Tracklist
| A1 | Magazine Love | |
| A2 | Punish Or Be Damned | |
| B1 | Anything | |
| B2 | Mater Dolores | |
| B3 | Peer Pressure |
Companies, etc.
- Phonographic Copyright ℗ – Screamers
- Copyright © – Screamers
- Recorded At – Wilton Hilton
- Mixed At – Kitchen Sync Studios
- Manufactured By – A to Z Media
- Lacquer Cut At – Golden Mastering
- Mastered At – Record Technology Incorporated – 35896
Credits
- Artwork – Gary Panter
- Drums – K. K. Barrett
- Electric Piano [Fender Rhodes] – David Braun*
- Liner Notes – Tommy Gear
- Photography By [Back Cover] – Melanie Nissen
- Photography By [Center Label] – Herb Wrede
- Photography By [Inner Sleeve] – James Stark
- Producer, Engineer – Pat Garrett
- Synthesizer [ARP Odyssey], Vocals – Tommy Gear
- Vocals – Tomata Du Plenty
Notes
Comes with Liner notes printed on inner sleeve and card
Barcode and Other Identifiers
- Barcode: 857661008773
- Matrix / Runout (Runout side A, etched, GOLDEN stamped): SV-177-A GOLDEN 35896.1(3)...
- Matrix / Runout (Runout side B, etched, GOLDEN stamped): SV-177-B GOLDEN 35896.2(3)...
Other Versions (5)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Pat Garrett Demos 7-7-77 (LP, Single Sided, Numbered, Test Pressing, White Label) | Authorized Records | none | US | 2008 | ||
|
New Submission
|
Pat Garrett Demos 7-7-77 (LP, Single Sided, Numbered, Clear) | Authorized Records | none | US | 2009 | ||
|
New Submission
|
Demos 7-7-77 (LP, Single Sided, Limited Edition, Repress, White) | Authorized Records | none | US | 2010 | ||
| Demo Hollywood 1977 (12", 45 RPM, Limited Edition, Red Translucent) | Superior Viaduct | SV177 | US | 2021 | |||
|
New Submission
|
Screamers Demo Hollywood 1977 (5×File, AIFF) | Superior Viaduct | SV177 | US | 2021 |
Recommendations
Reviews
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Love this. Sounds amazing and the inner sleeve photos are a nice addition. Must have for any fans and even non-fans of the screamers. Perfect way to get into them -
This recording does not have my permission and while it has my name on it, my tracks were erased a week or two after they were made. One Thursday evening in 1977 i was defenestrated from this questionable (at best) ensemble; while i chalked it up as a complete fucking waste of time hanging with pedophiles and wanna-be genius types, and went home to sleep, my associate Black Randy took great umbrage at this and decided to react. Chuck R drove him over to the Wilton Hilton about 3 in the morning, and BR strapped a Pignose with a microphone and stood in the front yard and addressed Gear and Tomato in extremely derogatory rhyme. This evidently went on for some time until Tomato finally appeared in his thirsty terry bathrobe to intervene--how do you speak sotto voce to someone who is screaming so's to hopefully get them to stop but not to additionally peeve the neighbors with additional even louder screaming, this is a tuffy
Anyhoo, the net result was that Tommy was so perturbed at having some fairly intimate, gnarly stuff about him shouted in rhyme thru an amplifier in the wee hours that he had Miss Pat Garrett (more info about that on the DH entry) remove any sign of my playing even tho br had acted totally on his own accord. His sniffy little act of fascism, and of course Miss Pat's truculent, obeisant Vichy response (he didn't want to get a BAD NAME in PUNK) means this record sounds like a pathetic old guy hurting his throat to the tune of a non-zappa industrial vacuum cleaner accompanied by a $15 rhythm machine oom-tity-tity etc. Look like no one wants to buy it on the positive side! Can't get royalties from a rock! -
The sound on this is absolutely revelatory, they don't even sound like the same n-th generation takes sometimes
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