Chambray – Feelin’ Good
Label: |
REKIDS – REKIDS141 |
---|---|
Format: |
Vinyl
, 12", 33 ⅓ RPM, 45 RPM, Single
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Tech House |
Tracklist
A | Feelin’ Good | |
B1 | Feelin’ Good (Radio Slave Remix) | |
B2 | Feelin’ Good (Radio Slave Revenge Remix) |
Companies, etc.
- Phonographic Copyright ℗ – Rekids Ltd.
- Copyright © – Rekids Ltd.
- Published By – Basic Groove Publishing
- Published By – Copyright Control
- Lacquer Cut At – Curve Pusher
- Pressed By – MPO
Credits
- Lacquer Cut By – Lawrie*
- Mixed By – Matthew Styles (tracks: B1, B2)
- Written-By, Producer – Laurent Garnier
Notes
℗ & © 2019 Rekids Ltd.
Made in
Side A plays at 45 RPM, side B at 33 ⅓ RPM.
Made in
Side A plays at 45 RPM, side B at 33 ⅓ RPM.
Barcode and Other Identifiers
- Barcode (Sticker): 3516628299964
- Matrix / Runout (Etched side A, variant 1): REKIDS 141 A
- Matrix / Runout (Etched side B, variant 1): [MPO logo]® 19 145380 REKIDS 141 B lawrie@curvepusher
- Matrix / Runout (Etched side A, variant 2): REKIDS 141 A [MPO logo]® 19 127487
- Matrix / Runout (Etched side B, variant 2): [MPO logo]® 19 127486 REKIDS 141 B lawrie@curvepusher
Other Versions (2)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission
|
Feelin’ Good (3×File, MP3, EP, 320 kbps) | REKIDS | REKIDS141 | UK | 2019 | ||
Feelin’ Good (12", 33 ⅓ RPM, 45 RPM, Repress, Clear) | REKIDS | REKIDS141 | UK | 2020 |
Recommendations
Reviews
-
The Radio Slave Revenge mix is pretty much perfect - old skool feel but new and not dated - this'll have people asking what it is I have no doubts - and unsure whether it's from 1991 or 2021!
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Just finished watching DJs & Beers 37, LG is awesome.. He DJ'd at the HAC (and probably across northern England as well) in the late 80s, with sets including Italo piano house, e.g. big piano breakdowns... This is a reflection of that time. Chambray is on the piano.. Thanks for sharing & producing.
-
Edited 5 years agoAs for the original version: part of the problem is that it sounds too much like Moby's "Go". Not exactly, but a bit of a mash-up of obvious retro elements and therefore feels a little cynical. Just add a bit of modern production pump.
Release
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