kanYeWest* – Late Registration
Label: |
Roc-A-Fella Records – 0602498824016 |
---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Hip Hop |
Style: |
Tracklist
1 | Wake Up Mr. West | 0:41 | |
2 | Heard 'Em Say | 3:23 | |
3 | Touch The Sky | 3:57 | |
4 | Gold Digger | 3:28 | |
5 | Skit #1 | 0:33 | |
6 | Drive Slow | 4:32 | |
7 | My Way Home | 1:43 | |
8 | Crack Music | 4:31 | |
9 | Roses | 4:05 | |
10 | Bring Me Down | 3:18 | |
11 | Addiction | 4:27 | |
12 | Skit #2 | 0:31 | |
13 | Diamonds From Sierra Leone (Remix) | 3:53 | |
14 | We Major | 7:28 | |
15 | Skit #3 | 0:24 | |
16 | Hey Mama | 5:05 | |
17 | Celebration | 3:18 | |
18 | Skit #4 | 1:18 | |
19 | Gone | 6:02 | |
**Bonus Track** | |||
20 | Diamonds From Sierra Leone | 3:58 | |
- | |||
21 | Late | 3:50 |
Companies, etc.
- Phonographic Copyright ℗ – Roc-A-Fella Records, LLC
- Copyright © – Roc-A-Fella Records, LLC
- Record Company – UMG Recordings, Inc.
- Licensed To – Mercury Records
- Marketed By – Barclay S.A.
- Distributed By – Barclay S.A.
- Licensed From – EMI Music Marketing
- Published By – Screen Gems-EMI Music Inc.
- Published By – BMG Songs, Inc.
- Produced For – Very Good Beats
- Produced For – Hip Hop Since 1978
- Recorded At – Sony Music Studios, New York City
- Recorded At – Grandmaster Studios
- Mixed At – Chalice Recording Studios
- Produced For – F.O.B. Entertainment
- Produced For – N.Q.C. Management, LLC
- Recorded At – Record Plant, Los Angeles
- Recorded At – Chalice Recording Studios
- Licensed From – Atlantic Recording Corporation
- Published By – Warner-Tamerlane Publishing Corp.
- Published By – Unichappell Music, Inc.
- Published By – Mijac Music
- Published By – Nettwerk Songs Publishing
- Mixed At – Sony Music Studios, New York City
- Published By – Bienstock Publishing Co.
- Mixed At – Hinge Sound, Chicago, IL
- Published By – Golden Withers Music
- Recorded At – Capitol Studios
- Published By – Chappell & Co., Inc.
- Published By – Williamson Music Co.
- Mixed At – Larrabee North
- Published By – EMI Unart Catac.
- Produced For – My Block Records
- Phonographic Copyright ℗ – Island Def Jam Music Group
- Licensed From – Universal Music Enterprises
- Published By – Universal Music Publishing
- Published By – Songs of Universal, Inc.
- Published By – Sony / ATV Music Publishing
- Published By – Tideland Music Co.
- Published By – Chuck Willis Music Co.
- Published By – Warner/Chappell Music, Inc.
- Mastered At – Sony Music Studios, New York City
- Made By – Universal M & L, – 51639834
Credits
- A&R [A&R Direction] – Patrick "Plain Pat" Reynolds*
- [A&R istration] – Terese Joseph
- Art Direction, Design – Morning Breath, Inc.*
- Coordinator [A&R Coordination] – Don C
- Coordinator [Photography & Art Coordination] – Kris Yiengst*
- Creative Director – Louis Marino
- Executive-Producer – The Carter istration
- Executive-Producer [Co-Executive Producer] – Jon Brion
- Legal [Legal Counsel] – Alison K. Finley
- Legal [Sample Clearing Agent] – Eric Weissman
- Management – Hustle*
- Management [Business Affairs] – Randy McMillan
- Marketing [Marketing For Def Jam] – Tracey Waples
- Marketing [Marketing For Hip Hop Since 1978] – Al Branch
- Marketing [Marketing For Hustle] – John Monopoly
- Mastered By – Vlado Meller
- Photography By – Sarah A. Friedman*
- Product Manager [Package Production] – Doug Joswick
- Stylist [Grooming For Partos] – Ibn Jasper
- Stylist [Styling] – Charlene Roxborough
Notes
This version was made by EDC, .
Issued in a jewel case with clear tray and a 12-page booklet. From the sticker:
'Includes the smash singles
Diamonds From
Sierra Leone (Remix)
feat. Jay-Z
and
Gold Digger
feat. Jamie Foxx
602498824016'
Track 20 is a bonus track. Track 21 is a hidden track.
On track 2, Adam Levine is credited as 'Adam Levine of Maroon 5'.
Track 1
Contains excerpts from "Someone That I Used To Love" as performed by Natalie Cole. Used courtesy of Capitol Records, under license from EMI Music Marketing. Written by M. Masser and G. Goffin, published by Screen Gems-EMI Music Inc. (BMI) and BMG Songs Inc. (ASCAP).
Track 2
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 and Jon Brion.
Recorded by Andrew Dawson at Sony Music Studios, NYC and by Tom Biller at Grandmaster Recording Studios, Hollywood, CA.
Mixed for Dean's List Productions at Chalice Recording Studios, Hollywood, CA.
Adam Levine appears courtesy of J Records.
Contains excerpts from "Someone That I Used To Love" as performed by Natalie Cole. Used courtesy of Capitol Records, under license from EMI Music Marketing. Written by M. Masser and G. Goffin, published by Screen Gems-EMI Music Inc. (BMI) and BMG Songs Inc. (ASCAP).
Track 3
Produced for F.O.B. Entertainment/N.Q.C. Management, LLC and Hip Hop Since 1978.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA and Andrew Dawson at Chalice Recording Studios, Hollywood, CA.
Mixed for Dean's List Productions at Chalice Recording Studios, Hollywood, CA.
Lupe Fiasco appears courtesy of Atlantic Records/1st and 15th Productions, Inc.
Contains samples from the Curtis Mayfield recording "Move On Up", produced under license from Atlantic Recording Corp. By arrangement with Warner Strategic Marketing. Written by C. Mayfield, published by Warner-Tamerlane Publishing Corp. (BMI).
Track 4
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 and Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA, Andrew Dawson at Sony Music Studios, NYC and Chalice Recording Studios, Hollywood, CA, and by Tom Biller at Grandmaster Recording Studios, Hollywood, CA.
Mixed for Dean's List Productions at Chalice Recording Studios, Hollywood, CA.
Jamie Foxx appears courtesy of J Records/Chameleon Ent./Foxx Hole.
Contains samples from the Ray Charles recording "I Got A Woman", produced under license from Atlantic Recording Corp. By arrangement with Warner Strategic Marketing. Written by R. Charles and R. Richard, Unichappell Music, Inc. (BMI) & Mijac Music (BMI). All rights istered by Unichappell Music, Inc. (BMI)
Track 6
Produced for Very Good Beats/Hip Hop Since 1978.
Recorded by Anthony Kilhoffer & Richard Reitz at The Record Plant, Hollywood, CA, and by Andrew Dawson at Chalice Recording Studios, Hollywood, CA.
Mixed for Dean's List Productions at Chalice Recording Studios, Hollywood, CA.
Paul Wall appears courtesy of Swisha Blast Entertainment. GLC appears courtesy of Good Music/Sony Records.
Contains a sample from a Hank Crawford recording ("Wildflower"), used courtesy of Sony BMG Music Entertainment and Nettwerk Songs Publishing.
Track 7
Produced for Very Good Beats/Hip Hop Since 1978.
Recorded and mixed at Sony Music Studios, NYC.
Common appears courtesy of Geffen Records.
Contains a sample of "Home Is Where The Hatred Is" performed by Gil Scott-Heron, used courtesy of RCA Records/Sony BMG Music Entertainment. Written by G. Scott-Heron, courtesy of Bienstock Publishing Company (ASCAP).
Track 8
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 and Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA and Andrew Dawson & Brian Sumner at Chalice Recording Studios, Hollywood, CA.
Mixed at Sony Music Studios, NYC.
Game appears courtesy of Interscope Records. Keyshia Cole appears courtesy of Interscope Records. Charlie Wilson appears courtesy of Jive Records.
Contains a sample of "Since You Came In My Life" performed by New York Community Choir, used courtesy of RCA Records/Sony BMG Music Entertainment. Written by W. Meeks, published by Unichappell Music, Inc. (BMI).
Track 9
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 and Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA and by Brian Sumner at Chalice Recording Studios, Hollywood, CA.
Mixed at Hinge, Chicago, IL.
Contains samples from "Rosie", performed by Bill Withers. Used courtesy of Still Bill Productions. Written by Bill Withers, published by Golden Wither Music (ASCAP).
Track 10
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 and Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA.
Mixed at Hinge, Chicago, IL.
Strings recorded at Capitol Recording Studios, Hollywood, CA.
Brandy appears courtesy of KnockOut Entertainment.
Track 11
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 and Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA and by Tom Biller at Grandmaster Recording Studios, Hollywood, CA.
Mixed at Hinge, Chicago, IL.
Strings appears courtesy of Cash Money/Universal Records.
Contains elements of "My Funny Valentine", performed by Etta James, used courtesy of RCA Records/Sony BMG Music Entertainment. Written by R. Rodgers, L.Hart, published by Chappell & Co., Inc. (ASCAP)/Williamson Music Co. (ASCAP).
Tracks 13, 20
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978, Devo Springsteen for Very Good Beats & Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA and by Tom Biller at Grandmaster Recording Studios, Hollywood, CA.
Mixed at Larrabee North Studios, Los Angeles, CA.
Contains a sample of "Diamonds Are Forever" written by J. Barry and D. Black, published by EMI Unart Catac. Performed by Shirley Bassey. Main title from the original motion picture 'Diamonds Are Forever'. Arranged and conducted by John Barry. Originally released 1971 by Danjaq, LLC/MGM under exclusive license to Capitol Records, Inc.
Track 14
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978, Warryn "Baby Dubb" Campbell for My Block Records & Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA and by Tom Biller at Grandmaster Recording Studios, Hollywood, CA.
Mixed for Dean's List Productions at Chalice Recording Studios, Hollywood, CA.
Nas appears courtesy of Sony Records.
Contains a sample of the recording "Action" as performed by Orange Krush. ℗1982 The Island Def Jam Music Group. Courtesy of The Island Def Jam Music Group under license from Universal Music Enterprises. Written by R. Simmons, L. Smith and M. Reid, used courtesy of Universal Music Publishing (ASCAP)/Songs of Universal Inc. (BMI).
Track 16
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 & Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA; Andrew Dawson at Sony Music Studios, NYC and by Tom Biller at Grandmaster Recording Studios, Hollywood, CA.
Mixed at Chalice Recording Studios, Hollywood, CA.
Contains samples from the Donal Leace recording "Today Won't Come Again", produced under license from Atlantic Recording Corp. by arrangement with Warner Strategic Marketing. Written by Donal Leace, used courtesy of ATL Music.
Track 17
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 & Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA; Andrew Dawson at Sony Music Studios, NYC and Chalice Recording Studios, Hollywood, CA and by Tom Biller at Grandmaster Recording Studios, Hollywood, CA.
Mixed at Chalice Recording Studios, Hollywood, CA.
Strings recorded at Capitol Recording Studios, Hollywood, CA.
Contains a sample of "Heavenly Dream" performed by the KayGee's, used courtesy of Unidisc Music, Inc.
Track 19
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978.
Recorded at The Record Plant, Hollywood, CA.
Mixed at Chalice Recording Studios, Hollywood, CA.
Strings recorded at Capitol Recording Studios, Hollywood, CA.
Consequence appears courtesy of Sony Records.
Contains samples from the Otis Redding recording "It's Too Late", produced under license from Atlantic Recording Corp. by arrangement with Warner Strategic Marketing. Written by Chuck Willis, used courtesy of Sony/ATV Music Publishing on behalf of Tideland Music Co. and Chuck Willis Music Co. (BMI)/Warner-Chappell Music, Inc. (BMI).
Mastered at Sony Music Studios, NYC.
Sample clearance agent for Sample Clearance, Ltd.
℗ 2005 Roc-A-Fella Records, LLC © 2005 Roc-A-Fella Records, LLC, a division of UMG Recordings, Inc.
Roc-A-Fella is exclusively licensed to Mercury Records worldwide, excluding .
Marketed and distributed in by Barclay SA.
Made in the EU.
Issued in a jewel case with clear tray and a 12-page booklet. From the sticker:
'Includes the smash singles
Diamonds From
Sierra Leone (Remix)
feat. Jay-Z
and
Gold Digger
feat. Jamie Foxx
602498824016'
Track 20 is a bonus track. Track 21 is a hidden track.
On track 2, Adam Levine is credited as 'Adam Levine of Maroon 5'.
Track 1
Contains excerpts from "Someone That I Used To Love" as performed by Natalie Cole. Used courtesy of Capitol Records, under license from EMI Music Marketing. Written by M. Masser and G. Goffin, published by Screen Gems-EMI Music Inc. (BMI) and BMG Songs Inc. (ASCAP).
Track 2
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 and Jon Brion.
Recorded by Andrew Dawson at Sony Music Studios, NYC and by Tom Biller at Grandmaster Recording Studios, Hollywood, CA.
Mixed for Dean's List Productions at Chalice Recording Studios, Hollywood, CA.
Adam Levine appears courtesy of J Records.
Contains excerpts from "Someone That I Used To Love" as performed by Natalie Cole. Used courtesy of Capitol Records, under license from EMI Music Marketing. Written by M. Masser and G. Goffin, published by Screen Gems-EMI Music Inc. (BMI) and BMG Songs Inc. (ASCAP).
Track 3
Produced for F.O.B. Entertainment/N.Q.C. Management, LLC and Hip Hop Since 1978.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA and Andrew Dawson at Chalice Recording Studios, Hollywood, CA.
Mixed for Dean's List Productions at Chalice Recording Studios, Hollywood, CA.
Lupe Fiasco appears courtesy of Atlantic Records/1st and 15th Productions, Inc.
Contains samples from the Curtis Mayfield recording "Move On Up", produced under license from Atlantic Recording Corp. By arrangement with Warner Strategic Marketing. Written by C. Mayfield, published by Warner-Tamerlane Publishing Corp. (BMI).
Track 4
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 and Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA, Andrew Dawson at Sony Music Studios, NYC and Chalice Recording Studios, Hollywood, CA, and by Tom Biller at Grandmaster Recording Studios, Hollywood, CA.
Mixed for Dean's List Productions at Chalice Recording Studios, Hollywood, CA.
Jamie Foxx appears courtesy of J Records/Chameleon Ent./Foxx Hole.
Contains samples from the Ray Charles recording "I Got A Woman", produced under license from Atlantic Recording Corp. By arrangement with Warner Strategic Marketing. Written by R. Charles and R. Richard, Unichappell Music, Inc. (BMI) & Mijac Music (BMI). All rights istered by Unichappell Music, Inc. (BMI)
Track 6
Produced for Very Good Beats/Hip Hop Since 1978.
Recorded by Anthony Kilhoffer & Richard Reitz at The Record Plant, Hollywood, CA, and by Andrew Dawson at Chalice Recording Studios, Hollywood, CA.
Mixed for Dean's List Productions at Chalice Recording Studios, Hollywood, CA.
Paul Wall appears courtesy of Swisha Blast Entertainment. GLC appears courtesy of Good Music/Sony Records.
Contains a sample from a Hank Crawford recording ("Wildflower"), used courtesy of Sony BMG Music Entertainment and Nettwerk Songs Publishing.
Track 7
Produced for Very Good Beats/Hip Hop Since 1978.
Recorded and mixed at Sony Music Studios, NYC.
Common appears courtesy of Geffen Records.
Contains a sample of "Home Is Where The Hatred Is" performed by Gil Scott-Heron, used courtesy of RCA Records/Sony BMG Music Entertainment. Written by G. Scott-Heron, courtesy of Bienstock Publishing Company (ASCAP).
Track 8
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 and Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA and Andrew Dawson & Brian Sumner at Chalice Recording Studios, Hollywood, CA.
Mixed at Sony Music Studios, NYC.
Game appears courtesy of Interscope Records. Keyshia Cole appears courtesy of Interscope Records. Charlie Wilson appears courtesy of Jive Records.
Contains a sample of "Since You Came In My Life" performed by New York Community Choir, used courtesy of RCA Records/Sony BMG Music Entertainment. Written by W. Meeks, published by Unichappell Music, Inc. (BMI).
Track 9
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 and Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA and by Brian Sumner at Chalice Recording Studios, Hollywood, CA.
Mixed at Hinge, Chicago, IL.
Contains samples from "Rosie", performed by Bill Withers. Used courtesy of Still Bill Productions. Written by Bill Withers, published by Golden Wither Music (ASCAP).
Track 10
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 and Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA.
Mixed at Hinge, Chicago, IL.
Strings recorded at Capitol Recording Studios, Hollywood, CA.
Brandy appears courtesy of KnockOut Entertainment.
Track 11
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 and Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA and by Tom Biller at Grandmaster Recording Studios, Hollywood, CA.
Mixed at Hinge, Chicago, IL.
Strings appears courtesy of Cash Money/Universal Records.
Contains elements of "My Funny Valentine", performed by Etta James, used courtesy of RCA Records/Sony BMG Music Entertainment. Written by R. Rodgers, L.Hart, published by Chappell & Co., Inc. (ASCAP)/Williamson Music Co. (ASCAP).
Tracks 13, 20
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978, Devo Springsteen for Very Good Beats & Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA and by Tom Biller at Grandmaster Recording Studios, Hollywood, CA.
Mixed at Larrabee North Studios, Los Angeles, CA.
Contains a sample of "Diamonds Are Forever" written by J. Barry and D. Black, published by EMI Unart Catac. Performed by Shirley Bassey. Main title from the original motion picture 'Diamonds Are Forever'. Arranged and conducted by John Barry. Originally released 1971 by Danjaq, LLC/MGM under exclusive license to Capitol Records, Inc.
Track 14
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978, Warryn "Baby Dubb" Campbell for My Block Records & Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA and by Tom Biller at Grandmaster Recording Studios, Hollywood, CA.
Mixed for Dean's List Productions at Chalice Recording Studios, Hollywood, CA.
Nas appears courtesy of Sony Records.
Contains a sample of the recording "Action" as performed by Orange Krush. ℗1982 The Island Def Jam Music Group. Courtesy of The Island Def Jam Music Group under license from Universal Music Enterprises. Written by R. Simmons, L. Smith and M. Reid, used courtesy of Universal Music Publishing (ASCAP)/Songs of Universal Inc. (BMI).
Track 16
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 & Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA; Andrew Dawson at Sony Music Studios, NYC and by Tom Biller at Grandmaster Recording Studios, Hollywood, CA.
Mixed at Chalice Recording Studios, Hollywood, CA.
Contains samples from the Donal Leace recording "Today Won't Come Again", produced under license from Atlantic Recording Corp. by arrangement with Warner Strategic Marketing. Written by Donal Leace, used courtesy of ATL Music.
Track 17
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978 & Jon Brion.
Recorded by Anthony Kilhoffer at The Record Plant, Hollywood, CA; Andrew Dawson at Sony Music Studios, NYC and Chalice Recording Studios, Hollywood, CA and by Tom Biller at Grandmaster Recording Studios, Hollywood, CA.
Mixed at Chalice Recording Studios, Hollywood, CA.
Strings recorded at Capitol Recording Studios, Hollywood, CA.
Contains a sample of "Heavenly Dream" performed by the KayGee's, used courtesy of Unidisc Music, Inc.
Track 19
Produced by Kanye West for Very Good Beats/Hip Hop Since 1978.
Recorded at The Record Plant, Hollywood, CA.
Mixed at Chalice Recording Studios, Hollywood, CA.
Strings recorded at Capitol Recording Studios, Hollywood, CA.
Consequence appears courtesy of Sony Records.
Contains samples from the Otis Redding recording "It's Too Late", produced under license from Atlantic Recording Corp. by arrangement with Warner Strategic Marketing. Written by Chuck Willis, used courtesy of Sony/ATV Music Publishing on behalf of Tideland Music Co. and Chuck Willis Music Co. (BMI)/Warner-Chappell Music, Inc. (BMI).
Mastered at Sony Music Studios, NYC.
Sample clearance agent for Sample Clearance, Ltd.
℗ 2005 Roc-A-Fella Records, LLC © 2005 Roc-A-Fella Records, LLC, a division of UMG Recordings, Inc.
Roc-A-Fella is exclusively licensed to Mercury Records worldwide, excluding .
Marketed and distributed in by Barclay SA.
Made in the EU.
Barcode and Other Identifiers
- Barcode (Text): 6 02498 82401 6
- Barcode (Scanned): 602498824016
- Rights Society: BIEM/SABAM
- Label Code: LC 08427
- Matrix / Runout (Variant 1, 2): 06024 988 240-1 01 ✳ 51639834 MADE IN BY UNIVERSAL M & L A [4x Universal logo]
- Matrix / Runout (Variant 3): 06024 988 240-1 01 ✳ 51639834 MADE IN BY UNIVERSAL M & L B [4x Universal logo]
- Mastering SID Code (Variant 1-3): IFPI LV26
- Mould SID Code (Variant 1, 3): IFPI 0144
- Mould SID Code (Variant 2): IFPI 0122
Other Versions (5 of 60)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Late Registration (CD, Album) | Roc-A-Fella Records | B0004813-02 | US | 2005 | ||
Recently Edited
|
Late Registration (2×LP, Album) | Roc-A-Fella Records | B0004813-01 | US | 2005 | ||
Recently Edited
|
Late Registration (CD, Album) | Roc-A-Fella Records | 2600621 | Russia | 2005 | ||
Late Registration (CD, Album, Digipak) | Roc-A-Fella Records | B000532502, B000481302 | Canada | 2005 | |||
Recently Edited
|
Late Registration (CD, Album, DVD, DVD-Video, All Media, Deluxe Edition, Limited Edition) | Roc-A-Fella Records | 0602498850534 | Europe | 2005 |
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