Freddie HubbardBreaking Point

Label:

Blue Note – 84172

Series:

Blue Note Tone Poet Series

Format:

Vinyl , LP, Album, Reissue, Stereo , 180g, Gatefold

Country:

Worldwide

Released:

Genre:

Jazz

Style:

Modal

Tracklist

A1 Breaking Point
Written-ByFreddie Hubbard
A2 Far Away
Written-ByFreddie Hubbard
B1 Blue Frenzy
Written-ByFreddie Hubbard
B2 D Minor Mint
Written-ByFreddie Hubbard
B3 Mirrors
Written-ByJoe Chambers

Companies, etc.

  • Record CompanyCapitol Records, LLC
  • Record CompanyBlue Note Records Inc.
  • Record CompanyUMG Recordings, Inc.
  • Copyright ©UMG Recordings, Inc.
  • Copyright ©Mosaic Images LLC
  • Distributed ByUniversal Music Enterprises
  • Recorded AtVan Gelder Studio, Englewood Cliffs, New Jersey
  • Mastered AtCohearent Audio
  • Lacquer Cut AtCohearent Audio
  • Pressed ByRecord Technology Incorporated – 36889

Credits

  • Alto Saxophone, FluteJames Spaulding
  • BassEddie Khan
  • Design [Cover Design], Cover [Cover Design]Reid Miles
  • DrumsJoe Chambers
  • Engineer [Recording Engineer]Rudy Van Gelder
  • Lacquer Cut ByKPG*
  • Mastered ByKevin Gray
  • Photography By [Photography]Francis Wolff
  • PianoRonnie Mathews
  • ProducerAlfred Lion
  • Sleeve NotesLeonard Feather
  • Supervised By [LP Reissue Supervision By]Joe Harley
  • TrumpetFreddie Hubbard

Notes

Recorded on May 7, 1964.

Mastered from the original analog tapes and pressed on 180g vinyl. In gatefold sleeve.

Runouts are etched.

Barcode and Other Identifiers

  • Barcode (Text): 6 02435 51982 1
  • Barcode (Scanned, UPC-A): 602435519821
  • Matrix / Runout (Side A label): B0033315-01 A
  • Matrix / Runout (Side B label): B0033315-01 B
  • Matrix / Runout (Side A runout): B0033315-01-A KPG@CA 36889.1(3)...
  • Matrix / Runout (Side B runout): B0033315-01-B KPG@CA 36889.2(3)...

Other Versions (5 of 35)

View All
Title (Format) Label Cat# Country Year
New Submission
Breaking Point (LP, Album, Mono) Blue Note BLP 4172 US 1964
Recently Edited
Breaking Point (LP, Album, Stereo) Blue Note BST 84172 US 1964
New Submission
Breaking Point (LP, Album, Mono) Blue Note BLP 4172 US 1964
Recently Edited
Breaking Point (LP, Album, Repress) Blue Note BST 84172 US 1966
New Submission
Breaking Point (LP, Album, Reissue, Stereo) Blue Note BST 84172 US 1966

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Reviews

  • tinyelvis1's avatar
    tinyelvis1
    This is the best-sounding vinyl of this essential recording you can buy. Period.
    • pshico87's avatar
      pshico87
      Once again, Tone Poet Series made a great work and produced this faultless fantastic analog reissue.
      What a pleasure to listen music in this perfect condition !
      First time I really enjoy this album, like if I discovered it for the first time...
      • eld.umd's avatar
        eld.umd
        In a nutshell: pretty pretty good
        Nice songs, particularly last track on side a and the first on side b
        And there is some serious drumming by Joe Chambers
        Wide sound stage, silent pressing
        Recommended !
        • evowhite777's avatar
          evowhite777
          Edited one year ago
          The only very slight negative on my copy is a dish warp on side 2 - everything else is SPOT-ON.
          Vinyl is noise free & well centered mastering is at it`s finest throughout with a full range of dynamics on all tracks.
          Track selection is at a very high standard even the 1st track which will put you on alter to something different from the normal blue note jazz compositions(that I own anyways),this 1st track "may" take a couple of plays to fully appreciate it`s qualities but there after everything else is per the usual hard Bop etc style with BOTH horn sections sounding very airy and intoxicating. Don`t misunderstand me here ALL five musicians are smoking and there`s some EXCELLENT drumming by Joe Chambers that will blow your mind with his artistry.
          This is another Kevin Gray gem on the remastering and is/sounds pure analog,highly recommended five stars Tone Poet knocks this one waaaay out of the park,and i generally prefer the new classic series!
          Vinyl front-end used:
          Rega P3:RB880 tonearm,Goldring 1042 mm,Delrin Platter, Neo psu,Isoacoustic Orea bronze feet(x4)
          Phono Stage:Whest Audio TWO.2 class a dual mono fully balanced phono stage,isoacoustics orea graphite feet(x3), 43db/47k ohms mm setting. Cables are Tellurium q xlr & speaker cables.

          Music:5.0
          Mastering/pressing: 5.0 180gm black vinyl
          Inner sleeves: 4.0 white anti-static
          Cover: 4.0 Tone Poet gatefold
          • sixergixer's avatar
            sixergixer
            What a stunning album! Amazingly vibrant and brilliant pressing. Quiet, too -- just a few tiny moments of ticks on mine. Super bold and dynamic tunes that will ride you hard and put you away wet. And you'll want to do it all over again tomorrow. Oof!
            • supesec's avatar
              supesec
              I have 20+ Freddie Hubbard albums, but until now I’ve never owned “Breaking Point”, or really even listened to it. I’ve had chances to buy various pressings but I never did because…I don’t know why -

              When I saw it was coming out on Tone Poet, I was surprised of the choice considering Hubbard’s deep and impressive catalog (my favs would include Hub Tones, Hub Cap, Ready For Freddie, Open Sesame, The Hub of Hubbard, and others) but it was Tone Poet - which I have come to trust almost completely.

              So I bought it without hesitation and I’m happy to say I was wrong to ignore this record in the past because it’s got some great tracks; but it’s the pressing that grabbed my attention. It may be the best sounding Tone Poet record I own. Very very impressive.

              Makes me wonder why the hell it took me so long to take this album seriously, but the Tone Poet version is worth the wait.
              • GalaxyExplorer's avatar
                GalaxyExplorer
                Edited 2 years ago
                Despite the cheerful calypso non-sequitur on part of the first track, I'd say the rest of the album, including much of that track, is excellent. This one was kind of a surprise to me - initially didn't care for it too much when streaming, but I'm glad I grabbed it. I put it in the same category of Shorter's All-Seeing Eye: great stuff when I'm looking for something more adventurous. It's interesting to hear this version of Mirrors after only knowing it from the Hutcherson album.

                Pressing and mastering are excellent.
                • tomwebb101's avatar
                  tomwebb101
                  Questionable quality of tune on side 1 but side 2 is fantastic. Great pressing this time, 1st time too which is nice. Packaging is a delight as ever. For £25 im delighted!
                  • avabr4's avatar
                    avabr4
                    Woooooo!!! Seconds in and I'm smiling ear to ear. One track in and I'm in heaven. Everyone involved killed it on this record.
                    • LordRockingham's avatar
                      LordRockingham
                      Edited 2 years ago
                      I wonder what percentage of records like this are bought to languish in a seller's sale pile forever. Great recording, great mastering, great pressing. Play it.

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