Pat Metheny Group – Travels
Label: |
ECM Records – ECM 1252/53 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Jazz |
Style: |
Fusion |
Tracklist
| A1 | Are You Going With Me? | 9:20 | |
| A2 | The Fields, The Sky | 7:50 | |
| A3 | Goodbye | 8:15 | |
| B1 | Phase Dance | 8:05 | |
| B2 | Straight On Red | 7:27 | |
| B3 | Farmer's Trust | 6:27 | |
| C1 | Extradition | 5:42 | |
| Goin' Ahead / As Falls Wichita, So Falls Wichita Falls | (16:24) | ||
| C2a | Goin' Ahead | ||
| C2b | As Falls Wichita, So Falls Wichita Falls | ||
| D1 | Travels | 5:04 | |
| D2 | Song For Bilbao | 8:27 | |
| D3 | San Lorenzo | 13:38 |
Companies, etc.
- Manufactured By – Warner Bros. Records Inc.
- Distributed By – Warner Bros. Records Inc.
- Record Company – Warner Communications
- Mixed At – Talent Studio
- Lacquer Cut At – Masterdisk
- Phonographic Copyright ℗ – ECM Records GmbH
- Copyright © – ECM Records GmbH
- Published By – Pat-Meth Music
- Published By – Lyle Mays Inc.
- Recorded By – Effanel Music Mobile Truck
- Pressed By – Wakefield Manufacturing – 41422
- Pressed By – Wakefield Manufacturing – 41423
Credits
- Acoustic Bass, Electric Bass, Synthesizer [Bass] – Steve Rodby
- Composed By – Pat Metheny
- Design – Dieter Rehm
- Drums – Dan Gottlieb*
- Engineer [Mixing] – Jan Erik Kongshaug
- Guest [Special Guest], Percussion, Voice, Berimbau – Nana Vasconcelos*
- Guitar [Guitars], Guitar Synthesizer – Pat Metheny
- Lacquer Cut By – RL*
- Photography By [Cover Photos (2nd Row, No. 2/4)] – Milan Horacek
- Photography By [Cover Photos (3rd Row, No. 3/4)] – Dieter Jähnig
- Photography By [Cover Photos] – Dieter Rehm
- Photography By [Liner Photos] – Ron Pownall
- Piano, Synthesizer [Synthesizers], Organ, Autoharp, Synthesizer [Synclavier] – Lyle Mays
- Producer [Produced By] – Pat Metheny
- Recorded By [All Music Recorded Live By (Assist. Engineer)] – Gary Geller
- Recorded By [All Music Recorded Live By (Engineer)] – Randy Ezratty
Notes
Catalog # on spine: 23791-1 J
Catalog # on labels: 1-23791
Catalog # on back and labels: ECM 1252/53
All music recorded live by Effanel Sound-NYC.
Recordings taken from concerts in Dallas (TX), Philadelphia (PA), Hartford (CT), Sacramento (CA) and Nacogdoches (TX).
Recorded in July, October, November 1982.
Grammy Award - Best Jazz Fusion Performance.
Entire album mixed at Talent Studio, Oslo.
An ECM Production
℗ © 1983 ECM Records GmbH. Manufactured and distributed by Warner Bros. Records Inc., a Warner Communications Company. Printed in U.S.A.
All songs published by Pat-Meth Music BMI
Tracks A2, A3, B3 to C2, D2 also published by Lyle Mays Inc. BMI
Tracks A1, B1, B2, C2b, D1, D3: Published by Pat-Meth Music / Lyle Mays Inc. BMI
Tracks A2, A3, B3, C1, C2a, D2: Published by Pat-Meth Music BMI
Catalog # on labels: 1-23791
Catalog # on back and labels: ECM 1252/53
All music recorded live by Effanel Sound-NYC.
Recordings taken from concerts in Dallas (TX), Philadelphia (PA), Hartford (CT), Sacramento (CA) and Nacogdoches (TX).
Recorded in July, October, November 1982.
Grammy Award - Best Jazz Fusion Performance.
Entire album mixed at Talent Studio, Oslo.
An ECM Production
℗ © 1983 ECM Records GmbH. Manufactured and distributed by Warner Bros. Records Inc., a Warner Communications Company. Printed in U.S.A.
All songs published by Pat-Meth Music BMI
Tracks A2, A3, B3 to C2, D2 also published by Lyle Mays Inc. BMI
Tracks A1, B1, B2, C2b, D1, D3: Published by Pat-Meth Music / Lyle Mays Inc. BMI
Tracks A2, A3, B3, C1, C2a, D2: Published by Pat-Meth Music BMI
Barcode and Other Identifiers
- Barcode (Text): 0 7599-23791-1
- Barcode (Scanned): 075992379113
- Rights Society: BMI
- Matrix / Runout (Stamped All Sides, variation 1): WM (W integrated atop M stamp) MASTERDISK
- Matrix / Runout (A Side Etched, variation 1): 41422-Aᵂᴬ² 1-23791-A-WA2 RL
- Matrix / Runout (B Side Etched, variation 1): 41422-Bᵂᴬ⁴ 1-23791-B-WA4
- Matrix / Runout (C Side Etched, variation 1): 41423-Cᵂᴬ⁴ 1-23791-C-WA4
- Matrix / Runout (D Side Etched, variation 1): 41423-Dᵂᴬ⁶ 1-23791-D-WA6
- Matrix / Runout (A Side, variation 2): 1-23791-A-WA1 MASTERDISK RL [W over M] 41422-Aᵂᴬ¹ MO#3 #2
- Matrix / Runout (B Side, variation 2): 1-23791-B-WA2 MASTERDISK RL MO#4 [W over M] 41422-Bᵂᴬ² #2
- Matrix / Runout (C Side, variation 2): 1-23791-C-WA-3 MASTERDISK #1 [W over M] 41423-Cᵂᴬ³ SUB MO#2 Sub MaSTER #2
- Matrix / Runout (D Side, variation 2): 1-23791-D-WA-3 MASTERDISK #1 [W over M] 41423-Dᵂᴬ³*
- Matrix / Runout (A Side, variation 3): 1-23791-A-WA1 MASTERDISK RL [W over M] 41422-AWA1 MO#3 #1
- Matrix / Runout (B Side, variation 3): 1-23791-B-WA2 MASTERDISK RL #1 [W over M] 41422-BWA2
- Matrix / Runout (C Side, variation 3): 1-23791-C-WA-3 MASTERDISK [W over M] 41423-CWA3 #5 SUB MO#1 Sub MaSTER #2
- Matrix / Runout (D Side, variation 3): 1-23791-D-WA-3 MASTERDISK #5 [W over M] 41423-DWA3 MO#3
- Pressing Plant ID: WA
Other Versions (5 of 57)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Travels (2×LP, Album, Stereo, Gatefold) | ECM Records | ECM 1252/53, 810622-1 | 1983 | ||||
|
New Submission
|
Travels (2×LP, Gatefold) | ECM Records | 1-23791, ECM 1252/53 | US | 1983 | ||
|
New Submission
|
Travels (12", EP, Promo) | ECM Records | PRO-A-2059 | US | 1983 | ||
|
New Submission
|
Travels (2×LP, Album) | ECM Records | ECM 1252/53, 92 37991 | Canada | 1983 | ||
| Travels (2×LP, Album, Gatefold) | ECM Records | 812 509-1, 812 510-1, 812 511-1 | 1983 |
Recommendations
Reviews
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Did A-B comparison between this pressing and the 24/96 hi-res stream on qobuz. On my system, this pressing sounds better than the hi-res stream. The vinyl sounds less compressed to me, with more presence and detail. And my used copy is very clean and quiet.
Just a great album from top to bottom. -
Very clean and quiet vinyl. You’ll love the music if you know Metheny or Mays. I do love this recording.
Enjoy it while streaming. The vinyl is a step up on my system. -
My copy of this LP is pressed on translucent brown vinyl. It appears black unless held up to a strong light source. -
Edited 3 years agoThis is a fantastic sounding 2-disc live recording. And it is not even the best live Pat Metheny record out there. What a time to be alive!
Sides 2 and 4 is where most of the magic happens, IMO. Seriously, there are some tremendous group playing and arrangements happening in here. Solos are marvelous, and yet they represent spaces between the amazing ensemble ages.
I can't say enough, other than you should own this record.
This pressing sounds incredible.
Release
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