Led Zeppelin – Led Zeppelin
Tracklist
| A1 | Good Times Bad Times | 2:43 | |
| A2 | Babe I'm Gonna Leave You | 6:40 | |
| A3 | You Shook Me | 6:30 | |
| A4 | Dazed And Confused | 6:27 | |
| B1 | Your Time Is Gonna Come | 4:41 | |
| B2 | Black Mountain Side | 2:06 | |
| B3 | Communication Breakdown | 2:26 | |
| B4 | I Can't Quit You Baby | 4:42 | |
| B5 | How Many More Times | 3:30 |
Sociétés, etc.
- Fabriqué par – Atlantic Recording Corporation
- Masterisé à – Customatrix
- Pressé par – Columbia Records Pressing Plant, Terre Haute
- Publié par – Superhype
- Publié par – ARC (9)
- Publié par – Conrad
- Copyright © – Atlantic Recording Corporation
Crédits
- Bass, Organ, Backing Vocals – John Paul Jones
- Design [Cover Design] – George Hardie
- Drums, Timpani, Backing Vocals – John Bonham
- Engineer [Director Of Engineering] – Glyn Johns
- Executive-Producer – Peter Grant
- Lead Vocals, Harmonica – Robert Plant
- Photography By [Back Liner Photo] – Chris Dreja
- Producer, Electric Guitar, Acoustic Guitar, Pedal Steel Guitar, Backing Vocals – Jimmy Page
Notes
© 1969 Atlantic Recording Corporation
Although B5 is listed with a shorter duration, it actually plays for about 8:28.
All runout characters are stamped except for the final "T" in variants 1, 3, 4, & 9 which is etched on both sides.
Although B5 is listed with a shorter duration, it actually plays for about 8:28.
All runout characters are stamped except for the final "T" in variants 1, 3, 4, & 9 which is etched on both sides.
Code-barres et autres identifiants
- Société des droits d'auteur (A1, A2, A4, B1 to B3, B5): ASCAP
- Société des droits d'auteur (A3, B4): BMI
- Identifiant de l'usine de pressage (Matrix suffix on labels): CT
- Identifiant de l'usine de pressage (Stamped in runouts): CT
- Informations sur la matrice (Side A center label): ST-A-681461CT
- Informations sur la matrice (Side B center label): ST-A-681462CT
- Informations sur la matrice (Side A runout, variant 1): ST-A-681461-1A | CT T
- Informations sur la matrice (Side B runout, variant 1): ST-A-681461-1E | CTH T
- Informations sur la matrice (Side A runout, variant 2): O ST A681461-1B | CT T
- Informations sur la matrice (Side A runout, variant 2): O ST A681462-1D | CT T
- Informations sur la matrice (Side A runout, variant 3): o ST A681461-1E | CT T
- Informations sur la matrice (Side B runout, variant 3): o ST A681462-1F | CT T
- Informations sur la matrice (Side A runout, variant 4): o ST A681461-1A | CT T
- Informations sur la matrice (Side B runout, variant 4): o ST A681462-1B | CT T
- Informations sur la matrice (Side A runout, variant 5): o ST A681461-1A | CT T 111
- Informations sur la matrice (Side B runout, variant 5): o ST A681462-1B | CT T G5
- Informations sur la matrice (Side A runout, variant 6): O ST A681461-1B | CT T A4
- Informations sur la matrice (Side B runout, variant 6): O ST A681462-1B | CT T A 22
- Informations sur la matrice (Side B runout, variant 7): o ST A681462-1B | CT T G8
- Informations sur la matrice (Side A runout, variant 8): o ST A681461-1B | CT T A2
- Informations sur la matrice (Side B runout, variant 8): o ST A681462-1A | CT T A 5
- Informations sur la matrice (Side A runout, variant 9): o S T A681461-1E | CTH T
- Informations sur la matrice (Side B runout, variant 9): o S T A681462-1B | CT T
Autres versions (5 sur 882)
Tout afficher| Titre (Format) | Label | Cat N° | Pays | Année | |||
|---|---|---|---|---|---|---|---|
|
Récemment édités
|
Led Zeppelin (LP, Advance, Album, Promo, Test Pressing) | Atlantic | none | US | 1968 | ||
|
Récemment édités
|
Led Zeppelin (LP, Album, RI - Philips Pressing) | Atlantic | SD 8216 | US | 1969 | ||
|
Récemment édités
|
Led Zeppelin (LP, Album, Repress, Version 6) | Atlantic | 588171 | UK | 1969 | ||
|
Récemment édités
|
Led Zeppelin (LP, Album, Stereo, Turquoise Lettering) | Atlantic | 588171 | UK | 1969 | ||
|
Récemment édités
|
Led Zeppelin = レッド・ツェッペリン (LP, Album, Repress, Stereo, Gatefold) | Atlantic | MT-1067, MT 1067 | Japan | 1969 |
Recommandations
Avis
-
This is a great sounding pressing! Wide soundstage and well balanced mids and bass. My copy has some age related surface noise but the sonics are so well EQ’d that it shines through. Better than any digital remaster I’ve ever heard! -
I have no other pressings to compare to. That said, the copy I just picked up is exceptional condition. The vinyl plays quiet. The bass is tight. The highs are clear. The mids seem to be a bit more pronounced than the rest... and this isn't a bad thing. The mix is pretty well balanced and sounds great to my ears. -
Modifié il y a un anMastered and pressed by Columbia. Listen to most Columbia from this era—perfect in every way. Hard to believe the UK is a better pressing, maybe more “collectable”. -
Référence
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Informations correctes
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