Bob Dylan – Self Portrait
Label: |
Columbia – C2X 30050 |
|---|---|
Format: |
|
Country: |
Canada |
Released: |
|
Genre: |
Rock |
Style: |
Classic Rock |
Tracklist
| A1 | All The Tired Horses | 3:11 | |
| A2 | Alberta #1 | 2:55 | |
| A3 | I Forgot More Than You'll Ever Know | 2:22 | |
| A4 | Days Of 49 | 5:42 | |
| A5 | Early Mornin' Rain | 3:31 | |
| A6 | In Search Of Little Sadie | 2:26 | |
| B1 | Let It Be Me | 2:58 | |
| B2 | Little Sadie | 1:58 | |
| B3 | Woogie Boogie | 2:06 | |
| B4 | Belle Isle | 2:28 | |
| B5 | Living The Blues | 2:41 | |
| B6 | Like A Rolling Stone | 5:14 | |
| C1 | Copper Kettle | 3:32 | |
| C2 | Gotta Travel On | 3:04 | |
| C3 | Blue Moon | 2:26 | |
| C4 | The Boxer | 2:45 | |
| C5 | The Mighty Quinn (Quinn, The Eskimo) | 2:54 | |
| C6 | Take Me As I Am (Or Let Me Go) | 2:59 | |
| D1 | Take A Message To Mary | 2:44 | |
| D2 | It Hurts Me Too | 3:16 | |
| D3 | Minstrel Boy | 3:29 | |
| D4 | She Belongs To Me | 2:42 | |
| D5 | Wigwam | 3:08 | |
| D6 | Alberta #2 | 3:20 |
Companies, etc.
- Manufactured By – Columbia Records Of Canada, Ltd.
- Mastered At – Customatrix
- Printed By – Modern Graphics
Credits
- Artwork [Cover Painting] – Bob Dylan
- Design – Ron Coro
- Engineer – Neil Wilburn
- Photography – Camera Press
- Photography By – John Cohen (2)
- Producer – Bob Johnston
- Written-By – B. Dylan* (tracks: A1, A2, A6, B2 to B6, C5, D2 to D6)
Notes
Red 1960s style Columbia labels with the white "360 SOUND" / "Stereo" logo.
Manufactured by Columbia Records of Canada Ltd./®"Columbia", Marcas Reg.
Litho in Canada.
Packaged in rough and thick gatefold sleeve.
All Selections ASCAP except A3, C2, C4, C6, D1 (BMI).
Runouts: etched except o, which is stamped
Manufactured by Columbia Records of Canada Ltd./®"Columbia", Marcas Reg.
Litho in Canada.
Packaged in rough and thick gatefold sleeve.
All Selections ASCAP except A3, C2, C4, C6, D1 (BMI).
Runouts: etched except o, which is stamped
Barcode and Other Identifiers
- Rights Society: BMI
- Rights Society: ASCAP
- Other (Printed on spine): Modern Graphics logo
- Matrix / Runout (Side A, Label): XSM 153504
- Matrix / Runout (Side B, Label): XSM 153505
- Matrix / Runout (Side C, Label): XSM 153506
- Matrix / Runout (Side D, Label): XSM 153507
- Matrix / Runout (Side A, Runout variant 1): XSM 153504-1J
- Matrix / Runout (Side B, Runout variant 1): XSM 153505-1M
- Matrix / Runout (Side C, Runout variant 1): XSM 153506-1K
- Matrix / Runout (Side D, Runout variant 1): XSM 153507-1M
- Matrix / Runout (Side A, Runout variant 2): XSM 153504-1J X o
- Matrix / Runout (Side B, Runout variant 2): XSM 153505-1M o
- Matrix / Runout (Side C, Runout variant 2): XSM 153506-1K o
- Matrix / Runout (Side D, Runout variant 2): XSM 153507-1M X o
Other Versions (5 of 139)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Self Portrait (2×LP, Album, Stereo) | CBS | 66250 | UK | 1970 | ||
|
Recently Edited
|
Self Portrait (2×LP, Album, Stereo, Santa Maria Pressing) | Columbia | C2X 30050 | US | 1970 | ||
|
Recently Edited
|
Self Portrait (2×LP, Album, Gatefold) | CBS | 66250, S 66250 | Italy | 1970 | ||
|
Recently Edited
|
Self Portrait (2×LP, Album) | CBS | S 66250 | 1970 | |||
|
Recently Edited
|
Self Portrait (2×LP, Album) | CBS | S2BP 220057 | Australia | 1970 |
Recommendations
Reviews
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Mostly a hard panned mix vocals alone in the centre. Bob’s voice is clear and wonderful. This is a beautiful, rich and full pressing. Appears to share plates with 1st American pressings, thus a cheaper option for those looking for a great sounding first pressing. Highly recommended.
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Edited 3 years agoAs far as Self Portrait was meant as a time capsule at its inception, it reaches its full potential here: on a fifty-year-old vinyl record. It all makes sense now that contemporary pressures and expectations have faded into the background. What it couldn't tell people in 1970 about their own time, comes into focus in the 2020s.
The yellowing sleeve and slightly faded classic-red Columbia labels, the ever-present but consistent and warm hiss, and the rustic pictures and fonts fulfill the concept that Bob perhaps foresaw when he released it. The fact that it is a Canadian pressing is icing on the cake: it places the album outside the pressure cooker that is American culture.
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