Caribou – Swim
Label: |
Cooperative Music – SLANG733419 |
---|---|
Format: |
CD
, Album
|
Country: |
Europe |
Released: |
|
Genre: |
Folk, World, & Country |
Style: |
Dubstep |
Tracklist
1 | Odessa | 5:16 | |
2 | Sun | 5:45 | |
3 | Kaili | 4:42 | |
4 | Found Out | 3:19 | |
5 | Bowls | 6:21 | |
6 | Leave House | 5:12 | |
7 | Hannibal | 6:16 | |
8 | Lalibela | 2:26 | |
9 | Jamelia | 3:59 |
Companies, etc.
- Licensed To – City Slang
- Licensed To – V2 Records International Ltd.
- Licensed To – Cooperative Music
- Phonographic Copyright ℗ – Caribou (3)
- Copyright © – Caribou (3)
- Published By – Chrysalis Music
- Mixed At – Bryn Derwen
- Mixed At – Pistachio Studio
- Mastered At – The Lacquer Channel
- Made By – EDC, – 52515024
Credits
- Design – Matthew Cooper (2)
- Flute – Rob Piilonen (tracks: 3, 6, 7, 9)
- Mastered By – George Graves
- Mixed By – Jeremy Greenspan (tracks: 4, 5, 7)
- Photography By, Art Direction – Jason Evans (2)
- Producer – Dan Snaith
- Soprano Saxophone, Bass Clarinet – Kyle Brenders (tracks: 3, 6, 7)
- Tenor Saxophone – Colin Fisher (2) (tracks: 3, 6, 7)
- Trombone – Steve Ward (7) (tracks: 2, 3, 6, 7, 9)
- Written-By – Dan Snaith
Notes
Released in standard jewel case with transparent tray and 6 s fold-out insert with credits and artwork.
Comes with a sticker with magazine reviews.
Tracks 1, 3, 6, 8 & 9 mixed at Bryn Derwen Studio
Tracks 4 & 7 mixed at Pistachio Studio
℗ & © 2010 Caribou under exclusive license to City Slang. Licensed exclusively to V2 Record International Ltd T/A Cooperative Music.
Comes with a sticker with magazine reviews.
Tracks 1, 3, 6, 8 & 9 mixed at Bryn Derwen Studio
Tracks 4 & 7 mixed at Pistachio Studio
℗ & © 2010 Caribou under exclusive license to City Slang. Licensed exclusively to V2 Record International Ltd T/A Cooperative Music.
Barcode and Other Identifiers
- Barcode: 602527334196
- Matrix / Runout (Stamped mould text. Letter on the opposite.. (Variant 1 & 7)): MADE IN BY EDC A
- Matrix / Runout (Stamped mould text. Letter on the opposite.. (Variant 2)): MADE IN BY EDC G
- Matrix / Runout (Stamped mould text. Letter on the opposite.. (Variant 3)): MADE IN BY EDC B
- Matrix / Runout (All variants): [4 Universal logos] 06025 273 341-9 01 * 52515024
- Mastering SID Code (All variants): IFPI LV26
- Mould SID Code (Variant 1): IFPI 0139
- Mould SID Code (Variant 2): IFPI 0157
- Mould SID Code (Variant 3): IFPI 0125
- Mould SID Code (Variant 4): IFPI 0122
- Mould SID Code (Variant 5): IFPI 0150
- Mould SID Code (Variant 6): IFPI 0156
- Mould SID Code (Variant 7): IFPI 0115
Other Versions (5 of 22)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Swim (9×File, MP3, Album, 320 kbps) | Merge Records | MRG348 | US | 2010 | |||
Swim (CD, Album) | City Slang | SLANG9550054 | 2010 | ||||
Swim (2×12", 45 RPM, Album) | Merge Records | MRG348 | US | 2010 | |||
Recently Edited
|
Swim (2×LP, Album, 180 Gram) | City Slang | SLANG9550055 | 2010 | |||
Swim (CD, Album) | Merge Records | MRG348 | US | 2010 |
Recommendations
Reviews
-
Edited 3 years agoI knew Caribou was good, and I didn't own anything by him, and I had had this album on my wantlist for a while, but I couldn't why or whether I still wanted it.
But, because I found it on offer cheaply while picking up a FSOL album from a Discogs seller, I added it to my cart to save on postage.
It is very mellow. Kind of reminds me of Four Tet in a lot of ways. Mellow, relaxing ambient/deep electronica with tribal influences.
It won a lot of awards on release, and I can see why. It is a very nice wind-down album, similar to a lot of records I have from the 'Late Night Tales' mix series. Definitely fits well into my collection. -
How does a Caribou SWIM, you might ask? Quite well, as a matter of fact. Dan Snaith moves further in an electronic direction with this album, starting with a deeper, almost funky "Odessa" and moving to the jazzy syncopation and filtered vocal of the more house-centric "Sun." The refracting synths come against a horn band and his plaintive vocals on "Kaili," whereas the harp and bell tones on the instrumental "Bowls" add an almost Buddhist texture to the low-key rhythm. "Hannibal," similarly, has a wooziness to its synths which carries into the subdued groove of "Lalibela" before the "Jamelia" comes in quiet as a lamb before exploding like a lion eating dynamite. Definitely one of Snaith's stronger efforts.
-
So I just bought Merge's pressing at a store in my area, and there seems to be a problem with the stereo, has anyone experienced an album with the right track playing extremely faintly? I've resorted to mono.
Release
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