Lady B (2)To The Beat Y'all

Label:

TEC Records – 62

Format:

Vinyl , 12", 33 ⅓ RPM

Country:

US

Released:

Genre:

Hip Hop

Style:

Disco

Tracklist

A To The Beat Y'all 5:24
B To The Beat Y'all 5:24

Companies, etc.

  • Published ByM & A Publishing
  • Recorded AtEarmark Recording Studios
  • Produced ForKing-Stewart Productions
  • Lacquer Cut AtFrankford/Wayne Recording Labs
  • Pressed BySound Makers

Credits

  • Engineer [Uncredited]Steve Bruno (2)
  • Lacquer Cut ByΔM*
  • Mixed ByNick Martinelli
  • ProducerAndy Johnson
  • Written-ByW. Clark*

Notes

Produced by: Andy Johnson for King-Stewart Productions
Recorded at: Earmark Recording Studios, Phila., Pa.
Publisher: M&A Publishing Co. ASCAP

Same track on both sides

Remake of Direct Current - Everybody Here Must Party

Barcode and Other Identifiers

  • Rights Society: ASCAP
  • Matrix / Runout (Runout Side A): 62 F/W ΔM SMK
  • Matrix / Runout (Runout Side B): 62 F/W ΔM SMK

Other Versions (2)

View All
Title (Format) Label Cat# Country Year
Recently Edited
To The Beat Y'all (12", 33 ⅓ RPM, Stereo) Quality QDC 20 Canada 1979
To The Beat Y'all (12", 33 ⅓ RPM, Red) TEC Records 62 US 1979

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Reviews

  • Rek0s's avatar
    Rek0s
    Local record store labeled it " "Butch" Lesbian Disco Hip/Hop! ", so of course I bought it. No regrets.
    • DomCasual's avatar
      DomCasual
      Edited 14 years ago
      Another testament to how surprisingly diverse the first few years of rap music on vinyl were, this is (to my knowledge) Philadelphia's first rap record. "To The Beat Y'all" is also alleged to be the first rap record released by a woman. Tidily, TEC Records released this rap over Direct Current's "Everyone Here Must Party", a nice funky disco piece which they also released earlier that year. Extra points for this record where Lady B chides another woman for not taking birth control pills, a notable bit of feminism for a style that was to become hypermasculine within 5 years. Disco mainstay Nick Martinelli did the mix, Lady B went onto became an on-air radio personality and major rap music advocate in Philly, and this record is yet another beautiful piece of 1979 where disco and rap were the same thing.

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