Various – OHM: The Early Gurus Of Electronic Music (1948-1980)
Label: |
Ellipsis Arts – CD3670 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Electronic |
Style: |
Experimental |
Tracklist
1-1 | Clara Rockmore– | Tchaikovsky: Valse Sentimentale | 2:08 |
1-2 | Olivier Messiaen– | Oraison | 7:42 |
1-3 | Pierre Schaeffer– | Etude Aux Chemins De Fer | 2:50 |
1-4 | John Cage– | Williams Mix | 5:42 |
1-5 | Robert Beyer– | Klangstudie II | 4:27 |
1-6 | Otto Luening– | Low Speed | 3:40 |
1-7 | Hugh Le Caine– | Dripsody | 1:26 |
1-8 | Louis And Bebe Barron– | Main Title From Forbidden Planet | 2:19 |
1-9 | Oskar Sala– | Concertando Rubato From Electronische Tanzsuite | 3:07 |
1-10 | Edgard Varèse– | Poeme Electronique | 8:00 |
1-11 | Richard Maxfield– | Sine Music (A Swarm Of Butterflies Encountered Over The Ocean) | 6:00 |
1-12 | Tod Dockstader– | Apocalypse – Part 2 | 2:01 |
1-13 | Karlheinz Stockhausen– | Kontakte (Edit) | 6:20 |
1-14 | Vladimir Ussachevsky– | Wireless Fantasy | 4:35 |
1-15 | Milton Babbitt– | Phonemena For Soprano And Piano (Edit) | 4:57 |
1-16 | MEV*– | Spacecraft (Edit) | 6:06 |
2-1 | Raymond Scott– | Cindy Electronium | 1:55 |
2-2 | Steve Reich– | Pendulum Music | 5:52 |
2-3 | Pauline Oliveros– | Bye Bye Butterfly | 8:02 |
2-4 | Joji Yuasa– | Projection Esemplastic For White Noise | 7:36 |
2-5 | Morton Subotnick– | Silver Apples Of The Moon, Part 1 (Edit) | 4:20 |
2-6 | David Tudor– | Rainforest Version 1 (Edit) | 5:09 |
2-7 | Terry Riley– | Poppy Nogood (Edit) | 7:55 |
2-8 | Holger Czukay– | Boat-Woman-Song (Edit) | 5:01 |
2-9 | Luc Ferrari– | Music Promenade (Edit) | 7:00 |
2-10 | François Bayle– | Rosace 3 From Vibrations Composées | 3:19 |
2-11 | Jean-Claude Risset– | Mutations (Edit) | 4:55 |
2-12 | Iannis Xenakis– | Hibiki-Hana-Ma (Edit) | 4:39 |
2-13 | La Monte Young– | Excerpt "31|69 C. 12:17:22-12:25:33 PM NYC" From: Drift Study "31|69 C. 12:17:33-12:24:33 PM NYC" From: Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals (Edit) | 7:00 |
3-1 | Charles Dodge– | He Destroyed Her Image | 1:59 |
3-2 | Paul Lansky– | Six Fantasies On A Poem By Thomas Campion: Her Song | 3:04 |
3-3 | Laurie Spiegel– | Appalachian Grove I | 5:20 |
3-4 | Bernard Parmegiani– | En Phase/Hors Phase | 2:29 |
3-5 | David Behrman– | On The Other Ocean (Edit) | 6:48 |
3-6 | John Chowning– | Stria (Edit) | 5:11 |
3-7 | Maryanne Amacher– | Living Sound, Patent Pending Music For Sound-ed Rooms Series (Edit) | 7:02 |
3-8 | Robert Ashley– | Automatic Writing (Edit) | 7:07 |
3-9 | Alvin Curran– | Canti Illuminati (Edit) | 7:25 |
3-10 | Alvin Lucier– | Music On A Long Thin Wire (Edit) | 6:43 |
3-11 | Klaus Schulze– | Melange | 6:52 |
3-12 | Jon Hassell– | Before And After Charm (La Notte) | 7:59 |
3-13 | Brian Eno– | Unfamiliar Wind (Leeks Hills) | 5:21 |
Companies, etc.
- Licensed From – sne (Société Nouvelle d'Enregistrement)
- Phonographic Copyright ℗ – Ellipsis Arts
- Phonographic Copyright ℗ – Delos International, Inc.
- Phonographic Copyright ℗ – INA-GRM
- Phonographic Copyright ℗ – WERGO
- Phonographic Copyright ℗ – Schott Music & Media GmbH
- Phonographic Copyright ℗ – BV Haast Records
- Phonographic Copyright ℗ – Composers Recordings, Inc.
- Phonographic Copyright ℗ – Electronic Music Foundation, Ltd.
- Phonographic Copyright ℗ – JWD Music
- Phonographic Copyright ℗ – Small Planet Records
- Phonographic Copyright ℗ – Erdenklang Musikverlag Ulrich Rützel
- Phonographic Copyright ℗ – Instituut Voor Sonologie
- Phonographic Copyright ℗ – The MELA Foundation
- Phonographic Copyright ℗ – Starkland
- Phonographic Copyright ℗ – Tod Dockstader
- Phonographic Copyright ℗ – Ecstatic Peace!
- Phonographic Copyright ℗ – New World Records
- Phonographic Copyright ℗ – MEV
- Phonographic Copyright ℗ – Basta
- Phonographic Copyright ℗ – Sonic Youth Records
- Phonographic Copyright ℗ – Neuma Records
- Phonographic Copyright ℗ – Mode Records (2)
- Phonographic Copyright ℗ – Organ Of Corti
- Phonographic Copyright ℗ – Spoon Records
- Phonographic Copyright ℗ – Éditions Salabert
- Phonographic Copyright ℗ – La Monte Young
- Phonographic Copyright ℗ – New Albion Records
- Phonographic Copyright ℗ – Lovely Music, Ltd.
- Phonographic Copyright ℗ – Maryanne Amacher
- Phonographic Copyright ℗ – Alvin Curran
- Phonographic Copyright ℗ – Klaus Schulze
- Phonographic Copyright ℗ – Klaus D. Müller
- Phonographic Copyright ℗ – Nyen Music
- Phonographic Copyright ℗ – Virgin Records Ltd.
- Copyright © – Ellipsis Arts
- Copyright © – Delos International, Inc.
- Copyright © – INA-GRM
- Copyright © – Edition Peters, New York
- Copyright © – Edition Peters, London
- Copyright © – Edition Peters
- Copyright © – WERGO
- Copyright © – Schott Music & Media GmbH
- Copyright © – BV Haast Records
- Copyright © – Highgate Press
- Copyright © – Hugh Le Caine
- Copyright © – Small Planet Records
- Copyright © – Ricordi
- Copyright © – Just Eternal Music
- Copyright © – Tod Dockstader
- Copyright © – European American Music Distributors Corporation
- Copyright © – American Composers Alliance
- Copyright © – Associated Music Publishers
- Copyright © – MEV
- Copyright © – Gateway Music (2)
- Copyright © – Universal Edition (London) Ltd.
- Copyright © – Deep Listening Publications
- Copyright © – European American Music Corporation
- Copyright © – Mode Records (2)
- Copyright © – Ancient Word Music
- Copyright © – G. Schirmer Inc.
- Copyright © – La Monte Young
- Copyright © – New Albion Records
- Copyright © – Grim Tim Music
- Copyright © – Laurie Spiegel
- Copyright © – David Behrman
- Copyright © – Schott Musik International
- Copyright © – Maryanne Amacher
- Copyright © – Visibility Music Publishers
- Copyright © – Alvin Curran
- Copyright © – Alvin Lucier
- Copyright © – Nyen Music
- Copyright © – James Klosty
- Copyright © – Metro-Goldwyn-Mayer
- Copyright © – Jack Mitchell
- Published By – North Cape Music
- Published By – Upala Music Inc.
- Glass Mastered At – Disque Americ
- Pressed By – Disque Americ
- Mastered At – Chateau Shag
- Designed At – Stoltze Design
Credits
- Coordinator [Project Coordinator] – Jennifer Beal
- Coordinator [Project Director] – Russell Charno, D.C.*
- Design [Graphic Design By] – Stoltze Design
- Edited By – Priscilla Stuckey
- Executive-Producer – Jeffrey Charno
- Liner Notes – Tod Dockstader
- Liner Notes [Foreword] – Brian Eno
- Liner Notes [Producers' Note] – Thomas Ziegler (3)
- Liner Notes [Text, Interviews, Producers' Note] – Jason Gross
- Mastered By – Toddio
- Mastered By [Pre-mastered By] – Darryl Neudorf
- Photography By [Page 87, Right] – William Murray (3)
- Photography By [Page 32] – Heinz Köster
- Photography By [Page 45] – Barbara Mayfield
- Photography By [Page 50] – Alice Arnold
- Photography By [Page 56] – Axel Hoedt
- Photography By [Page 67] – Maria Gilissen
- Photography By [Page 77] – Louis Fabian Bachrach*
- Photography By [Page 83] – Giorgio Piredda
- Photography By [Page 84] – Gaby Gerster
- Photography By [Page 87, Left] – Hali Breindel
- Producer – Thomas Ziegler (3)
Notes
© ℗ 2000 Ellipsis Arts.
Design: The A.V. Dept. at Stoltze Design, Boston
Booklet:
Cover is a schematic of the RCA Theremin, 1929, courtesy of Robert Moog.
Other photos courtesy of Raymond Scott Archive, Robert Moog, INA-GRM, Dr. Dorothea Eimert, Gayle Young, Meyers Rosenblum and Herman Shulman, La Monte Young, CRI, Intl Mgmt Group, Yoji Yuasa, Morton Subotnick, Mode Records, The Cortical Foundation, G. Schirmer, Inc., Kate Dodge.
On page 25 ©James Klosty, page 28: ©1972 Metro-Goldwyn-Mayer, page 75 (left): ©Jack Mitchell, 1989, page 75 (right): ©Jack Mitchell 1986
Paul D. Miller (DJ Spooky)
Issued as 8- Digipak with transparent trays inside a matte/clear with white/silver printing plastic slipcase, including a 100-page booklet featuring quotes from the artists, photos, and extensive notes. The tracks are presented here chronologically, and if you've read Joel Chadabe's book "Electric Sound: The Past and Promise of Electronic Music," then this makes an excellent accompaniment.
Track 1-15 is mistakenly the totally non-electronic 'Phonemena For Soprano And Piano' from Philomel and not the listed 'Philomel'. Also many of the tracks have inevitably been severely edited.
Tracks 1-11, 1-16, 2-1, 3-7 and 3-12 are previously unreleased. All other tracks taken from previously released CDs.
Track 1-1 from The Art Of The Theremin (Delos)
Track 1-2 from "Toussaint, Murial, Provost, Messiaen, Vivier" (SNE)
Track 1-3 from L'Œuvre Musicale (EMF)
Track 1-4 from The 25-Year Retrospective Concert Of The Music Of John Cage (Wergo)
Track 1-5 from Cologne - WDR: Early Electronic Music (BV Haast)
Track 1-6 from Pioneers Of Electronic Music (CRI)
Track 1-7 from Pioneer In Electronic Music Instrument Design: Compositions And Demonstrations 1948-1972 (Hugh Le Caine Project)
Track 1-8 from Forbidden Planet (Small Planet Records)
Track 1-9 from My Fascinating Instrument (Fax)
Track 1-10 from Instituut voor Soonologie
Track 1-11 from MELA Foundation Archives (previously unreleased)
Track 1-12 from Apocalypse (Starkland)
Track 1-13 from Kontakte (Ecstatic Peace)
Track 1-14 from Electronic And Acoustic Works 1957-1972 (CRI)
Track 1-15 from Philomel (New World)
Track 1-16 from Richard Teitelbaum Archives (previously unreleased)
Track 2-1 from Basta Archives (previously unreleased)
Track 2-2 from Goodbye 20th Century (SYR)
Track 2-3 from New Music For Electronic & Recorded Media (Women In Electronic Music - 1977) (CRI)
Track 2-4 from Electro Acoustic Music V (Neuma)
Track 2-5 from Silver Apples Of The Moon (Wergo)
Track 2-6 from Rainforest (Mode)
Track 2-7 from Poppy Nogood And The Phantom Band "All Night Flight" Vol.1 (Organ of Corti)
Track 2-8 from Canaxis (Spoon)
Track 2-9 from Presque Rien (INA)
Track 2-10 from Grande Polyphonie (INA GRM)
Track 2-11 from Sud / Dialogues / Inharmonique / Mutations (INA GRM)
Track 2-12 from Electronic Music (EMF)
Track 2-13 from MELA Foundation Archives
Track 3-1 from Any Resemblance Is Purely Coincidental (New Albion)
Track 3-2 from Fantasies And Tableaux (CRI)
Track 3-3 from New Music For Electronic & Recorded Media (Women In Electronic Music - 1977) (CRI)
Track 3-4 from Violostries / Pour En Finir Avec Le Pouvoir D'Orphée / Dedans-Dehors / Rouge-Mort / Exercisme 3 / Le Présent Composé (INA-GRM)
Track 3-5 from On The Other Ocean (Lovely)
Track 3-6 from Turenas · Stria · Phoné · Sabelithe (Wergo)
Track 3-7 previously unreleased
Track 3-8 from Automatic Writing (Lovely)
Track 3-9 from Canti Illuminati (Fore)
Track 3-10 from Music On A Long Thin Wire (Lovely)
Track 3-11 from Historic Edition (Manikin)
Track 3-12 previously unreleased
Track 3-13 from Ambient 4 (On Land) (Editions EG)
Design: The A.V. Dept. at Stoltze Design, Boston
Booklet:
Cover is a schematic of the RCA Theremin, 1929, courtesy of Robert Moog.
Other photos courtesy of Raymond Scott Archive, Robert Moog, INA-GRM, Dr. Dorothea Eimert, Gayle Young, Meyers Rosenblum and Herman Shulman, La Monte Young, CRI, Intl Mgmt Group, Yoji Yuasa, Morton Subotnick, Mode Records, The Cortical Foundation, G. Schirmer, Inc., Kate Dodge.
On page 25 ©James Klosty, page 28: ©1972 Metro-Goldwyn-Mayer, page 75 (left): ©Jack Mitchell, 1989, page 75 (right): ©Jack Mitchell 1986
Paul D. Miller (DJ Spooky)
Issued as 8- Digipak with transparent trays inside a matte/clear with white/silver printing plastic slipcase, including a 100-page booklet featuring quotes from the artists, photos, and extensive notes. The tracks are presented here chronologically, and if you've read Joel Chadabe's book "Electric Sound: The Past and Promise of Electronic Music," then this makes an excellent accompaniment.
Track 1-15 is mistakenly the totally non-electronic 'Phonemena For Soprano And Piano' from Philomel and not the listed 'Philomel'. Also many of the tracks have inevitably been severely edited.
Tracks 1-11, 1-16, 2-1, 3-7 and 3-12 are previously unreleased. All other tracks taken from previously released CDs.
Track 1-1 from The Art Of The Theremin (Delos)
Track 1-2 from "Toussaint, Murial, Provost, Messiaen, Vivier" (SNE)
Track 1-3 from L'Œuvre Musicale (EMF)
Track 1-4 from The 25-Year Retrospective Concert Of The Music Of John Cage (Wergo)
Track 1-5 from Cologne - WDR: Early Electronic Music (BV Haast)
Track 1-6 from Pioneers Of Electronic Music (CRI)
Track 1-7 from Pioneer In Electronic Music Instrument Design: Compositions And Demonstrations 1948-1972 (Hugh Le Caine Project)
Track 1-8 from Forbidden Planet (Small Planet Records)
Track 1-9 from My Fascinating Instrument (Fax)
Track 1-10 from Instituut voor Soonologie
Track 1-11 from MELA Foundation Archives (previously unreleased)
Track 1-12 from Apocalypse (Starkland)
Track 1-13 from Kontakte (Ecstatic Peace)
Track 1-14 from Electronic And Acoustic Works 1957-1972 (CRI)
Track 1-15 from Philomel (New World)
Track 1-16 from Richard Teitelbaum Archives (previously unreleased)
Track 2-1 from Basta Archives (previously unreleased)
Track 2-2 from Goodbye 20th Century (SYR)
Track 2-3 from New Music For Electronic & Recorded Media (Women In Electronic Music - 1977) (CRI)
Track 2-4 from Electro Acoustic Music V (Neuma)
Track 2-5 from Silver Apples Of The Moon (Wergo)
Track 2-6 from Rainforest (Mode)
Track 2-7 from Poppy Nogood And The Phantom Band "All Night Flight" Vol.1 (Organ of Corti)
Track 2-8 from Canaxis (Spoon)
Track 2-9 from Presque Rien (INA)
Track 2-10 from Grande Polyphonie (INA GRM)
Track 2-11 from Sud / Dialogues / Inharmonique / Mutations (INA GRM)
Track 2-12 from Electronic Music (EMF)
Track 2-13 from MELA Foundation Archives
Track 3-1 from Any Resemblance Is Purely Coincidental (New Albion)
Track 3-2 from Fantasies And Tableaux (CRI)
Track 3-3 from New Music For Electronic & Recorded Media (Women In Electronic Music - 1977) (CRI)
Track 3-4 from Violostries / Pour En Finir Avec Le Pouvoir D'Orphée / Dedans-Dehors / Rouge-Mort / Exercisme 3 / Le Présent Composé (INA-GRM)
Track 3-5 from On The Other Ocean (Lovely)
Track 3-6 from Turenas · Stria · Phoné · Sabelithe (Wergo)
Track 3-7 previously unreleased
Track 3-8 from Automatic Writing (Lovely)
Track 3-9 from Canti Illuminati (Fore)
Track 3-10 from Music On A Long Thin Wire (Lovely)
Track 3-11 from Historic Edition (Manikin)
Track 3-12 previously unreleased
Track 3-13 from Ambient 4 (On Land) (Editions EG)
Barcode and Other Identifiers
- Barcode (Text): 0 5229-63670-2 2
- Barcode (Scanned): 052296367022
- Rights Society: BMI
- Rights Society: ASCAP
- Other (International Standard Book Number): ISBN 1-55961-574-5
- Other (Catalog number CD1): 3671
- Other (Catalog number CD2): 3672
- Other (Catalog number CD3): 3673
- Matrix / Runout (CD1: Variant 1): DADR 1NHJ1<1313>CD3671
- Mastering SID Code (CD1: Variant 1): IFPI L481
- Mould SID Code (CD1: Variant 1): IFPI8101
- Matrix / Runout (CD2: Variant 1): DADR 1UQS3<1313>CD3672
- Mastering SID Code (CD2: Variant 1): IFPI L483
- Mould SID Code (CD2: Variant 1): IFPI81C5
- Matrix / Runout (CD3: Variant 1): DADR 1NH71<1313>CD3673
- Mastering SID Code (CD3: Variant 1): IFPI L481
- Mould SID Code (CD3: Variant 1): IFPI81C0
- Matrix / Runout (CD1: Variant 2): DADR 25AE3<1313>CD3671
- Mastering SID Code (CD1: Variant 2): IFPI L483
- Mould SID Code (CD1: Variant 2): IFPI8127
- Matrix / Runout (CD2: Variant 2): DADR 24M01<1313>CD3672
- Mastering SID Code (CD2: Variant 2): IFPI L481
- Mould SID Code (CD2: Variant 2): IFPI8127
- Matrix / Runout (CD3: Variant 2): DADR 25VA1<1313>CD3673
- Mastering SID Code (CD3: Variant 2): IFPI L481
- Mould SID Code (CD3: Variant 2): IFPI8119
- Matrix / Runout (CD1: Variant 3): DADR 24303<1313>CD3671
- Mastering SID Code (CD1: Variant 3): IFPI L483
- Mould SID Code (CD1: Variant 3): IFPI8113
- Matrix / Runout (CD2: Variant 3): DADR 24M01<1313>CD3672
- Mastering SID Code (CD2: Variant 3): IFPI L481
- Mould SID Code (CD2: Variant 3): IFPI8127
- Matrix / Runout (CD3: Variant 3): DADR 25VA1<1313>CD3673
- Mastering SID Code (CD3: Variant 3): IFPI L481
- Mould SID Code (CD3: Variant 3): IFPI8119
- Matrix / Runout (CD1: Variant 4): DADR 1NHJ1<1313>CD3671
- Mastering SID Code (CD1: Variant 4): IFPI L481
- Mould SID Code (CD1: Variant 4): IFPI8134
- Matrix / Runout (CD2: Variant 4): DADR 1UQS3<1313>CD3672
- Mastering SID Code (CD2: Variant 4): IFPI L483
- Mould SID Code (CD2: Variant 4): IFPI8134
- Matrix / Runout (CD3: Variant 4): DADR 1NH71<1313>CD3673
- Mastering SID Code (CD3: Variant 4): IFPI L481
- Mould SID Code (CD3: Variant 4): IFPI8134
Other Versions (2)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
OHM+ : The Early Gurus Of Electronic Music : 1948 - 1980 (3×CD, Compilation, Reissue, DVD, , Box Set, Special Edition) | Ellipsis Arts | CD3690 | US | 2005 | ||
Recently Edited
|
OHM+: The Early Gurus Of Electronic Music (DVD, NTSC) | Ellipsis Arts | DVD 3694 | US | 2005 |
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2002 BelgiumCompilation
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1998 USCompilation, Remastered
Reviews
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I cannot believe that this 20+ year-old compilation is being offered at such a reasonable price! An encyclopedic compilation, the asking prices are worth it for the massive booklet alone!
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Track 1-15 is an acoustic piece. Clearly what they meant to use was the electronic version of Philomel, which you can find on YouTube.
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Highly recommended for anyone who has an interest in how all of this got started, and has a taste for experimental electronic. You won't find much in the way of beats and structure often, because in many cases what you are hearing on the track is the first time such methods were even used. These are the pioneers. The ones who invented the synths and the algorithms in them, with names like Chowning, Theramin, and Moog in the credits; the ones who strung thousands of feet of wire around a studio to see how it would distort a sound wave; built elaborate "sonic rooms" where the audience would walk around triggering effects, creating their own personal roar.
The book that accompanies the 3 disc set is gorgeous. Full color, glossy, and around 100 pages long. It includes not only detailed information on each song and artist on the three discs, but a wealth of tangental information as well, such as history, engineering, artist's thoughts, and so on. It is by no means a substitute for a thorough essay on the history of electronic music, but far, far more than you usually get in even a box set.
As for the music itself, it is great stuff, though a bit "out there" in some cases, and not really something you would just put on as background music. For instance, track eight on disc three features nothing but the murmering of Robert Ashley's personal thoughts surrounding his work. Other songs are practically sonic blasts that are almost akin to the Noise genre. Alas, a lot of the music has been edited and shortened, as noted above. It is understandable though, especially considering the fact that some of the tracks are excerpts from hours long shows. The good news is that you would have a hell of time procuring all of this music on your own, especially since some of these tracks have never been released before.
Some highlights: John Cage's Williams Mix, here is a song with a score that is over five-hundred pages long! From a technical standpoint, very interesting. No doubt it could be accomplished in no time with today's technology, for 1952 it was a huge achievement. Terry Riley's long, completely improv organ sets with an eastern influence. Amacher's petri dish approach to dynamic, three dimensional sound sculptures (woefully handicapped in their stereo form.) It's all good though.
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