Tracklist
A1 | Chains Of Love (The Unfettered Mix) | 8:22 | |
A2 | The Good, The Bad And The Ugly | 3:14 | |
A3 | Chains Of Love (The Foghorn Mix) | 6:24 | |
B1 | Chains Of Love (Truly In Love With The Marks Bros. Mix) | 7:20 | |
B2 | Don't Suppose (Country Joe Mix) | 5:56 | |
B3 | Chains Of Love (Fetter Dub Dub) | 5:10 |
Companies, etc.
- Phonographic Copyright ℗ – Sire Records Company
- Copyright © – Sire Records Company
- Marketed By – Reprise Records
- Produced For – Mastermix Productions
- Published By – Sonet Publishing
- Published By – SBK Unart Catac.
- Mastered At – Sheffield Lab Matrix
- Pressed By – Allied Record Company – 31849
- Pressed By – Allied Record Company – 31850
Credits
- Design [Sleeve Designed By] – Slim Smith (2)
- Mastered By [Runout Etch ❀] – Brian Gardner
Notes
Catalog number on inner label: 0-20953
Catalog number on spine: 9 20953-0
A1, A3, B1, B2, B3: Sonet Publishing PRS . by Emile Music ASCAP
A2: SBK Unart Catac. BMI
A1: Additional production and mix for Mastermix Productions.
B3: Additional production and remix for Mastermix Productions.
Marketed by Reprise Records, a Warner Communications Company.
© 1988 Sire Records Company ℗ 1988 Sire Records Company. Made in U.S.A.
Original version of "Chains Of Love" on the LP - Cass - CD "The Innocents".
Promotional copies issued with "Lent for Promotional Use Only" gold stamped on sleeve.
Catalog number on spine: 9 20953-0
A1, A3, B1, B2, B3: Sonet Publishing PRS . by Emile Music ASCAP
A2: SBK Unart Catac. BMI
A1: Additional production and mix for Mastermix Productions.
B3: Additional production and remix for Mastermix Productions.
Marketed by Reprise Records, a Warner Communications Company.
© 1988 Sire Records Company ℗ 1988 Sire Records Company. Made in U.S.A.
Original version of "Chains Of Love" on the LP - Cass - CD "The Innocents".
Promotional copies issued with "Lent for Promotional Use Only" gold stamped on sleeve.
Barcode and Other Identifiers
- Pressing Plant ID (Stamped in runout areas): ɑ
- Barcode (Text): 0 7599-20953-0 3
- Barcode (Scanned): 075992095303
- Rights Society: PRS
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout (Side A etched, "ɑ'' [Allied logo] stamped): 0-20953-A SH-1 ❀ ɑ B-31849-SH1 Δ 21283 1-2
- Matrix / Runout (Side B etched, "ɑ'' [Allied logo] stamped): 0-20953-B SH-1 ❀ ɑ B-31850-SH1 1-1 Δ 21283-X
Other Versions (5 of 49)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Chains Of Love (7", 45 RPM, Single, Stereo) | Mute | INT 111.863, MUTE 83, Mute 83 | 1988 | |||
Recently Edited
|
Chains Of Love (12", 45 RPM, Single) | Mute | 12 MUTE 83 | UK | 1988 | ||
Chains Of Love (7", Single, 45 RPM) | Mute | MUTE 83, MUTE83 | UK | 1988 | |||
Recently Edited
|
Chains Of Love (12", 45 RPM, Single, Limited Edition) | Mute | L 12 MUTE 83 | UK | 1988 | ||
Recently Edited
|
Chains Of Love (CD, Maxi-Single) | Mute | INT 826.888, CD MUTE 83 | 1988 |
Recommendations
Reviews
-
Edited 3 years agoOther than "A Little Respect", this is probably Erasure's biggest hit. It has aged well too, like most of the "Innocents" album. The Shep Pettibone "remixes" are pretty lame, like most of what he did. He was one of those guys that was an editor rather than a remixer -- US record companies (especially Sire) would turn to him a lot in the 80s to pump out lazy edits of big tunes to try and garner interest in a song. Pettibone was huge then, and I never understood why, and I still don't. His formula was basically this: tack on a few minutes of beats, and loop a vocal sample over and over. His edits were very predictable, and predictably boring at that. The two other remixes here from Phill Legg and Mark Maguire are far more interesting, and actually take the song in slightly different directions while creating a new production around the original -- essentially what a remix should be. There are two levels of remixers out there: the Razormaid remix service level, and the professional/artistic level. It's basically McDonalds vs. The Four Seasons, and Shep Pettibone is the happy meal of club culture.
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Classic Erasure and a career highlight for the band. This song was all over the radio and in the nightclubs in 1988 and still gets airplay in retro nightclubs today. Essential Erasure choon.
Release
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Recently Edited
Recently Edited
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