John Mayer – Where The Light Is: John Mayer Live In Los Angeles
Tracklist
| Acoustic Set: | |||
| A1 | Neon | ||
| A2 | Stop This Train | ||
| A3 | In Your Atmosphere | ||
| B1 | Daughters | ||
| B2 | Free Fallin' | ||
| Trio Set: | |||
| C1 | Everyday I Have The Blues | ||
| C2 | Wait Until Tomorrow | ||
| C3 | Who Did You Think I Was | ||
| C4 | Come When I Call | ||
| C5 | Good Love Is On The Way | ||
| D1 | Out Of My Mind | ||
| D2 | Vultures | ||
| D3 | Bold As Love | ||
| Band Set: | |||
| E1 | Waiting On The World To Change | ||
| E2 | Slow Dancing In A Burning Room | ||
| E3 | Why Georgia | ||
| F1 | The Heart Of Life | ||
| F2 | I Don't Need No Doctor | ||
| G1 | Gravity | ||
| G2 | I Don't Trust Myself (With Loving You) | ||
| H1 | Belief | ||
| H2 | I'm Gonna Find Another You |
Companies, etc.
- Phonographic Copyright ℗ – Sony Music Entertainment
- Copyright © – Sony Music Entertainment
- Manufactured By – Music On Vinyl B.V.
- Distributed By – Music On Vinyl B.V.
- Pressed By – Record Industry – 90908
- Mastered At – Marcussen Mastering
- Recorded At – Nokia Theatre, Los Angeles
- Mixed At – Drive By Studios
Credits
- Art Direction, Design – John Mayer
- Bass – Pino Palladino
- Drums – J.J. Johnson (8)
- Drums, Vocals – Steve Jordan
- Engineer [Audio Engineer] – Scott Frey
- Engineer [Chief Engineer] – Ian Charbonneau
- Engineer [Monitor Engineer] – Brian Hendry
- Engineer [Pro-Tools Engineer] – Anthony Catalano
- Guitar [Guitars], Dobro, Vocals – Robbie McIntosh
- Guitar [Guitars], Tambourine, Vocals – David Ryan Harris
- Keyboards [Keys], Lap Steel Guitar [Lap Steel], Vocals – Tim Bradshaw
- Lighting Director – Michael Keller (10)
- Management – Serling, Rooks & Ferrara*
- Mastered By – Stephen Marcussen
- Mixed By – Martin Pradler
- Mixed By [Assisted By] – Jeremy Underwood (2)
- Mixed By, Producer [Produced By], Engineer [Front-of-house engineer] – Chad Franscoviak
- Other [Driver] – James Falhgren
- Other [Merchandise] – Matt Barth (2), Scotty Crowe
- Other [Security] – John Artes (2)
- Photography – Danny Clinch
- Production Manager – Chris Adamson
- Production Manager [Production Asst.] – Katie Friesema
- Recorded By – Ed Cherney
- Stage Manager, Technician [Drum Tech] – Chris Gott (2)
- Technician [Bass & Keys Tech] – Mark Scaggs (tracks: Mark Skaggs)
- Technician [Guitar Tech] – George Bade
- Technician [JM Guitar Tech] – Rene Martinez
- Technician [Stag Audio Tech] – Steve Sich
- Tenor Saxophone, Soprano Saxophone – Bob Reynolds
- Tour Manager – Ken Helie
- Tour Manager [Asst. Tour Manager] – Carolyn Snell (2)
- Trumpet, Flugelhorn – Brad Mason
Notes
Label on outer shrink: Exclusively remastered 180 gram audiophile vinyl.
Deluxe 4LP set in 15mm wide sleeve with printed inner sleeves.
Originally released Ⓟ & © 2008 Sony Music Entertainment.
Made in the EU.
Deluxe 4LP set in 15mm wide sleeve with printed inner sleeves.
Originally released Ⓟ & © 2008 Sony Music Entertainment.
Made in the EU.
Barcode and Other Identifiers
- Barcode (Text): 8 713748 982959
- Barcode (Scanned): 8713748982959
- Matrix / Runout (LP 1 & 2 Jacket): MOVLP444-JK1/2
- Matrix / Runout (LP 3 & 4 Jacket): MOVLP444-JK3/4
- Matrix / Runout (Runout side A, etched): 90908 1A MOVLP444
- Matrix / Runout (Runout side B, etched): 90908 1B MOVLP444
- Matrix / Runout (Runout side C, etched): 90908 1C MOVLP444
- Matrix / Runout (Runout side D, etched): 90908 1D MOVLP444
- Matrix / Runout (Runout side E, etched): 90908 1E MOVLP444
- Matrix / Runout (Runout side F, etched): 90908 1F MOVLP444
- Matrix / Runout (Runout side G, etched): 90908 1G MOVLP444
- Matrix / Runout (Runout side H, etched): 90908 1H MOVLP444
- Rights Society: BIEM/STEMRA
Other Versions (5 of 35)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Where The Light Is (John Mayer Live In Los Angeles) (4×LP, Album, 180 gram) | Columbia | 88697 22665 1 | US | 2008 | ||
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New Submission
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Where The Light Is: John Mayer Live In Los Angeles (2×CD, , DVD, , All Media, Limited Edition) | Columbia | 88697 30995 2 | US | 2008 | ||
| Where The Light Is: John Mayer Live In Los Angeles (Blu-ray, Stereo) | Columbia | 88697 32075 9 | US | 2008 | |||
|
New Submission
|
Where The Light Is: John Mayer Live In Los Angeles (2×CD, Album) | Columbia | 88697 22665 2 | US | 2008 | ||
|
New Submission
|
Where The Light Is: John Mayer Live In Los Angeles (DVD, Multichannel, NTSC) | Columbia | 88697 22727 9 | Canada | 2008 |
Recommendations
Reviews
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Very good pressing, absolutely clean, no clicks, super low noise. Sound is pretty good for what it is, a live recording. I am happy with mine. Music is great, but we all know that, the writing, the playing, the singing, all is top notch. To me this already a classic. -
Today I bought this 4 LP boxset. It sounds insane good. It's dead quiet. Good.dynamics and instrument seperation. Why do labels provide their records with cheap cardboard inner sleeves? When you're not paying attention you're damaging your records while taking them out of these inner sleeves. This is a good buy! -
I don't have disc 3 in my copy. If anyone has a duplicate and wants to sell it send me a message and I will buy it.
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I do not know if I got a bad press, but the press lacks detail/treble and the bass is overblown here and there. On the vocals there are some sibilants, but I can give that a . Overall I'd rate it a 6.5/10 -
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My copy came pretty dirty right out of the sleeve, but the first two discs played fine with just a quick brush-cleaning. The second discs are much worse for some reason, both a bit warped and the first songs on each side are fairly noisy. I will try wet-cleaning and then exchanging if it doesn't help. Music and sound is absolutely superb though! -
Amazing album but it seems I got a bad copy. The sound is absolutely superb with the only exception being the quality of the microphone for some reason.
Most notably in the first track "Neon". Everything sounds incredible but for some reason everything he sings sounds like they switched a quality setting on the microphone from High to Extra-Low-Quality like some 16 Kbps Bitrate stuff, it is honestly pretty bad on my record.
At the same time the guitar sounds completely brilliant and just very pure...
Great album overall. -
Echoing what so many have said, this album pressing is phenomenal! This is one of my favorite live albums and I’ve listened to it on CD, Streaming, and DVD over the years since it’s release and this vinyl pressings is the best I’ve ever heard it.
The only limitation I’ll ever have on this album is my system. I’m so glad to finally have this on vinyl after so many years. -
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