Tom Waits – Real Gone
Label: |
Anti- – 86678-1 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Experimental |
Tracklist
| A1 | Top Of The Hill | |
| A2 | Hoist That Rag | |
| A3 | Sins Of My Father | |
| B1 | Shake It | |
| B2 | Don't Go Into That Barn | |
| B3 | How's It Gonna End | |
| B4 | Metropolitan Glide | |
| C1 | Dead And Lovely | |
| C2 | Circus | |
| C3 | Trampled Rose | |
| C4 | Green Grass | |
| D1 | Baby Gonna Leave Me | |
| D2 | Clang Boom Steam | |
| D3 | Make It Rain | |
| D4 | Day After Tomorrow | |
| D5 | Chickaboom (Hidden Track) |
Companies, etc.
- Copyright © – Anti, Inc.
- Phonographic Copyright ℗ – Anti, Inc.
- Manufactured By – Epitaph
- Distributed By – Epitaph
- Mastered At – The Mastering Lab
- Published By – Jalma Music
- Lacquer Cut At – Capitol Mastering
- Pressed By – Rainbo Records – S-55366
- Pressed By – Rainbo Records – S-55367
- Pressed By – Rainbo Records – S-55368
- Pressed By – Rainbo Records – S-55369
Credits
- Coordinator [Production] – Julianne Deery
- Crew [Production] – Trisha Wilson
- Design, Art Direction – Chris Blum
- Graphics – Ron Bean
- Mastered By – Gavin Lurssen
- Photography By – Dylan Barlow
- Recorded By, Mixed By – Mark Howard
- Technician [Grub And Lug] – Trisha Wilson
- Written-By, Producer – Waits*
Notes
©&℗ 2004
Thanks: Roz Simmons, Tomales 4-H
All songs © 2004 Jalma Music (ASCAP)
Les Claypool appears courtesy of Prawn Song Records
Gatefold cover. Catalog number as written on sleeve and run-out grooves. Track D5 is not listed.
Thanks: Roz Simmons, Tomales 4-H
All songs © 2004 Jalma Music (ASCAP)
Les Claypool appears courtesy of Prawn Song Records
Gatefold cover. Catalog number as written on sleeve and run-out grooves. Track D5 is not listed.
Barcode and Other Identifiers
- Barcode (Text): 0 4577-86678-1 9
- Matrix / Runout (Side A runout, etched): S-55366 ANTI-86678-A G1
- Matrix / Runout (Side B runout, etched): S-55367 ANTI-86678-B G1
- Matrix / Runout (Side C runout, etched): S-55368 ANTI-86678-C G1
- Matrix / Runout (Side D runout, etched): S-55369 ANTI-86678-D G1
- Matrix / Runout (All runouts, stamped): MASTERED BY CAPITOL
- Rights Society: ASCAP
Other Versions (5 of 28)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Real Gone (2×LP, Album) | Anti- | 6678-1, 86678-1 | Europe | 2004 | |||
| Real Gone (CD, Album, Sony DADC, Digipak) | Epitaph | 6678-2 | Europe | 2004 | |||
|
Recently Edited
|
Real Gone (CD, Album) | Anti- | 86678-2 | US | 2004 | ||
|
Recently Edited
|
Real Gone (CD, Album, Digipak) | Shock (2) | E 86678-2 | Australia | 2004 | ||
|
New Submission
|
Real Gone (CD, Album, digipack) | Epitaph | EI 422 | Japan | 2004 |
Recommendations
Reviews
-
so, this record has a couple great songs on it, but it is not good on the whole. There is more bad than good on this album and the bad songs are also really really long. I think one could make a two sided, normal length record with the great tracks from this and somebody should have told Tom as much before he released this thing. Everyone knows you're brilliant, but you still need an editor.
-
Edited one year agoJust got a well cared for copy of this and its so nice to hear these songs the way I was introduced to them. Claypool's basslines are gitty af. The remasters are great but this original sound is grittier and more raw which for Tom Waits might go a little over board but in a great way. The sound peaks a bit sometimes and some of the instruments get a bit lost so it's both better and worse but it feels so good to hear them this way again. Yes please He's a damn genius. -
I much prefer the mastering on this pressing, there is an intentional murk over everything, sounds right -
I didn't quite care for "Bad As Me", so in my mind "Real Gone" is the last truly great Waits album. (And has it really been 16 years?!) It feels like a concept album, the way that Waits brings in a unified production sense to give each song its place in the overall album. Amazing chorus hooks shouldn't work as much as they do in "experimental" lo-fi rock music, but Waits is the master of them. -
This album is a masterpiece! Make it rain, trampled rose, Hoist that rag! Great players and Tom is spectacular as always. -
-
Is it true that there are 2 different versions of this? one is a gatefold and the other isn't? If so, is there anyway to tell the difference if purcahsing online?
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
27 copies from $30.00