Billie Joe Armstrong – Wedding Bell Blues
Label: |
BMG – 538483611 |
|---|---|
Format: |
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Country: |
Worldwide |
Released: |
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Genre: |
Pop |
Style: |
Indie Rock |
Tracklist
| A | Billie Joe Armstrong– | Wedding Bell Blues | 2:57 |
| B | Morrissey– | Brow Of My Beloved | 4:36 |
Companies, etc.
- Record Company – BMG Records
- Phonographic Copyright ℗ – BMG Rights Management (UK) Limited
- Copyright © – BMG Rights Management (UK) Limited
- Copyright © – Jana Film Enterprises, Inc.
- Pressed By – Optimal Media GmbH – BJ63641
- Published By – Copyright Control
- Published By – EMI Songs Ltd.
- Published By – Domino Publishing
- Recorded At – Sunset Sound
- Lacquer Cut At – Optimal Media GmbH
Credits
- Bass – Mando Lopez
- Celesta [Celeste] – Gustavo Manzur
- Design – Morrissey
- Drums – Matthew Ira Walkers*
- Engineer – Bill Mimms*
- Guitar [Backbeat Guitar], Electric Guitar – Jesse Tobias
- Guitar [Intro Guitar] – Boz Boorer
- Lacquer Cut By – SJ*
- Layout – Simon Ryan
- Management [Morrissey Is Managed At] – Deckstar (2)
- Management [Morrissey Is Managed By] – Peter Katsis
- Mixed By – Ken Sluiter
- Model [Cover Image] – Fabian (6)
- Performer – Morrissey
- Piano – Roger Manning*
- Producer [Produced By] – Joe Chiccarelli
Notes
Issued in a side opening card sleeve.
Hype sticker applied directly.
℗ & © 2019 BMG Rights Management (UK) Limited
Recorded at Sunset Sound in Los Angeles, 2018
Publishers:
A: Copyright Control / EMI Songs Ltd.
B: Copyright Control / Domino Publishing
Cover image:
Fabian
"Ride The Wild Surf"
© 1964, renewed 1992 Jana Film Enterprises, Inc.
Courtesy of Columbia Pictures
Runout info:
- Runouts are etched
- The Optimal Media "geometric" marks are mirrored
Hype sticker applied directly.
℗ & © 2019 BMG Rights Management (UK) Limited
Recorded at Sunset Sound in Los Angeles, 2018
Publishers:
A: Copyright Control / EMI Songs Ltd.
B: Copyright Control / Domino Publishing
Cover image:
Fabian
"Ride The Wild Surf"
© 1964, renewed 1992 Jana Film Enterprises, Inc.
Courtesy of Columbia Pictures
Runout info:
- Runouts are etched
- The Optimal Media "geometric" marks are mirrored
Barcode and Other Identifiers
- Barcode (Scanned, EAN-13): 4050538483611
- Barcode (Text): 4 050538 483611
- Matrix / Runout (Side A runout, variant 1): 538483611 BJ63641-O1 A1 SJ
- Matrix / Runout (Side B runout, variant 1): 538483611 vr BJ63641-O1 B1 SJ
- Matrix / Runout (Side A runout, variant 2): 538483611 BJ63641-O1 A1 SJ 1=
- Matrix / Runout (Side B runout, variant 2): 538483611 BJ63641-O1 B1 SJ
Other Versions (4)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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New Submission
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Wedding Bell Blues (File, FLAC, Single) | BMG | none | 2019 | |||
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New Submission
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Wedding Bell Blues (CDr, Promo) | Étienne | 538483611 | 2019 | |||
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New Submission
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Wedding Bell Blues (CDr, Promo) | Étienne | none | 2019 | |||
|
New Submission
|
Wedding Bell Blues (CDr, Promo, Watermarked) | BMG Rights Management | none | Benelux | 2019 |
Recommendations
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2018 EuropeVinyl —7", 45 RPM, Single, Limited Edition, Stereo -
2021 EuropeVinyl —7", 45 RPM, Single, Stereo -
2017 EuropeVinyl —7", 45 RPM, Single, Stereo
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Reviews
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Edited 5 years agoA highlight on Morrissey's covers LP, this record is a notable addition to his singles discography, because of the beautiful Boz original on the B-side, "Brow Of My Beloved" - the soft, reflective sort of song to which Morrissey's voice is so well suited, yet which he chooses to record so seldom - songs like "Seasick, Yet Still Docked", "I'd Love To", "I'm Not Sorry", and "In Your Lap". When Morrissey gives us calmer songs like this, between the hard-charging numbers that tend to fill his albums, it's always a breath of fresh air. "Brow Of My Beloved" addresses the titular furrowed brow of the song's subject, rather than the subject themself. "But what do I do? I sit here stuck with you-know-who." The music here deserves lyrics more fully developed than what Morrissey delivers - though it's clear he means well.
"Wedding Bell Blues" is full of melody and good humor - an instant classic for our Frank. The singer from Green Day was a surprisingly apt choice for the duet - and not just because his name's Bill!
Release
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