Decadance (2)On And On (Fears Keep On)

Label:

Mannequin – MNQ 055

Format:

Vinyl , 12", 45 RPM, Reissue

Country:

Released:

Genre:

Electronic

Style:

New Wave

Tracklist

A On And On (Fears Keep On)
B On And On (Fears Keep On) (Dub Version)

Companies, etc.

  • Published ByTarga Italiana S.r.l.
  • Produced ForProto Records & Tapes
  • Manufactured ByAGR Manufacturing
  • Pressed ByGZ Media – 177791M

Credits

  • CoverRoby Farina
  • Mixed ByBocat*
  • Mixed By, Written-ByMultiplayback
  • Performer [Sintethizer & MC4 Roland Computer], Programmed By [Sintethizer & MC4 Roland Computer]William Marino
  • ProducerFarina*
  • Remastered ByRude 66
  • Written-ByMarino*

Notes

Special thanks to Claudio Pisani

Barcode and Other Identifiers

  • Matrix / Runout (Runout side A, stamped): 177791M1/B WWW.AGRM.CO.UK
  • Matrix / Runout (Runout side B, stamped): 177791M2/B1 WWW.AGRM.CO.UK

Other Versions (5 of 9)

View All
Title (Format) Label Cat# Country Year
Needs Changes
On And On (Fears Keep On) (12", 33 ⅓ RPM, Stereo) Proto Records (2) NSMIX 2007 Italy 1983
Recently Edited
On And On (Fears Keep On) (12", 45 RPM, Reissue, Grey) Mannequin ARFON 01, MNQ 055 Italy 2014
Recently Edited
On And On (Fears Keep On) (12", 45 RPM, Numbered, Reissue, Blue) Mannequin ARFON 01, MNQ 055 Italy 2014
Recently Edited
On And On (Fears Keep On) (12", 45 RPM, Reissue, Stereo) Mannequin ARFON 01 Italy 2014
On And On (Fears Keep On) (12", 45 RPM, Numbered, Reissue, Art Edition) Mannequin ARFON 01 Italy 2014

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Reviews

  • Spartacus1956's avatar
    Spartacus1956
    I haven't heard the original release of course, but besides that, I strongly believe that this release is the best way to enjoy this classic. For my ears, the quality is amazing. Zero surface noise, strong and warm sound, much better than any digital form out there.
    • jagdstaffel's avatar
      jagdstaffel
      Edited 4 years ago
      in reply to the comments below: I did the mastering for this particular pressing.

      Because this is in my alltime italo top 3, i tried very much to leave it alone as much as possible, so no 'modernizing' was done.
      I tried to focus on making it sound a bit less harsh and enjoyable to play both in a club and at home.
      I can not say with certainty where the master files came from, but they had this distortion already in it.
      I frequently restore old masters from tapes for vinyl reissues, and this stuff happens a lot: tapes lay for 40 years in moldy, dusty attics and sheds, and god knows where else.
      In this particular case, what doesn't help is that the track builds to a crescendo at the very end, which is exactly where the vinyl quality due to groove distortion is the absolute worst. This is a track that originally would have benefitted greatly from being pressed to play insde out. You can do a lot of magic in audio restauration these days, but there is a limit. The somewhat shady quality adds to the vibe of the track in my opinion, and it was an honour to work on it.
      • jsuncampbell's avatar
        jsuncampbell
        I doubt the distortion is any fault of new mastering. I get the feeling these guys didn't store their masters w a lot of care. If you check out some of their other releases under different names, like Wanexa 'Man from Colours' there's a part where the tape was obviously eaten up. It is what it is and there's plenty of awesome music within those mishaps.

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