Rage Against The Machine – The Battle Of Los Angeles
Label: |
Epic – EPC 491993 1 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Funk Metal |
Tracklist
| A1 | Testify | |
| A2 | Guerrilla Radio | |
| A3 | Calm Like A Bomb | |
| A4 | Mic Check | |
| A5 | Sleep Now In The Fire | |
| A6 | Born Of A Broken Man | |
| B1 | Born As Ghosts | |
| B2 | Maria | |
| B3 | Voice Of The Voiceless | |
| B4 | New Millennium Homes | |
| B5 | Ashes In The Fall | |
| B6 | War Within A Breath |
Companies, etc.
- Phonographic Copyright ℗ – Sony Music Entertainment
- Copyright © – Sony Music Entertainment
- Copyright © – Art Saves Lives-The Collective
- Manufactured By – Music On Vinyl B.V.
- Distributed By – Music On Vinyl B.V.
- Manufactured For – Sony Music Entertainment
- Pressed By – Record Industry – 85729
- Copyright © – Sony/ATV Songs LLC
- Copyright © – Retribution Music (2)
- Published By – Sony / ATV Music Publishing
- Recorded At – A&M Studios
- Recorded At – Royaltone Studios
- Recorded At – Silent Sound Studios
- Recorded At – Southern Tracks
- Recorded At – Sunset Sound
- Recorded At – Westlake Audio
- Mixed At – A&M Studios
- Mixed At – Royaltone Studios
- Mixed At – Silent Sound Studios
- Mixed At – Southern Tracks
- Mixed At – Sunset Sound
- Mixed At – Westlake Audio
- Mastered At – A&M Mastering Studios
Credits
- Arranged By, Written-By – Zack De La Rocha
- Art Direction – Rage Against The Machine
- Artwork – Joey Krebs "The Street Phantom"*
- Co-producer – Rage Against The Machine
- Coordinator [Production Coordinator] – Erin Haley
- Crew [Our Fabulous Crew] – Steve Wallace (11)
- Edited By [Digital Editing] – Andrew Garver
- Engineer [2nd Engineer, Southern Tracks] – Ryan Williams
- Engineer [Additional Engineering] – Sugar D
- Lyrics By – Zack De La Rocha
- Mastered By – Stephen Marcussen
- Mixed By – Brendan O'Brien
- Performer [Guilty Parties], Bass – Y.tim.K.
- Performer [Guilty Parties], Drums – Brad Wilk
- Performer [Guilty Parties], Guitar [Guitars] – Tom Morello
- Performer [Guilty Parties], Vocals – Zack De La Rocha
- Photography By [Additional Photography] – Steven Tirona
- Photography By [Band Photo] – Danny Clinch
- Photography By [Inside Photography] – eyecue*
- Producer – Brendan O'Brien
- Recorded By – Nick DiDia
- Technician [Assistant, A&M Studios] – German Villacorta
- Technician [Assistant, Royaltone Studios] – Roger Sommers
- Technician [Assistant, Silent Sound Studios] – Kevin Lively
- Technician [Assistant, Southern Tracks] – Karl Egsieker
- Technician [Assistant, Sunset Sound] – Monique Mizrahi
- Technician [Assistant, Westlake Audio] – Michael Parnin
Notes
2010 reissue on 180 gram vinyl, repressed from the original 1999 EU release masters.
Released in a re-sealable clear plastic sleeve with a "Music On Vinyl" sticker affixed on it. Includes a printed inner-sleeve with lyrics and credits.
[Back cover]
All sounds made by guitar, bass, drums, and vocals.
Originally released ℗ & © 1999 Sony Music Entertainment. […]
This release: ℗ & © 2010, Sony Music Entertainment: manufactured & distributed by Music On Vinyl B.V. for Sony Music Entertainment.
Made in the EU.
[Vinyl label]
Originally released ℗ & © 1999 Sony Music Entertainment. […]
This release: ℗ & © 2010, Sony Music Entertainment: manufactured & distributed by Music On Vinyl B.V. for Sony Music Entertainment.
[Inner sleeve]
© 1999 Sony/ATV Songs LLC and Retribution Music. All rights istered by Sony/ATV Music Publishing […]
Recorded and Mixed at A&M Studios, Hollywood, CA […]; Royaltone Studios, North Hollywood, CA […]; Silent Sound Studios, Atlanta, GA […]; Southern Tracks, Atlanta, GA […]; Sunset Sound, Los Angeles, CA […]; Westlake Audio, Los Angeles, CA […].
Mastered […] at A&M Mastering Studios, Hollywood, CA.
Front cover © 1999 Art Saves Lives-The Collective
Released in a re-sealable clear plastic sleeve with a "Music On Vinyl" sticker affixed on it. Includes a printed inner-sleeve with lyrics and credits.
[Back cover]
All sounds made by guitar, bass, drums, and vocals.
Originally released ℗ & © 1999 Sony Music Entertainment. […]
This release: ℗ & © 2010, Sony Music Entertainment: manufactured & distributed by Music On Vinyl B.V. for Sony Music Entertainment.
Made in the EU.
[Vinyl label]
Originally released ℗ & © 1999 Sony Music Entertainment. […]
This release: ℗ & © 2010, Sony Music Entertainment: manufactured & distributed by Music On Vinyl B.V. for Sony Music Entertainment.
[Inner sleeve]
© 1999 Sony/ATV Songs LLC and Retribution Music. All rights istered by Sony/ATV Music Publishing […]
Recorded and Mixed at A&M Studios, Hollywood, CA […]; Royaltone Studios, North Hollywood, CA […]; Silent Sound Studios, Atlanta, GA […]; Southern Tracks, Atlanta, GA […]; Sunset Sound, Los Angeles, CA […]; Westlake Audio, Los Angeles, CA […].
Mastered […] at A&M Mastering Studios, Hollywood, CA.
Front cover © 1999 Art Saves Lives-The Collective
Barcode and Other Identifiers
- Barcode: 0 886976 399115
- Barcode (Scanned): 0886976399115
- Rights Society: SACEM SACD SDRM SGDL
- Rights Society: BIEM
- Label Code: LC 00199
- Matrix / Runout (Runout side A, stamped, etched): 4919931000 1A1 85729 A MOVLP 062
- Matrix / Runout (Runout side B, stamped, etched): 4919931000 1B1 85729 B MOVLP062
- Other (Printed on inner sleeve): 88697639911
Other Versions (5 of 94)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Battle Of Los Angeles (CD, Album) | Epic | EK 69630 | US | 1999 | |||
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Recently Edited
|
The Battle Of Los Angeles (LP, Album) | Epic | E 69630 | US | 1999 | ||
|
Recently Edited
|
The Battle Of Los Angeles (CD, Album) | Epic | 491993 2, EPC 491993 2 | Europe | 1999 | ||
| The Battle Of Los Angeles (CD, Album) | Epic | 491993 2 | Australia | 1999 | |||
|
Recently Edited
|
The Battle Of Los Angeles (LP, Album) | Epic | EPC 491993 1, 4919931000 | Europe | 1999 |
Recommendations
Reviews
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This is the best sounding version of this album but by no means this is a great sounding record.
Compared to the 2018 reissue:
1. This has a wider soundstage. I would say 20% wider (just to give an idea).
2. The drum sounds less harsh and more dynamic but still buried/muffled.
3. Guitar has more body and bite but still seriously lacks the “sizzling” top end you hear on the S/T album.
4. Bass sounds more defined.
It’s still a compressed record and nothing to hunt down if you have the 2018 reissue and if you are a casual fan. -
Sound is much quieter than the original 1999 pressing and not as clear, more bass-heavy. -
Edited one year agoThis things slaps, deep bass as with all RATM MoV reissues this is the version to get, I have sampled other reissues and they all sound thin, lack the definition, but this thing on a single LP sound huge, also this was recorded live in studio and mixed although not entirely, but will never sound polished and on point like their self title album, different approach to a different album.
Overall Great variant of a very underappreciated album from this great band.
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Solid sound on this reissue. But keep in mind this is of course a live recording so do not expect too much of an audiophile sound!! -
Edited 2 years agoAmazing reissue like all the others RATM MOV releases, the original European stampers were used and you can feel all the energy of the band coming out from your speakers.
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I'll be damned if this isn't one of the best sounding 90's reissues out there. This is a significant improvement upon the CD. The bass and percussion are loud and tight without sounding compressed at all. MOV has outdone themselves as always.
Release
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Recently Edited
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