The Rolling Stones – Sticky Fingers
Label: |
Rolling Stones Records – V3021 |
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Series: |
Mastered At Abbey Road Studios - Half Speed Mastering |
Format: |
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Country: |
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Released: |
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Genre: |
Rock |
Style: |
Country Rock |
Tracklist
A1 | Brown Sugar | 3:49 | |
A2 | Sway | 3:51 | |
A3 | Wild Horses | 5:42 | |
A4 | Can't You Hear Me Knocking | 7:14 | |
A5 | You Gotta Move | 2:32 | |
B1 | Bitch | 3:36 | |
B2 | I Got The Blues | 3:52 | |
B3 | Sister Morphine | 5:31 | |
B4 | Dead Flowers | 4:03 | |
B5 | Moonlight Mile | 5:56 |
Companies, etc.
- Phonographic Copyright ℗ – Promotone B.V.
- Copyright © – Promotone B.V.
- Copyright © – Musidor N.V.
- Licensed To – Universal International Music B.V.
- Recorded At – Rolling Stones Mobile
- Recorded At – Olympic Studios
- Published By – ABKCO Music, Inc.
- Published By – Carlin Music Corp.
- Published By – Copyright Control
- Pressed By – MPO
- Mastered At – Abbey Road Studios
- Lacquer Cut At – Abbey Road Studios
Credits
- Acoustic Guitar – K. Richards* (tracks: A1)
- Bass – B. Wyman* (tracks: A1 to A4, B1 to B5)
- Cover [Uncredited], Photography By [inner sleeve] – Andy Warhol
- Drums – C. Watts*
- Electric Guitar – M. Taylor* (tracks: A5)
- Electric Piano – B. Wyman* (tracks: A5)
- Engineer – Jimmy Johnson (4)
- Guitar – R. Cooder* (tracks: B3)
- Lacquer Cut By – Miles*
- Organ – B. Preston* (tracks: A4, B2)
- Percussion – Rocky* (tracks: A4)
- Piano – N. Hopkins* (tracks: A2)
- Producer – Jimmy Miller
- Saxophone – B. Keys* (tracks: A1, A4, B1, B2)
- Strings – P. Buckmaster* (tracks: A2, B5)
- Trumpet – J. Price* (tracks: B1, B2)
- Vocals – M. Jagger*
- Written-By – Mick Jagger, Keith Richard* (tracks: A1 to A4, B1 to B5)
Notes
A bit of advice from Jimmy M.
Maximum cycle characteristics and fre-
quency response at high decibel level
have been set according to standards
suggested in the GUY STEVENS Producers
Manual, chart R-357, in index, page 304.
These recommended standards were
compiled by the same authority which
recently measured audible damage cre-
ated by supersonic aircraft – if for any
reason you do not agree with the
standards - turn it up.
Half-Speed mastered audio.
Includes printed inner sleeve containing photograph and credits.
Hype sticker: Made in
Labels: Made in the E.U.
Maximum cycle characteristics and fre-
quency response at high decibel level
have been set according to standards
suggested in the GUY STEVENS Producers
Manual, chart R-357, in index, page 304.
These recommended standards were
compiled by the same authority which
recently measured audible damage cre-
ated by supersonic aircraft – if for any
reason you do not agree with the
standards - turn it up.
Half-Speed mastered audio.
Includes printed inner sleeve containing photograph and credits.
Hype sticker: Made in
Labels: Made in the E.U.
Barcode and Other Identifiers
- Barcode: 0602508773143
- Matrix / Runout (Label, side A): 0602508773143-A
- Matrix / Runout (Label, side B): 0602508773143-B
- Matrix / Runout (Runout, side A, etched, MPO®20 160479 stamped, variant 1): 0602557974508 A2 MPO®20 160479 MILES.ABBEY ROAD ½ SPEED.RM30. MPO
- Matrix / Runout (Runout, side B, etched, MPO®20 160480 stamped, variant 1): 0602557974508 B2 MILES.ABBEY ROAD ½ SPEED.ROOM30 MPO®20 160480 MPO
- Matrix / Runout (Runout, side A, etched, MPO®20 189775 stamped, variant 2): 0602557974508 A2 MPO®20 189775 MILES.ABBEY ROAD ½ SPEED. RM30. MPO
- Matrix / Runout (Runout, side B, etched, MPO®20 189776 stamped, variant 2): 0602557974508 B2 MILES.ABBEY ROAD ½ SPEED. ROOM30 MPO®20 189776 MPO
- Matrix / Runout (Runout, side A, etched, MPO®20 160512 stamped, variant 3): 0602557974508 A2 MPO®20 160512 MILES.ABBEY ROAD ½ SPEED.RM30. MPO
- Matrix / Runout (Runout, side B, etched, MPO®20 160510 stamped, variant 3): 0602557974508 B2 MILES.ABBEY ROAD ½ SPEED.ROOM30 MPO®20 160510 MPO
- Rights Society: SDRM BIEM
- Label Code: LC00309
- Matrix / Runout (Runout, side A, etched, MPO®20 166077 stamped, variant 4): 0602557974508 A2 MPO®20 166077 MILES.ABBEY ROAD ½ SPEED.RM30. MPO
- Matrix / Runout (Runout, side B, etched, MPO®20 165004 stamped, variant 4): 0602557974508 B2 MPO®20 165004 MILES.ABBEY ROAD ½ SPEED.ROOM30 MPO
- Matrix / Runout (Runout, side A, etched, MPO®24 353355 stamped, variant 5): 0602557974508 A2 MPO®24 353355 MILES.ABBEY ROAD ½ SPEED.RM30. MPO
- Matrix / Runout (Runout, side B, etched, MPO®24 353354 stamped, variant 5): 0602557974508 B2 MPO®24 353354 MILES.ABBEY ROAD ½ SPEED.ROOM30. MPO
Other Versions (5 of 587)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Sticky Fingers (LP, Album, RI - Philips Pressing, Zipper Cover) | Rolling Stones Records | COC 59100 | US | 1971 | ||
Recently Edited
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Sticky Fingers (LP, Album, Zipper cover) | Rolling Stones Records | COC 59 100, COC 59100 | 1971 | |||
Recently Edited
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Sticky Fingers (LP, Album, Promo, PR) | Rolling Stones Records | COC 59100 | US | 1971 | ||
Recently Edited
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Sticky Fingers (LP, Album, Large Zipper) | Rolling Stones Records | COC 59100 | UK | 1971 | ||
New Submission
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Sticky Fingers (LP, Album) | Rolling Stones Records | WEA-10598 | Colombia | 1971 |
Recommendations
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2016 WorldwideLP, Album, Reissue, Remastered, Repress, Stereo
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2020 USA & EuropeLP, Album, Reissue, Remastered, Stereo
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Reviews
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Sounds crap compared to a 1970's to 1990's RE, thin on most of the tracks. The bad pressing by MPO screws this one up completely. Sad, as this one is my all-time favourite album.
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Save your money, pick up anything else...this is a terrible pressing. Half speed mastered or not, it sounds awful. The quality of the vinyl is visibly sub par. I will try an acid soak and report back if anything improves.
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Based on the reviews it appears this mastering is NOT the same as the mastering on the Box Set. I owned the box and thought Sticky Fingers sounded fantastic although not matching an original pressing. I sold a bunch of titles from the box but now buying a few of them back. Reading the poor reviews here I’m confused how this could sound that much worse (except of course for the pressing quality issues). Anyone that owns this as well as the 2018 Box set that can comment?
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Bought this and immediately returned it for a copy of the 2015 pressing which is lightyears better than this one. Not sure what happened here, as the Exile on Main Street and Some Girls half-speed masters sound pretty great, but the Sticky Fingers pressing is just flat-out bad: muddled sound, no bass, and lousy dynamics. Go for the 2015 pressing (if not an OG)!
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only the best from abbey roads half speed mastered digital cuts, i wonder what miles was thinking while he cut this record?
Release
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