Stereolab – Cobra And Phases Group Play Voltage In The Milky Night
Label: |
Duophonic Ultra High Frequency Disks – D UHF D23 |
|---|---|
Format: |
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Country: |
UK |
Released: |
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Genre: |
Rock |
Style: |
Post Rock |
Tracklist
| A1 | Fuses | |
| A2 | People Do It All The Time | |
| A3 | The Free Design | |
| A4 | Blips Drips And Strips | |
| A5 | Italian Shoes Continuum | |
| B1 | Infinity Girl | |
| B2 | The Spiracles | |
| B3 | Op Hop Detonation | |
| B4 | Puncture In The Radax Permutation | |
| B5 | Velvet Water | |
| C1 | Blue Milk | |
| D1 | Caleidoscopic Gaze | |
| D2 | Strobo Acceleration | |
| D3 | The Emergency Kisses | |
| D4 | Come And Play In The Milky Night |
Companies, etc.
- Phonographic Copyright ℗ – Duophonic Ultra High Frequency Disks
- Copyright © – Duophonic Ultra High Frequency Disks
- Recorded At – Wolf Studios
- Produced At – Blackwing Studios
- Mastered At – Abbey Road Studios
- Published By – Island Music
Credits
- Arranged By [Brass Arrangements] – Sean O Hagan*
- Arranged By [String Arrangements] – Jim O'Rourke
- Bass – Simon Johns
- Bass [Occasional], Guitar [Occasional], Keyboards [Occasional], Percussion [Some Percussion] – Jim O Rourke*
- Brass – Steve Waterman
- Mastered By – Steve Rooke
- Organ [Organs], Electric Harpsichord, Clavinet, Bass, Acoustic Guitar [Occasional], Piano [Tack Piano] – Sean Ohagan*
- Producer [Produced By] – The Groop (2)
- Recorded By, Mixed By, Producer – Fulton Dingley (tracks: A5 [Continuum Section])
- Recorded By, Mixed By, Producer [Produced By] – John McEntire (tracks: A1, A2, A4, B1, B3, B5, D3, D5)
- Sleeve – House*
- Strings – Sophie Harris
- Vibraphone [Vibes], Keyboards [Occasional Keyboards], Drums – John McEntire
- Vocals, Guitar [Guitars], Organ [Organs], Electronics, Drums, Percussion, Bass [Occasional Bass], Electric Harpsichord, Clavinet, Electric Piano [Wurlitzer], Piano [Tack Piano] – Tim Gane
- Vocals, Guitar, Organ, Electronics, Drums, Percussion, Bass [Occasional], Electric Harpsichord, Clavinet, Electric Piano [Wurlitzer], Piano [Tack] – Laetitia Sadier
- Written-By – Gane*
Notes
Edition of 7000 copies in gatefold jacket.
Recorded winter 98-99 at Wolf Studios, Brixton, London.
Continuum Section recorded February 98 at Blackwing Studios, London.
Mastered at Abbey Road.
Tracks listed sequentially on back jacket and credits are listed this way.
Recorded winter 98-99 at Wolf Studios, Brixton, London.
Continuum Section recorded February 98 at Blackwing Studios, London.
Mastered at Abbey Road.
Tracks listed sequentially on back jacket and credits are listed this way.
Barcode and Other Identifiers
- Barcode: 5024545090819
- Matrix / Runout (Side A): DUHFD 23 A-1-1-1
- Matrix / Runout (Side B): DUHFD 23 B-1-1-1
- Matrix / Runout (Side C): DUHFD 23 C-1-1-1
- Matrix / Runout (Side D): DUHFD 23 D-1-1-1
Other Versions (5 of 34)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Cobra And Phases Group Play Voltage In The Milky Night (CD, Album) | Elektra | 62409-2 | US | 1999 | ||
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Recently Edited
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Cobra And Phases Group Play Voltage In The Milky Night (CD, Album) | Elektra | 7559-62409-2 | Europe | 1999 | ||
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Recently Edited
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Cobra And Phases Group Play Voltage In The Milky Night (CD, Album) | Duophonic Ultra High Frequency Disks | D UHF CD23 | UK | 1999 | ||
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Recently Edited
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Cobra And Phases Group Play Voltage In The Milky Night (CD, Album, CD, , Bonus Disk) | Elektra | 7559-62465-2 | Europe | 1999 | ||
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New Submission
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Cobra And Phases Group Play Voltage In The Milky Night (CD, Promo, Album) | Elektra | 2-62409-P | US | 1999 |
Recommendations
Reviews
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Rumor Has It That
This is not actually a Stereolab record. Apparently, some very clever people with studio time on their hands decided to craft the ultimate Stereolab parody record, right down to the Earth shoe brown and burnt orange graphic cover... upon hearing it, and being fans of détournement, Stereolab thought it would be a great Situationist joke to release it through their major label, thus saving themselves the production costs. Although it's never been proven, former of the Alan Parsons Project and Pablo Cruise may have had a hand in it. Perfect art object to file between your vinyl copy of Mort Garson's "Mother Earth's Plantasia" and Keith Sanborn's translation of "The Society of the Spectacle" on VCR tape. RATING: Six thumbs up! You must have this on the original UK vinyl for the ultimate aesthetic experience.
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Edited one year agoAn absurdly overlooked album in the incredible Stereolab discography. It’s a long, kaleidoscopic journey of electronics and jazz, and Pitchfork giving this a 3.4 on release certainly didn’t help individuals who were already thrown off by the premise of the album. However, I feel that this is actually one of the crowning jewels of Stereolabs music and it shocks me how Dots and Loops can be put on a pedestal while this masterpiece is thrown to the curb. Everything about this album just works for me and it feels like a natural progression of their sound. “Overindulgent” is a horrible argument for a band pushing the boundaries of what their music can be. Utterly spellbinding, this record is an amazing experiment for Stereolab and this original pressing is everything you can hope for. -
This is a long winded album that still fascinates me. It’s far from easy listening! -
Is there any indication of a number, of the 7000 printed on these? Pretty sure this is the copy I have (2x12" gatefold, got it right around release)? -
My clear vinyl pressing is pretty good except side 2, which is terrible, because every track has some artifical noises and crackles throughout each song. Unlucky, the clear vinyl has been sold out for quite a long time, so I won't give it back to my dealer to get a decent copy. So I bought the regular black vinyl and that one sounds great. Highly recommended repress. -
Pre-orders for expanded version are up on Duophonic, Bleep, Rough Trade and Amazon. Limited clears with obi are long gone. A few clears w.o obi are floating about. Good luck! -
Is it just me, or is Blue Milk on here an extended version? It's much longer than the 11 minute version usually d.
Release
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Recently Edited
Recently Edited
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