The Flaming Lips – Yoshimi Battles The Pink Robots
Label: |
Warner Bros. Records – 9362-48141-1 |
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Format: |
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Country: |
Europe |
Released: |
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Genre: |
Rock |
Style: |
Experimental |
Tracklist
| A1 | Fight Test | |
| A2 | One More Robot / Sympathy 3000-21 | |
| A3 | Yoshimi Battles The Pink Robots Pt. 1 | |
| A4 | Yoshimi Battles The Pink Robots Pt. 2 | |
| A5 | In The Morning Of The Magicians | |
| B1 | Ego Tripping At The Gates Of Hell | |
| B2 | Are You A Hypnotist? | |
| B3 | It's Summertime | |
| B4 | Do You Realize?? | |
| B5 | All We Have Is Now | |
| B6 | Approaching Pavanis Mons By Balloon (Utopia Planitia) |
Companies, etc.
- Record Company – Warner Music Group
- Record Company – AOL Time Warner
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
- Copyright © – Warner Bros. Records Inc.
- Copyright © – Lovely Sorts of Death
- Copyright © – EMI Blackwood Music Inc.
- Recorded At – Tarbox Road Studios
- Published By – Lovely Sorts of Death
- Published By – EMI Blackwood Music Inc.
- Pressed By – Optimal Media Production – B266608
- Lacquer Cut At – Optimal Media Production
Credits
- Design, Layout – George Salisbury
- Engineer [Additional] – Michael Ivins
- Lacquer Cut By – MK* (tracks: B1 to B6)
- Mixed By – The Flaming Lips
- Performer – Wayne Coyne
- Photography By – J. Michelle Martin
- Producer – The Flaming Lips
- Programmed By, Engineer, Mastered By, Songwriter [Additional] – Dave Fridmann
- Recorded By – The Flaming Lips
- Tracking By [Additional] – Trent Bell
- Written-By – The Flaming Lips
Notes
This pressing has the A side lacquer cut by HL (Heino Leja) and the B side cut by MK (Marko Kluge).
A variant with both sides cut by Heino Leja can be found here - Yoshimi Battles The Pink Robots
Gatefold sleeve.
Recorded at Tarbox Road Studios in Cassadaga, New York, June 2000 - April 2002. Additional tracking at Bell Labs and Brooklyn Bridge Recordings.
© ℗ 2002 Warner Bros. Records Inc.
©2002 Lovely Sorts of Death/EMI Blackwood Music Inc. BMI.
Made in .
Runouts are stamped.
A variant with both sides cut by Heino Leja can be found here - Yoshimi Battles The Pink Robots
Gatefold sleeve.
Recorded at Tarbox Road Studios in Cassadaga, New York, June 2000 - April 2002. Additional tracking at Bell Labs and Brooklyn Bridge Recordings.
© ℗ 2002 Warner Bros. Records Inc.
©2002 Lovely Sorts of Death/EMI Blackwood Music Inc. BMI.
Made in .
Runouts are stamped.
Barcode and Other Identifiers
- Barcode (Text): 0 93624 81411 5
- Barcode (Scanned): 093624814115
- Label Code: LC 00392
- Rights Society: GEMA / BIEM
- Rights Society: BMI
- Matrix / Runout (Runout side A, variant 1): B266608-01 A4 HL
- Matrix / Runout (Runout side B, variant 1): B266608-01 B2 MK
- Matrix / Runout (Runout side A, variant 2): B266608-01 A3 HL
- Matrix / Runout (Runout side B, variant 2): B266608-01 B2 MK
Other Versions (5 of 49)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Yoshimi Battles The Pink Robots (CD, Album, WEA Mfg. Olyphant Pressing) | Warner Bros. Records | 9 48141-2 | US | 2002 | ||
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Recently Edited
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Yoshimi Battles The Pink Robots (LP, Album) | [PIAS] America | PIASA 10 | US | 2002 | ||
| Yoshimi Battles The Pink Robots (LP, Album, Red Translucent, Gatefold) | Warner Bros. Records | 9362-48141-1 | Europe | 2002 | |||
| Yoshimi Battles The Pink Robots (CD, Album) | Warner Bros. Records | CDW 48141 | Canada | 2002 | |||
| Yoshimi Battles The Pink Robots (CD, Album) | Warner Bros. Records | 9362-48141-2 | Europe | 2002 |
Recommendations
Reviews
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Edited one month agoThis is not an exaggeration to say you have not heard Yoshimi until you’ve heard one of these original red copies. I have owned the 2011 remaster as well as the most recent 2023 anniversary box set version, and while they’re both great in their own right, this original copy smokes them in every single way. It’s undeniably one of the best sounding records I own, the dynamics are so damn impressive it feels like listening to the master tape. Every single time I spin this record I’m picking up new things in the mix, which is seriously absurd considering the amount of times I’ve listened to this masterpiece front to back.
What do you get when you take an already incredibly mixed and mastered, genius piece of music and press it on one glorious, cherry red piece of wax? The only copy of Yoshimi battles the pink robots you will ever need to own. -
I picked this up brand new from a record fair in Stratford, UK back in 2011... it sounds fantastic... anyone know how rare the HL/MK pressing is?
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