New York City.
Mixed at The Hit Factory, New York City.
Additional tracks recorded at The Hit Factory, Skyline Studios and Sorcerer Sound.
Mastered at Masterdisk.
Plated at Europadisk.
Special thanks to Patty Anderson, Lester Bangs, Robert Coe, Anton Fier, Charles Holland, Geraldine Pontius, Greg Shifrin and Gail Turner.
B1 mixed at The Lobby; for Massenet; originally released on One Ten Records.
B2 special thanks to Paranormals Medeline Vester, Gerhard Rozhek, Coretta Atteroc, Shelley Karson.
B3 original version appeared in ArtForum February 1982.
Includes printed inner sleeve with credits and lyrics.
This pressing has a Warner Bros. "W" logo on the bottom of the label. on both sides, (as pictured) The other US pressing of this album does not have the "W" on the label.
Runouts are etched, EDP logo and MASTERDISK stamped.
Recorded at The Lobby, New York City.
Mixed at The Hit Factory, New York City.
Additional tracks recorded at The Hit Factory, Skyline Studios and Sorcerer Sound.
Mastered at Masterdisk.
Plated at Europadisk.
Special thanks to Patty Anderson, Lester Bangs, Robert Coe, Anton Fier, Charles Holland, Geraldine Pontius, Greg Shifrin and Gail Turner.
B1 mixed at The Lobby; for Massenet; originally released on One Ten Records.
B2 special thanks to Paranormals Medeline Vester, Gerhard Rozhek, Coretta Atteroc, Shelley Karson.
B3 original version appeared in ArtForum February 1982.
Includes printed inner sleeve with credits and lyrics.
This pressing has a Warner Bros. "W" logo on the bottom of the label. on both sides, (as pictured) The other US pressing of this album does not have the "W" on the label.
Runouts are etched, EDP logo and MASTERDISK stamped.
Barcode and Other Identifiers
- Barcode (Text): 0 7599-23674-1
- Rights Society: BMI
- Pressing Plant ID (Stamped inside circle in runout areas): EDP
- Matrix / Runout (Side A, variant 1): BSK-1-3674-E2 MASTERDISK RL
- Matrix / Runout (Side B, variant 1): BSK-2-3674-E3 MASTERDISK RL [EDP logo] MISF'SMI
- Matrix / Runout (Side A, variant 2): BSK-1-3674-E2 MASTERDISK RL 2 EDP-M1SFSSM3
- Matrix / Runout (Side B, variant 2): BSK-2-3674-E3 #4 MASTERDISK RL [EDP logo] M1SFSSM12
- Matrix / Runout (Side A, variant 3): BSK-1-3674-E2 #3 MASTERDISK RL EDP-M1SF1SM12
- Matrix / Runout (Side B, variant 3): BSK-2-3674-E3 MASTERDISK RL [EDP logo] M1SF1SM1
Other Versions (5 of 105)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Big Science (LP, Album) | Warner Bros. Records | XBS-3674, XBS 3674 | Canada | 1982 | ||
Recently Edited
|
Big Science (LP, Album) | Warner Bros. Records | WB K 57 002, WB 57 002 | Europe | 1982 | ||
Recently Edited
|
Big Science (LP, Album) | Warner Bros. Records | 57002 | Italy | 1982 | ||
Big Science (LP, Album, Stereo) | Warner Bros. Records | WB K 57 002, WB 57 002 | 1982 | ||||
Recently Edited
|
Big Science (LP, Album) | Warner Bros. Records | 26.081 | Brazil | 1982 |
Recommendations
Reviews
-
I have the Ludwig BSK 3674, warner logo on both sides Promo. Pressing is great, quiet, punchy, and clean. I found this in the wild at the local rekkid store last week. $7. They are out there and available. Ludwig Mastering!
-
wow this pressing sounds great, drums sound so in your face and punchy and the soundstage is incredibly wide and vast if you’re a fan of this album an RL cut is the way to go
-
I have a copy of this that comes closest to matching this one, but on the B side label close to the pin hole it reads in a circle E A S T in raised lettering. Anyone have any insight on this one? Does not have bottom WB logo on label like the first press.
-
Laurie Anderson’s Big Science touched my heart in 1982. The movie “Blade Runner” was just out, with Laurie’s music sounding for all the world like some futuristic bedtime stories, designed to make us all feel comfortable in the electronic age. I know Laurie didn’t use smoke machines in concert, but if she had, I’m sure they would have been digital, with the smoke coming out in front of her all angular and pixilated.
Big Science was a mistake, it wasn’t suppose to exist back then, why even today it still sounds unearthly, nearly forty years after it came hurtling from somewhere out beyond the twin moons of Saturn. Finally, I no longer wished to be David Bowie, or even Todd Rundgren, now I had a woman, Laurie Anderson, to stylishly move me into the future with wisdom and forethought, where the molecular molecules in my brain were being rearranged as the record spun, as if the clock that calculated my life was being reset.
Of course avant garde commentaries trip over each other to embrace this album, yet Bid Science was so much more than merely being avant garde … it was accessible, perplexing, intoxicating and dreamy, just listening to these tracks was akin to walking spiraling up through the Guggenheim museum. The album can be a bit scary, due mostly to Anderson’s deadpan delivery, while other tracks often come off as being prophetic and filled with nonchalant wisdom. Big Science floats though one’s subconscious from the first note to the last, fused with tight intervals of musicianship, even if those intervals are a bit skewed, though that being said, each track on this record is blissful and totally original.
Big Science is what happens when experimental meets reality, and they mesh, rather than bouncing off of each other. Big Science is what happens when someone has the capabilities of turning Brian Eno’s pastoral sketches into full fledged musical paintings, complete with evolving subjects, emotional imagination, and above all, a soul, albeit an electronic soul. Everything aligned to bring Big Science to fruition, the stars aligned, Laurie was not as self-conscious about her singing here, or her musical textures, or even her future pop sensibilities. Yet, as the last note filters from your speakers, if you were there then, you where keenly aware that there will never be another album so untethered and free as this, this was a once in a lifetime event, a comet that lingers, allowed you indulge its presence and capture some of its presence.
In the end, Big Science, as the androids in “Blade Runner,” resounds with more humanity than almost anything you’ve ever, or ever will hear … where if you fall in love with a hat check clerk at an ice skating rink, then there’s actually hope this weary old world might spin on for a few more days.
Review by Jenell Kesler -
I have a copy with K 57 002 and no GEMA box on the label. It has the WE 351 code on the back sleeve. In all other respects a Europe release with matrix and Strawberry plant mark.
-
Edited 2 years agoLaurie Anderson managed to pull off a post-modern masterpiece! Not only is it the mega hit "Oh Superman" such a rare example of a "successful" track, even though it sounded (and it still sounds...) innovative and avant-garde . I can still recall the "ha-ha-ha" singin' in a late 80s commercial of underwear, all in black n' white, I was 8-9 years old and were mesmerized each time the commercial was on! The rest of the album follows on the same strides, quite bizarre n' unique, one thing of note is the electric violin on the intro of "From the air", which is also depicted on the sleeve artwork, a very special release, tune in!!!!!!
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
36 copies from $7.95