カシオペア*Mint Jams = ミント・ジャムス

Label:

Village Records (2) – VRCL 2227

Series:

Village DSD Mastering Series

Format:

CD , Album, Reissue, Remastered

Country:

Japan

Released:

Genre:

Jazz

Style:

Fusion

Tracklist

1 Take Me = テイク・ミー 4:51
2 Asayake = 朝焼け 4:58
3 Midnight Rendezvous = ミッドナイト・ランデブー 4:57
4 Time Limit = タイム・リミット 2:38
5 Domino Line = ドミノ・ライン 7:22
6 Tears Of The Star = ティアーズ・オブ・ザ・スター 4:29
7 Swear = スウェアー 6:47

Companies, etc.

  • Recorded AtChuo Kaikan Hall
  • Remixed AtALFA Studio A
  • Manufactured ByVillage Records Inc.
  • Phonographic Copyright ℗Alfa Music, Inc.
  • Copyright ©Alfa Music, Inc.

Credits

  • Art DirectionToshinao Tsukui
  • BassTetsuo Sakurai
  • DesignTestpattern
  • DrumsAkira Jimbo
  • EngineerNorio Yoshizawa
  • Engineer [Assistant]Atsushi Saito
  • Guitar, Composed By, Arranged ByIssei Noro
  • IllustrationMasao Hiruma
  • KeyboardsMinoru Mukaiya
  • Liner Notes宮住俊介*
  • ProducerShunsuke Miyazumi
  • Producer [Assistant]Satoshi Nakao
  • Remastered By [DSD Mastering]Toshiya Horiuchi

Notes

Casiopea Band :
Issei Noro - Electric Guitar (Yamaha SG-2000)
Minoru Mukaiya - Keyboards (Yamaha GS-1, CS-70M, -35, Moog Source, Roland Vocoder Plus)
Tetsuo Sakurai - Electric Bass (Yamaha BB-2000 Milk Bass)
Akira Jimbo - Drums (Yamaha YD-9000R)

Recorded at Chuo Kaikan Hall, Tokyo, Japan by Tamco Mobile Unit on February 23rd & 24th, 1982.
Re-Mixed at Alfa Studio "A", Shibaura, Tokyo, Japan by Norio Yoshizawa & Casiopea from March 16th to 29th, 1982.

Management Office: A. D. O., Shibuya, Tokyo, Japan

Special thanks to Mr. Toyama & all the A. D. O. staff, Ed Leaman, Yamaha GS-1, Studio Karaway, & all the audience & Chuo Kaikan Hall.

℗&©1982 Alfa Music, Inc.

DSD Mastering.

Barcode and Other Identifiers

  • Rights Society: JASRAC
  • Barcode (Text): 4 542696 000354
  • Barcode (String): 4542696000354
  • Matrix / Runout: VRCL 2227 2
  • Mastering SID Code: IFPI L276
  • Mould SID Code: IFPI 4568
  • ASIN (on amazon.co.jp): JP: B00005ULJ3
  • Other (Price (with tax)): ¥2,400
  • Other (Price (without tax)): ¥2,286

Other Versions (5 of 28)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Mint Jams (LP, Album, Stereo) Alfa ALF 85869 UK 1982
New Submission
Mint Jams (LP, Album, Stereo) Alfa ALF 85869, AAB 11020 Europe 1982
New Submission
Mint Jams (LP, Album, Stereo) Alfa ALR-20002 Japan 1982
New Submission
Mint Jams (LP, Album, Stereo) CBS ASF 2787 South Africa 1982
New Submission
Mint Jams (LP, Album, Stereo) Alfa AAF 20002 Australia 1982

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Reviews

  • Samthebass's avatar
    Samthebass
    I have this 2002 DSD Remaster, a 32XA-112 from the late 80s and the first release 38XA-5 - the best CD release is the 38XA-5.

    The 38XA-5 runs a hair slower and is much quieter than the other two releases, so to accurately compare them all I reduced the volumes of the 32XA and 2002 to the same perceived loudness in Audacity as the 38XA (confirmed with the ReplayGain plugin) and slowed them down with the "Change Tempo" effect to both be in sync and also not adjust their pitch.

    The 2002 DSD Remaster is the streaming version and is serviceable, but any pre-remaster CD release is better. As is, the 2002 is the loudest, has audible compression and fatiguing high frequencies. When adjusted to the 38XA-5 the drums do not have as much body and the bass is not as defined.

    The one strong positive of the 2002 however is the gaps between each track is significantly longer than the other releases and the extra breathing room is much appreciated.
    A quick note: the ALCA-9202 from 1998 (labelled as a remaster) measures VERY similarly to the 2002 but I have not personally heard this release.

    The 32XA-112 is more dynamic and has tamer high frequencies than the 2002, which makes it a pleasant & foot-tapping listen. The gaps between tracks are very short and are a little jarring at first but it is easy to get used to. It still has less defined articulation in the bass & drums when adjusted to the 38XA-5.

    For my tastes the 38XA-5 is the best with nice depth in the low end and balance across the board; of note is the intelligibility of the bass lines, the stronger fronts of each note make it easy to latch onto and follow along. The slower speed whilst subtle helps songs like Take Me and Time Limit sit back and groove just that bit more.

    A couple of considerations with the 38XA-5 - the gaps between songs are very short but the improvements elsewhere outweigh this downside. This release has pre-emphasis which is a high frequency boost found on early CDs. Most CD players will de-emphasis automatically but no PC disc drives can. The flag for pre-emphasis on the 38XA-5 is in the SUBQ which is not easily identified by ripping software, but the ripped files are easily de-emphasised manually.

    My recommendation is to go with any pre-remaster release if you are a casual to moderate fan of this album. The improvement of the 32XA-112 to the 2002 is worth hunting a copy for but the best digital version is the 38XA-5 if you can find one.
    • luxuryclass's avatar
      luxuryclass
      Edited one year ago
      i’ve seen people mention this disc and several other pressings have some glitching on tears of the star, could anybody tell me exactly where? i’ve not been able to notice it yet

      edit: upon listening, I think its around 4:20 ish on this CD copy where i can hear some faint clicking, its so faint it's taken me so long to notice it. I couldn't hear it on rips I have of the 32XA from 1987 or the Sonet CD from 1984. I've heard claims the 32XA has these glitches though, so it may be quieter and I haven't noticed yet

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