Aphex TwinDrukqs

Label:

Warp Records – 31174-2

Format:

2 x CD , Album , WEA Commerce Pressing

Country:

US

Released:

Genre:

Electronic

Style:

Experimental

Tracklist

1-1 Jynweythek 2:23
1-2 Vordhosbn 4:51
1-3 Kladfvgbung Micshk 2:06
1-4 Omgyjya-Switch 7 4:52
1-5 Strotha Tynhe 2:12
1-6 Gwely Mernans 5:08
1-7 Bbydhyonchord 2:33
1-8 Cock / Ver10 5:18
1-9 Avril 14th 2:05
1-10 Mt Saint Michel Mix + Saint Michaels Mount 8:10
1-11 Gwarek 2 6:46
1-12 Orban Eq Trx 4 1:35
1-13 Aussois 0:12
1-14 Hy A Scullyas Lyf A Dhagrow 2:14
1-15 Kesson Dalef 1:19
2-1 54 Cymru Beats 6:06
2-2 Btoum-Roumada 1:58
2-3 Lornaderek 0:31
2-4 Qkthr 1:27
2-5 Meltphace 6 6:24
2-6 Bit 4 0:25
2-7 Prep Gwarlek 3b 1:19
2-8 Father 0:57
2-9 Taking Control 7:14
2-10 Petiatil Cx Htdui 2:11
2-11 Ruglen Holon 1:49
2-12 AFX 237 V.7 4:23
2-13 Ziggomatic 17 8:35
2-14 Beskhu3epnm 2:10
2-15 Nanou 2 3:24

Companies, etc.

  • Record CompanyWarner Music Group
  • Record CompanyAOL Time Warner
  • Licensed FromWarp Records
  • Manufactured ByLondon-Sire Records Inc.
  • Distributed ByLondon-Sire Records Inc.
  • Phonographic Copyright ℗London-Sire Records Inc.
  • Copyright ©London-Sire Records Inc.
  • Phonographic Copyright ℗WEA International Inc.
  • Copyright ©WEA International Inc.
  • Published ByChrysalis Music
  • Glass Mastered AtWEA Mfg. Olyphant – X16631
  • Glass Mastered AtWEA Mfg. Olyphant – X16632
  • Pressed ByWEA Mfg. Commerce

Credits

  • Music By, Photography By [Photographs], Written-By [My Tracks Are], Producer [Uncredited]Richard D. James

Notes

Back Cover:
Published by Chrysalis Music
℗ & © 2001 London-Sire Records Inc. for the United States and WEA International Inc. for the world outside the United States excluding Europe.
Manufactured and distributed by London-Sire Records Inc.
Warner Music Group, an AOL Time Warner Company.
Printed in USA.
Aphex is a ed trademark of Aphex Systems Limited and is used by permission.

On CD:
Made in USA.

Sticker on case:
Parental Advisory Explicit Content

Other notes:
WEA Mfg. Commerce pressing, due to "2V**" mould code; this is very similar to WEA Mfg. Olyphant.
Comes in a Warner Bros. Records-branded jewel case.

Barcode and Other Identifiers

  • Barcode (Text): 6 4344-31174-2 5
  • Barcode (Scanned UPC-A): 643443117425
  • Matrix / Runout (CD1): [wea mfg. OLYPHANT logo] X16631 2 31174-2.1 02 *M2 S2
  • Mastering SID Code (CD1): ifpi L902
  • Mould SID Code (CD1): IFPI 2V2Z
  • Matrix / Runout (CD2): [wea mfg. OLYPHANT logo] X16632 2 31174-2.2 02 *M2 S1
  • Mastering SID Code (CD2): ifpi L902
  • Mould SID Code (CD2): IFPI 2V3Y

Other Versions (5 of 41)

View All
Title (Format) Label Cat# Country Year
Drukqs (2×CD, Album, Stereo) Warp Records WARPCD92 UK 2001
Drukqs (2×12", 45 RPM, 2×LP, Box Set, Album) Warp Records WARPLP92 UK 2001
Recently Edited
Drukqs (2×CD, Album, Stereo) Warp Records WPCR-11093/4 Japan 2001
Drukqs (2×CD, Album) Warp Records 4344311742 Australia 2001
Recently Edited
Drukqs (2×CD, Album, Copy Protected) Warp Records RTD126.3568.2, WARPCD92 2001

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Reviews

  • naosella's avatar
    naosella
    Druqks couldn't be more intriguing, than the coupled piano numbers that speckle this semi-compilation. Some tracks leave me scratching my head, but many of them were "taking up space" on one of Richard's hard drives. The nature of them should be considered. And, personally, I would source the tracks from his website in a higher bitrate than what's available through streaming. The discs themselves and package are important, though, to collectors (like myself). If you're a fan of AFX, this record is for you. Let the music play...
    • Dahgrow's avatar
      Dahgrow
      Edited 19 years ago
      Drukqs is a spectacular Aphex Twin album, you can be sure of that, though I do agree that there is a feeling of less moving forward in it. However, does that mean the music isn't as good? I don't think so, this album caught me the first listen, and the more I would come back to it, the more I found to it. If anything, it is kind of like a big meeting point for all of his previous work, like before everything was pointing to a single place, and this is it. Not his best, but quite good none the less.
      • DeletedDiscogs
        Edited 19 years ago
        The apex of Aphex. The songs may not stand out upon the first few listens, but delve in and you will find an alien world of soundscapes like nothing Richard James has ever created before. DRUKQS follows its own rules and its own logic; if you're not willing to submit to them, then no wonder you're not going to like it. The atmosphere is one of familiarity, but uncertainty; musical phrases are repeated, detuned and deconstructed, from song to song, suggesting an almost concept-like approach. Once you start listening, you won't want to stop.

        Quit now, Richie, you're never going to top it.
        • Nitrous.McBread's avatar
          Nitrous.McBread
          Edited 13 years ago
          This is Aphex's worst album by a long, long way. The prepared piano pieces are so light and inconsequential they'll blow away in the slightest breeze, and compared to a century of modern classical music they just don't stand up at all.

          As for the hard and heavy electronic tunes, they re-hash all the same noises from the previous albums but with none of the imagination. Worst of all, they're embarrassingly BORING and they go nowhere (apart from "Meltphace 6" which is one of his best tracks ever).

          The abiding impression when listening to 'Drukqs' is that whereas on his previous albums there was a definite sense of stepping, nay sprinting, forward musically and in of ideas, here he's just treading water and in danger of drowning in mediocrity. As a rabid Aphex fan it pains me to write this, but 'Drukqs' sukqs.
          • J-bomb's avatar
            J-bomb
            His most abstract album, and IMO one of the best. Maybe it's just imipramine withdrawal but I'm really getting into it. This is the thing more people should be buying, instead of the cookie-cutter rave crap, with the same freakin' boom TSHH boom TSHH boom TSHH rhythm over and over...

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