Tracklist
A1 | La Casa Del Sol Naciente = The House Of The Rising Sun | 2:52 | |
A2 | Todas Mis Penas = All My Trials | 4:36 | |
A3 | Lily Of The West | 3:18 | |
A4 | ¿Que Han Hecho A La Lluvia? = What Have They Done To The Rain | 2:26 | |
A5 | Regresaremos = We Shall Overcome | 3:18 | |
A6 | No Soy Yo, Baby = It Ain't Me Babe | 3:16 | |
A7 | Manha De Carnaval = Orfeo Negro | 3:08 | |
A8 | Te Adoro = Te Ador | 1:31 | |
B1 | Por Suerte Para Nosotros = There But For Fortune | 3:11 | |
B2 | Donna, Donna | 3:09 | |
B3 | No Volveremos A Ser Vagabundos = So We'll Go No More A Roving | 1:42 | |
B4 | Mulher Rendeira = O'Cangaceiro | 2:18 | |
B5 | A Orillas De Ohio = Banks Of The Ohio | 3:06 | |
B6 | No Hables, Baby = Hush Little Baby | 2:00 | |
B7 | Aguas Peligrosas = Danger Waters | 3:16 | |
B8 | Camino Solitario = Lonesome Road | 2:18 |
Companies, etc.
- Record Company – Hispavox, S.A.
- Phonographic Copyright ℗ – Vanguard Recording Society, Inc.
- Manufactured By – Hispavox, S.A.
- Printed By – Imp. Hispavox S.A.
Credits
- Accompanied By – The Greenbriar Boys (tracks: B5)
- Guitar [Second Guitar] – Fred Hellerman (tracks: B2)
- Guitar, Vocals – Joan Baez
- Written-By [Popular] – Folk (tracks: A1 to A3, A5, A8, B5 to B8)
Notes
B7 track duration is not printed on the label (only on the back cover)
[on labels]
Fabricado en España por Hispavox, S.A.
Impuesto de lujo a metalico Permiso Nº 3637
Grabación original Vanguard Recording Society, Inc.
Side A:
A7. Manha de Carnaval (Llena-Camus-Bonfa) 3'08" de "Orfeo Negro" = from [the movie] "Black Orpheus"
[on back cover]
HVA (S) 471-02
La version estereofonica de este disco lleva la referencia HVAS 471-02 = The stereophonic version of this album bears the reference HVAS 471-02
Hispavox, S.A. Torrelaguna, 102. Madrid
Imp. Hispavox, S.A.
[Note #1: A7. Manha de Cranaval, credited to some Llena, who no one seems to have any idea who he is, actually had lyrics by Antonio Maria (Antonio Maria Araujo de Morais) - music was also credited to Antonio Carlos Jobim who composed the music for the film with Luiz Bonfá, but doesn't look like he did the music for this song in particular]
[Note #2: This one differs from Joan Baez - Lo Mejor De Joan Baez in that this one has the ESTEREO sign printed on front cover while the other has a sticker instead, and labels have here the ESTEREO notation below the boxed in S.G.A.E. sign, while there it is above the S.G.A.E. box]
[Note #3: Covers at the time were used frequently, indistinctly, for both mono and stereo versions.
The reference for the stereo version (cat#) should be checked on labels. The HVA(S) reference (seen on back cover) was to indicate that cover was printed for a mono version but the stereo version HVAS was also availbale. When those covers printed for a mono release were used for a Stereo version (as is the case) they would overprint a "ESTEREO" sign on the front cover (as in this one) or add a sticker with the ESTEREO notation]
[on labels]
Fabricado en España por Hispavox, S.A.
Impuesto de lujo a metalico Permiso Nº 3637
Grabación original Vanguard Recording Society, Inc.
Side A:
A7. Manha de Carnaval (Llena-Camus-Bonfa) 3'08" de "Orfeo Negro" = from [the movie] "Black Orpheus"
[on back cover]
HVA (S) 471-02
La version estereofonica de este disco lleva la referencia HVAS 471-02 = The stereophonic version of this album bears the reference HVAS 471-02
Hispavox, S.A. Torrelaguna, 102. Madrid
Imp. Hispavox, S.A.
[Note #1: A7. Manha de Cranaval, credited to some Llena, who no one seems to have any idea who he is, actually had lyrics by Antonio Maria (Antonio Maria Araujo de Morais) - music was also credited to Antonio Carlos Jobim who composed the music for the film with Luiz Bonfá, but doesn't look like he did the music for this song in particular]
[Note #2: This one differs from Joan Baez - Lo Mejor De Joan Baez in that this one has the ESTEREO sign printed on front cover while the other has a sticker instead, and labels have here the ESTEREO notation below the boxed in S.G.A.E. sign, while there it is above the S.G.A.E. box]
[Note #3: Covers at the time were used frequently, indistinctly, for both mono and stereo versions.
The reference for the stereo version (cat#) should be checked on labels. The HVA(S) reference (seen on back cover) was to indicate that cover was printed for a mono version but the stereo version HVAS was also availbale. When those covers printed for a mono release were used for a Stereo version (as is the case) they would overprint a "ESTEREO" sign on the front cover (as in this one) or add a sticker with the ESTEREO notation]
Barcode and Other Identifiers
- Rights Society (Boxed): S.G.A.E.
- Depósito Legal: M. 16.415-1965
- Other (Impuesto de lujo a metalico): Permiso nº 3637
- Matrix / Runout (side A, stamped): 1- HVAS-471-02-A-25.
- Matrix / Runout (side B, stamped): 1- HVAS-471-02-B-24.
Other Versions (5 of 13)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission
|
Lo Mejor De Joan Baez (LP, Compilation) | Hispavox | HAM 251-02, HAM(S) 251-02 | Spain | 1965 | ||
New Submission
|
Lo Mejor De Joan Baez (LP, Compilation, Mono) | Hispavox | HAM 251-02 | Spain | 1965 | ||
New Submission
|
Lo Mejor De Joan Baez (Cassette, Compilation, Reissue, Dolby System) | Vanguard | CH 23 | Spain | 1974 | ||
New Submission
|
Lo Mejor De Joan Baez (Cassette, Compilation, Reissue) | Vanguard | CH 23 | Spain | 1977 | ||
New Submission
|
Lo Mejor De Joan Baez (LP, Compilation, Reissue) | Hispavox | 160 047 | Spain | 1983 |
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