Herbie Hancock – Crossings
Label: |
Warner Bros. Records – BS 2617 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Jazz |
Style: |
Jazz-Funk |
Tracklist
A | Sleeping Giant | 24:50 | |
B1 | Quasar | 7:27 | |
B2 | Water Torture | 14:04 |
Companies, etc.
- Recorded At – Pacific Recording Studios
- Recorded At – Different Fur Studios
- Pressed By – Columbia Records Pressing Plant, Pitman
Credits
- Artwork – Robert Springett
- Bass Trombone, Tenor Trombone, Trombone [Alto Trombone], Percussion – Julian Priester
- Congas – Victor Pontoja*
- Drums, Percussion – Billy Hart
- Electric Bass, Bass, Percussion – Buster Williams
- Electric Piano, Piano, Mellotron, Percussion – Herbie Hancock
- Engineer [Recording] – Fred Catero
- Mixed By [Remix] – Jerry Zatkin*
- Photography By – Anne Foreman
- Producer – David Rubinson & Friends, Inc.
- Soprano Saxophone, Bass Clarinet, Piccolo Flute, Percussion, Alto Flute – Bennie Maupin
- Synthesizer [Moog] – Patrick Gleason*
- Trumpet, Flugelhorn, Percussion – Eddie Henderson
- Voice – Victoria Domagalski
- Written-By – Herbie Hancock (tracks: A)
Notes
Recorded at Pacific Recording Studios, San Mateo.
Produced by David Rubinson & Friends Inc., San Francisco.
Moog and mellotron recorded at Different Fur Trading Company, San Francisco.
See also very similar:
Herbie Hancock - Crossings Santa Maria Pressing.
Produced by David Rubinson & Friends Inc., San Francisco.
Moog and mellotron recorded at Different Fur Trading Company, San Francisco.
See also very similar:
Herbie Hancock - Crossings Santa Maria Pressing.
Barcode and Other Identifiers
- Pressing Plant ID: P
- Matrix / Runout (Runout A, etched, variant 1): BS 2 617 40164-3
- Matrix / Runout (Runout B, etched, variant 1): BS-2617 40165-4
- Matrix / Runout (Runout A, etched, variant 2): BS 2 617 40164-3 1 A
- Matrix / Runout (Runout B, etched exc. "p", stamped, variant 2): BS-2617 p 40165-3 2 A
- Matrix / Runout (Runout A, etched, variant 3): BS-2617 40164-4
- Matrix / Runout (Runout B, etched, variant 3): BS-2617 40165-3
Other Versions (5 of 48)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Crossings (LP, Album, Indianapolis Pressing) | Warner Bros. Records | BS 2617, WS 2617 | US | 1972 | ||
Recently Edited
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Crossings (LP, Album, Gatefold Sleeve) | Warner Bros. Records | WB 46 164, BS 2617 | 1972 | |||
Recently Edited
|
Crossings (LP, Album, Gatefold) | Warner Bros. Records | P-8251W | Japan | 1972 | ||
Recently Edited
|
Crossings (LP, Album, Promo) | Warner Bros. Records | BS 2617 | US | 1972 | ||
Recently Edited
|
Crossings (LP, Album, Gatefold) | Warner Bros. Records | BS-2617 | Australia | 1972 |
Recommendations
Reviews
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A fantastic pressing with a wonderful soundstage; like Herbie and the band are in the room. The slowly building synth chord at the start of 'Sleeping Giant' packs a real punch here as does the keys, guitars & percussion throughout this album.
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Edited 8 years agoIn comparison to the other review... this album kicks arse. The epic "Sleeping Giant" goes from frenzied percussion, through hard-out jazz rock, experimental free-time ages, damn fine jazz funk in 3/4, and the ending - fantastic strange, eerie noises from either Eddie Henderson, Julian Priester and Bennie Maupin. Then... 'Quasar' takes us into even more exploratory stuff, and is my favourite on the album... collapses into more experimental terrain. Patrick Gleeson's synths are all over the map on this one, which makes it so much better. This tune is actually quite carefully arranged - gets more and more intricate with each listen, but never gets old. And, the bluesy "Water Torture", rounds off the album.... this has some rich, kick arse Mellotron and synth parts (the best mellotrons weren't always in prog rock!), and more free-time avant-jazz-fusion madness. One of the best examples of space-age jazz funk to exist. check out the more free-floating "Mwandishi" album, and the even more experimental "Sextant" for more goodness.
And, check this out... https://www.youtube.com/watch?v=3PZrr2Wuxcw&t=1015s
Release
See all versions
Recently Edited
Recently Edited
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