ザ・ビートルズ*Hey Jude = ヘイ・ジュード

Label:

Apple Records – EAS-80570

Series:

ザ・ビートルズ = The Beatles – 25

Format:

Vinyl , LP, Compilation, Stereo, Reissue

Country:

Japan

Released:

Genre:

Rock

Style:

Pop Rock

Tracklist

A1 Can't Buy Me Love = キャント・バイ・ミー・ラヴ
Written-ByLennon-McCartney
2:09
A2 I Should Have Known Better = 恋する二人
Written-ByLennon-McCartney
2:41
A3 Paperback Writer = ペイパーバック・ライター
Written-ByLennon-McCartney
2:15
A4 Rain = レイン
Written-ByLennon-McCartney
2:58
A5 Lady Madonna = レディ・マドンナ
Written-ByLennon-McCartney
2:14
A6 Revolution = レボリューション
Written-ByLennon-McCartney
3:21
B1 Hey Jude = ヘイ・ジュード
Written-ByLennon-McCartney
7:05
B2 Old Brown Shoe = オールド・ブラウン・シュー
Written-ByHarrison*
3:16
B3 Don’t Let Me Down = ドント・レット・ミー・ダウン
Written-ByLennon-McCartney
3:31
B4 The Ballad Of John And Yoko = ジョンとヨーコのバラード
Written-ByLennon-McCartney
2:55

Companies, etc.

  • Manufactured ByToshiba EMI Ltd

Credits

  • Liner Notes [対訳]山本安見* (tracks: A1 to A5, B1 to B4)
  • Liner Notes [解説]吉成伸幸*
  • ProducerGeorge Martin
  • Vocals, Performerザ・ビートルズ*

Notes

MADE IN JAPAN Ⓘ (EAS-80570)
With obi and insert. Toshiba/EMI Japan issued this US release as part of the 1976 EAS reissue series.
Originally released in US Feb 1970.

Recording notes:
-Mastered from a copy of a US master, as identified by the matrix stamp.

Packaging notes:
-Jacket is same as the US design, with obvious text differences for Japan.
-Includes bio-lyric sheet insert (in English & Japanese).
-Disc comes with black paper inner sleeve.
-Obi states ‎¥2,500, with list of albums in the series on the back side.
-Some copies imported to North America may have come with an "imported Japan" Capitol-EMI sticker that sealed the outer plastic sleeve (see photo).

Runout info variant 2: one of the last 3s is upside down on side A / C is barely legible on side B.

Barcode and Other Identifiers

  • Price Code (List price): ¥2,500
  • Matrix / Runout (Label A): SW1-385
  • Matrix / Runout (Label B): SW2-385
  • Matrix / Runout (Runout A, stamped, variant 1): SW1-385 5S2 7 〄 20-Z4
  • Matrix / Runout (Runout B, stamped, variant 1): SW2-385 2S 2 〄
  • Matrix / Runout (Runout A, stamped, variant 2): SW1-385 2S 7C 〄 3-3
  • Matrix / Runout (Runout B, stamped, variant 2): SW2-3X85 1S2 C4〄
  • Matrix / Runout (Runout A, stamped, variant 3): SW1-385 5S2 25 〄 0-9
  • Matrix / Runout (Runout B, stamped, variant 3): SW2-385 2S 9 〄
  • Matrix / Runout (Runout A, stamped, variant 4): SW1-385 5S2 10 〄 21-6Y-21
  • Matrix / Runout (Runout B, stamped, variant 4): SW2-385 2S 2 〄
  • Matrix / Runout (Runout A, stamped, variant 5): SW1-385 2S 59 〄 7-2
  • Matrix / Runout (Runout B, stamped, variant 5): SW2-385 1S23 63 〄
  • Matrix / Runout (Runout A, stamped, variant 6): SW1-385 2S 55 〄 7-9
  • Matrix / Runout (Runout B, stamped, variant 6): SW2-3X85 1S2 70 〄
  • Matrix / Runout (Runout A, stamped, variant 7): SW1-385 5S 8 〄 8-Y
  • Matrix / Runout (Runout B, stamped, variant 7): SW2-385 1S ̷2̷ 3 63 〄
  • Matrix / Runout (Runout A, stamped, variant 8): SW1-385 5S2 12 〄 3-2
  • Matrix / Runout (Runout B, stamped, variant 8): SW2-385 2S 4 〄

Other Versions (5 of 407)

View All
Title (Format) Label Cat# Country Year
Hey Jude (LP, Compilation) Parlophone PCSJ 149 South Africa 1970
Hey Jude (The Beatles Again) (LP, Compilation, Jacksonville Pressing) Apple Records SO-385, SW-385 US 1970
Recently Edited
The Beatles Again (LP, Compilation, IDN) Apple Records 2C 062 04348 1970
Recently Edited
Hey Jude (LP, Compilation, Reissue, Stereo) Apple Records 1 C 062-04 348, 1C 062-04 348 1970
Hey Jude (LP, Compilation, Stereo, Flipback sleeve) Apple Records CS 106, CS.106 New Zealand 1970

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Reviews

  • PooreBoy54's avatar
    PooreBoy54
    This is the best pressing of this album I’ve yet to hear. All of the instruments are dynamic and sound alive.
    The bass on the song “Rain” is tight and realistic sounding.
    On “Hey Jude” you can hear the tambourine and cymbals ringing in their own space.
    If you can find a nice copy of this pressing at a reasonable price, grab it.
    • StaticWednesday's avatar
      Edited 2 years ago
      I find the comments regarding light bass on Japanese releases interesting. IMO they reveal a detailed and energetic soundscape with detailed bass guitar with great definition and non bloated sound. As a semi pro bassist who also records. I find this tonal quality to be highly enjoyable. Bass guitar is a mid range instrument. So. If you want more sub bass or bloat turn on your sub woofers. I think many get confused regarding what "bass" really is. It is certainly not the bass guitar solely. IMO the worst recording is a mix where the bass guitar is pushed into the bass drum...thus removing all tonal context of the bass guitar other than :more bass: This can easily been heard on the new Giles mixes. IF you want detail and precision...the Japanese def know how to press that kind of record.
      • flodwrana's avatar
        flodwrana
        A little light on the bass and overall not a fantastic sounding record, but much better overall SQ than the 45's that some of these tracks came on.

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