The Pan-Afrikan Peoples Arkestra – Live At I.U.C.C.
Tracklist
| A | Macrame | 20:25 | |
| B1 | Future Sally's Time | 12:10 | |
| B2 | Noissessprahs | 16:13 | |
| C | Village Dance | 26:13 | |
| D1 | L.T.T. | 14:50 | |
| D2 | Desert Fairy Princess | 11:00 | |
| D3 | Lift Every Voice | 1:58 |
Companies, etc.
- Record Company – Nimbus Recording Co.
- Copyright © – Interplay Music
- Published By – Interplay Music
- Recorded At – Immanuel United Church Of Christ, Los Angeles
- Pressed By – KM Records Inc. – KM.4132
Credits
- Baritone Saxophone – John Williams (14) (tracks: B1 to D2)
- Bass – Roberto Miranda (tracks: B1 to D1)
- Co-producer – Horace Tapscott
- Drums – Billy Hinton (tracks: B1 to D1)
- Engineer [Recording Engineer] – Bruce Bidlack
- Flute – Aubrey Hart (tracks: B1 to D1)
- Liner Notes – Ron Pelletier
- Percussion – Daa'oud Woods (tracks: B1 to D2)
- Photography By – Michael Pruessner
- Piano – Horace Tapscott (tracks: A, B1, C, D1, D2)
- Producer – Tom Albach
- Soprano Saxophone – Billy Harris* (tracks: B1 to D1)
- Tenor Saxophone – Sabia Matteen* (tracks: A to D2)
- Trombone – Lester Robertson (tracks: B1 to D2)
Notes
Recorded February to June 1979 at the Imannuel United Church of Christ, 85th and Holmes, Los Angeles. The U.G.M.A.A (=Union Of God's Musicians & Artists Ascension) Foundation was involved.
Gatefold cover.
First cat. Nr on front cover and spine, second on labels and inside right gatefold.
On labels:
Nimbus Recording Co., Box 205 Santa Barbara, Ca. 93102
Produced by Tom Albarch
UGMAA Fo.
Inside gatefold:
Ron Pelletier [liner notes]
"Jazz Omnibus"
KPFK/Los Angeles
Rear sleeve:
Produced by Tom Albach
Nimbus Records
Box 205
Santa Barbara, Ca. 93102
Co-produced by Horace Tapscott
U.G.M.A.A. Foundation
Copyright 1979, Interplay Music/ASCAP
Gatefold cover.
First cat. Nr on front cover and spine, second on labels and inside right gatefold.
On labels:
Nimbus Recording Co., Box 205 Santa Barbara, Ca. 93102
Produced by Tom Albarch
UGMAA Fo.
Inside gatefold:
Ron Pelletier [liner notes]
"Jazz Omnibus"
KPFK/Los Angeles
Rear sleeve:
Produced by Tom Albach
Nimbus Records
Box 205
Santa Barbara, Ca. 93102
Co-produced by Horace Tapscott
U.G.M.A.A. Foundation
Copyright 1979, Interplay Music/ASCAP
Barcode and Other Identifiers
- Matrix / Runout (A-side runout, etched): KM.4132 A RE·1 6645X
- Matrix / Runout (B-side runout, etched): KM.4132 B RE·1 6646X
- Matrix / Runout (C-side runout, etched): KM.4132 C RE·1 6647X
- Matrix / Runout (D-side runout, etched): KM.4132 D RE·1 6648X
- Rights Society: ASCAP
- Pressing Plant ID (In runouts): KM
Other Versions (4)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Live At I.U.C.C. (2×CD, Album, Reissue) | Nimbus West Records | NS 357 C | US | 2006 | ||
| Live At I.U.C.C. (3×LP, Partially Unofficial, Reissue, 180 gram) | Outernational Sounds | OTR-007 | UK | 2019 | |||
|
New Submission
|
Live At I.U.C.C. (2×CD, Album, Limited Edition, Reissue) | Soul Jazz Records | SJR CD424 | UK | 2019 | ||
|
Recently Edited
|
Live At I.U.C.C. (2×LP, Album, Limited Edition, Reissue, Remastered) | Pure Pleasure Records | NIMBUS No. 357, #357, NS-357 | UK | 2023 |
Recommendations
Reviews
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Edited 2 years agoThe soulfulness of this recording is nothing short of amazing. In my opinion it also has a very nice sound signature. Yes, the ensemble is large and you don`t hear every single player seperately, but I don`t think that is even the point of it, quite the opposite. It is playing and singing together, enjoying each other musician and that is what you can hear!
I got a sealed deadstock copy, and while it was not cheap, I`m really glad I got it. Pressing quality of this original Nimbus is very good, and it is a honor and a pure pleasure to drop the needle to the surface of this magical document.
Pressing *****
Music **** -
-
Edited 6 years agoReissue incoming from Soul Jazz on 05.04.19 - triple vinyl with bonus track, and "The Call" to follow.......
Both also reissued by Outernational Sounds - WTF is going on? -
I think this is one of the best records on the Nimbus West label, but the recording quality is of a poor standard.
The music and musicians play great uplifting music but the recording does not capture the essence of the individual players.
A studio would have provided better acoustics, but the band was too large for a studio setting.
Release
See all versions
Recently Edited
Recently Edited
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