Chick Corea – Return To Forever
Label: |
ECM Records – 2310 404 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Jazz |
Style: |
Latin Jazz |
Tracklist
| A1 | Return To Forever | 12:06 | |
| A2 | Crystal Silence | 6:55 | |
| A3 | What Game Shall We Play Today | 4:26 | |
| B | Sometime Ago - La Fiesta | 23:18 |
Companies, etc.
- Manufactured By – Polydor Incorporated
- Distributed By – Polydor Incorporated
- Phonographic Copyright ℗ – ECM Records GmbH
- Copyright © – ECM Records GmbH
- Published By – ECM Records
- Published By – Litha Music
- Recorded At – A&R Studios
- Lacquer Cut At – Sterling Sound
- Pressed By – Columbia Records Pressing Plant, Pitman
Credits
- Composed By, Electric Piano – Chick Corea
- Drums, Percussion – Airto Moreira
- Electric Bass, Double Bass – Stanley Clarke
- Engineer – Tony May
- Flute, Soprano Saxophone – Joe Farrell
- Lacquer Cut By – RL*
- Liner Notes, Composed By – Chick Corea
- Lyrics By – Neville Potter
- Photography By [Back Cover] – O.H. Hiro*
- Photography By [Cover] – Michael Manoogian
- Producer – Manfred Eicher
- Vocals, Percussion – Flora Purim
Notes
Columbia Records Pressing Plant, Pitman pressing, as indicated by "" etched in runouts and "P" stamped in runouts (where it is present).
Recorded February 2 & 3, 1972 at A&R Studios, New York.
Manufactured and Distributed by Polydor Incorporated, 810 7th Avenue, New York, N.Y. 10019
℗ 1972 ECM Records GmbH
© 1972 ECM Records GmbH
Released in the USA 1975
Runouts are etched, except for Pitman "P" (where present), "STERLING" and some plating characters (where present) which are all stamped.
Recorded February 2 & 3, 1972 at A&R Studios, New York.
Manufactured and Distributed by Polydor Incorporated, 810 7th Avenue, New York, N.Y. 10019
℗ 1972 ECM Records GmbH
© 1972 ECM Records GmbH
Released in the USA 1975
Runouts are etched, except for Pitman "P" (where present), "STERLING" and some plating characters (where present) which are all stamped.
Barcode and Other Identifiers
- Pressing Plant ID (Etched in runouts):
- Pressing Plant ID (Stamped in runouts): P
- Rights Society: ASCAP
- Matrix / Runout (A side label): ECM 1022 A
- Matrix / Runout (B side label): ECM 1022 B
- Matrix / Runout (A side runout, variant 1): P ECM-1022-A-1 STERLING RL
- Matrix / Runout (B side runout, variant 1): P ECM-1022-B--1 STERLING RL
- Matrix / Runout (A side runout, variant 2): P ECM-1022-A-1 L STERLING RL C
- Matrix / Runout (B side runout, variant 2): P ECM-1022-BS--2 STERLING RL
- Matrix / Runout (A side runout, variant 3): P ECM- 1022 -A -1 L STERLING RL
- Matrix / Runout (B side runout, variant 3): P ECM-1022 BS 1 STERLING 1 A
- Matrix / Runout (A side runout, variant 4): P ECM-1022-A-1 STERLING RL 7
- Matrix / Runout (B side runout, variant 4): P ECM 1022 BS 1 STERLING 1 B
Other Versions (5 of 111)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Return To Forever (LP, Album) | ECM Records | ECM 1022 ST | 1972 | ||||
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New Submission
|
Return To Forever (LP, Album) | Polydor | MP 2273 | Japan | 1972 | ||
| Return To Forever (LP, Album, Stereo) | ECM Records | ECM 1022 ST | 1972 | ||||
|
New Submission
|
Return To Forever (Cassette, Album, Stereo) | Polydor | 25CJ0025 | Japan | 1972 | ||
|
New Submission
|
Return To Forever (Reel-To-Reel, 7 ½ ips, 4-Track Stereo, 7" Cine Reel, Album) | Polydor | XP 1040 | Japan | 1972 |
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Anyone have any info on the sound quality/mastering of this pressing? Such a sparse/quiet record I'd love to hear which release is the best/most dynamic.
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