Interior – Interior
Label: |
Yen Records – YLR-22002 |
|---|---|
Format: |
Vinyl
, LP, Album
|
Country: |
Japan |
Released: |
|
Genre: |
Electronic |
Style: |
Minimal |
Tracklist
| A1 | Technobose | 3:49 | |
| A2 | Giant Steps | 4:31 | |
| A3 | Flamengo | 5:00 | |
| A4 | N.F.G. | 3:40 | |
| B1 | Reply | 1:56 | |
| B2 | Timeless | 1:46 | |
| B3 | Cold Beach | 3:44 | |
| B4 | Luft | 3:17 | |
| B5 | Ascending | 2:21 | |
| B6 | Park | 4:04 |
Companies, etc.
- Manufactured By – Alfa Records, Inc
- Mastered At – JVC Cutting Center, Aoyama
- Published By – Hints Music Inc.
Credits
- Art Direction, Design – Yukimasa Okumura
- Co-producer – Interior
- Engineer [Assistant] – Shinji Miyoshi
- Instruments – Tsukasa Betto
- Management [Yen Label Management] – Kazusuke Obi
- Mastered By – Hiroshi Yuasa
- Producer – Haruomi Hosono
- Recorded By, Mixed By – Yoshifumi Iio
Notes
Recorded & mixed by Yoshifumi Iio at Luft, L.D.K & Studio “A”, Tokyo from July to August 1982.
Art direction & design by Yukimasa Okumura / The Studio Tokyo, Japan.
Recording management by Keiko Shinozaki.
All music published by Hints Music, Inc.
Art direction & design by Yukimasa Okumura / The Studio Tokyo, Japan.
Recording management by Keiko Shinozaki.
All music published by Hints Music, Inc.
Other Versions (5 of 20)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Interior = インテリア (Cassette, Album) | Yen Records | YLC-22002 | Japan | 1982 | ||
|
New Submission
|
Interior (LP, Album, Promo) | 2200 Yen Medium Records | YLR-22002 | Japan | 1982 | ||
|
Recently Edited
|
Interior (LP, Album, EMW pressing) | Windham Hill Records | WH-1047 | US | 1985 | ||
|
Recently Edited
|
Interior (LP, Album, Reissue) | Windham Hill Records | 371 047-1 | 1985 | |||
|
Recently Edited
|
Interior (CD, Album, Reissue) | Windham Hill Records | 371047-2 | 1985 |
Recommendations
Reviews
-
Edited 6 months agoMy copy doesn't have the labels known from the photos or the reissue, but the "usual" red Yen Rec. labels (which I like). Were there different versions/variants of the 1982 LP? -
I absolutely adore this album. It feels like such a ion project and it feels like such a *light* album. Alot of the tracks do become essentially sound collages rather than songs, which seems to be hit or miss for people, but I appreciate it when I'm in the mood for the repetitious style. It seems everything Hosono touches kinda becomes gold. I've made it a habit to pick up japanese records whenever they catch my eye and I'm eternally grateful to have found this one.
Release
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Recently Edited
Recently Edited
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